An energetic introduction to a new superhero.
A feisty young teen explores the literal power of art.
Ever since her abusive father was imprisoned, spunky graffiti artist Ashley has bounced from foster home to foster home. When she finally finds a new family she jibes with, she’s cautiously optimistic. Kitch Nolan is a visual artist while his wife, Yuka, is a geneticist for Zecromax Labs. They’re overjoyed to welcome Ashley into their life, but Yuka grows increasingly distant. Soon Ashley discovers that Yuka is keeping a secret: She’s stolen some prototype Project Warpaint. A new secret weapon coveted by the military, this is body paint imbued with superhero powers, one per color. When Ashley accidentally activates the paints and begins experimenting with them, she decides to assume a superhero identity, becoming the titular Primer with the help of her new friend Luke. Soon she realizes she’s up against a bigger threat than your average bad guy. A supersoldier is hunting down this new secret weapon and is more than happy to take out Ashley in the process. The character design has slightly exaggerated features (white-presenting Ashley has oversized eyes and a petite waist), and the illustration style is realistic, dynamic, and, of course, colorful. Readers willing to overlook slight inconsistencies in characterization and questions about worldbuilding will find this read delightful and look forward to future chapters. The Nolans are an interracial couple, and Luke presents black.
An energetic introduction to a new superhero. (Graphic adventure. 8-14)Pub Date: June 23, 2020
ISBN: 978-1-4012-9657-5
Page Count: 144
Publisher: DC
Review Posted Online: March 28, 2020
Kirkus Reviews Issue: April 15, 2020
Readers can still rely on this series to bring laughs.
The Heffley family’s house undergoes a disastrous attempt at home improvement.
When Great Aunt Reba dies, she leaves some money to the family. Greg’s mom calls a family meeting to determine what to do with their share, proposing home improvements and then overruling the family’s cartoonish wish lists and instead pushing for an addition to the kitchen. Before bringing in the construction crew, the Heffleys attempt to do minor maintenance and repairs themselves—during which Greg fails at the work in various slapstick scenes. Once the professionals are brought in, the problems keep getting worse: angry neighbors, terrifying problems in walls, and—most serious—civil permitting issues that put the kibosh on what work’s been done. Left with only enough inheritance to patch and repair the exterior of the house—and with the school’s dismal standardized test scores as a final straw—Greg’s mom steers the family toward moving, opening up house-hunting and house-selling storylines (and devastating loyal Rowley, who doesn’t want to lose his best friend). While Greg’s positive about the move, he’s not completely uncaring about Rowley’s action. (And of course, Greg himself is not as unaffected as he wishes.) The gags include effectively placed callbacks to seemingly incidental events (the “stress lizard” brought in on testing day is particularly funny) and a lampoon of after-school-special–style problem books. Just when it seems that the Heffleys really will move, a new sequence of chaotic trouble and property destruction heralds a return to the status quo. Whew.
Readers can still rely on this series to bring laughs. (Graphic/fiction hybrid. 8-12)Pub Date: Nov. 5, 2019
ISBN: 978-1-4197-3903-3
Page Count: 224
Publisher: Amulet/Abrams
Review Posted Online: Nov. 18, 2019
SEEN & HEARD
A captivating book situated in present-day discourse around the refugee crisis, featuring two boys who stand by their high...
Two parallel stories, one of a Syrian boy from Aleppo fleeing war, and another of a white American boy, son of a NATO contractor, dealing with the challenges of growing up, intersect at a house in Brussels.
Ahmed lost his father while crossing the Mediterranean. Alone and broke in Europe, he takes things into his own hands to get to safety but ends up having to hide in the basement of a residential house. After months of hiding, he is discovered by Max, a boy of similar age and parallel high integrity and courage, who is experiencing his own set of troubles learning a new language, moving to a new country, and being teased at school. In an unexpected turn of events, the two boys and their new friends Farah, a Muslim Belgian girl, and Oscar, a white Belgian boy, successfully scheme for Ahmed to go to school while he remains in hiding the rest of the time. What is at stake for Ahmed is immense, and so is the risk to everyone involved. Marsh invites art and history to motivate her protagonists, drawing parallels to gentiles who protected Jews fleeing Nazi terror and citing present-day political news. This well-crafted and suspenseful novel touches on the topics of refugees and immigrant integration, terrorism, Islam, Islamophobia, and the Syrian war with sensitivity and grace.
A captivating book situated in present-day discourse around the refugee crisis, featuring two boys who stand by their high values in the face of grave risk and succeed in drawing goodwill from others. (Historical fiction. 10-14)Pub Date: Aug. 7, 2018
ISBN: 978-1-250-30757-6
Page Count: 368
Publisher: Roaring Brook Press
Review Posted Online: June 10, 2018
Kirkus Reviews Issue: July 1, 2018
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