Next book

THE SCOURGE

Predictable execution hampers what could have been an intriguing exploration of the mechanics of corruption

A baffling illness threatens a fantasy land.

Ani’s up in a tree picking a vinefruit when wardens capture her. She’s done nothing wrong, but the wardens say that the red stain on her arm from the vinefruit juice is a symptom of the Scourge, a deadly, contagious, always-fatal disease. It’s clearly a pretext: before they found her, Ani heard them mention their assignment to “come get” several people of Ani’s ethnic group. The River People—forbidden from voting or owning property, not bathing “often enough”—are a stereotypical blend of Romany and indigenous peoples. The ruling townsfolk, on the other hand, have no specified ethnicity and seem white. The governor diagnoses Ani and her best friend, Weevil, with the Scourge and sends them to the Colony, a quarantined island from which nobody returns. (Colony wardens, oddly, seem immune to the Scourge.) Ani and Weevil play Colony rabble-rousers, resisting unfair treatment and working to untangle the governor’s statement that “River People are the Scourge.” Nielsen provides two major plot twists, and both are robust and horrifying in content; however, the method and pace of divulging them are meandering and vague, lacking punch. Characters are stock, and the prose sometimes overexplains, even stretching beyond Ani’s first-person voice to reveal other characters’ emotions.

Predictable execution hampers what could have been an intriguing exploration of the mechanics of corruption . (Fantasy. 10-13)

Pub Date: Aug. 30, 2016

ISBN: 978-0-545-68245-9

Page Count: 368

Publisher: Scholastic

Review Posted Online: May 3, 2016

Kirkus Reviews Issue: May 15, 2016

Next book

I AM NUMBER FOUR

From the Lorien Legacies series , Vol. 1

If it were a Golden Age comic, this tale of ridiculous science, space dogs and humanoid aliens with flashlights in their hands might not be bad. Alas... Number Four is a fugitive from the planet Lorien, which is sloppily described as both "hundreds of lightyears away" and "billions of miles away." Along with eight other children and their caretakers, Number Four escaped from the Mogadorian invasion of Lorien ten years ago. Now the nine children are scattered on Earth, hiding. Luckily and fairly nonsensically, the planet's Elders cast a charm on them so they could only be killed in numerical order, but children one through three are dead, and Number Four is next. Too bad he's finally gained a friend and a girlfriend and doesn't want to run. At least his newly developing alien powers means there will be screen-ready combat and explosions. Perhaps most idiotic, "author" Pittacus Lore is a character in this fiction—but the first-person narrator is someone else entirely. Maybe this is a natural extension of lightly hidden actual author James Frey's drive to fictionalize his life, but literature it ain't. (Science fiction. 11-13)

     

 

Pub Date: Aug. 17, 2010

ISBN: 978-0-06-196955-3

Page Count: 448

Publisher: Harper/HarperCollins

Review Posted Online: Dec. 22, 2010

Kirkus Reviews Issue: Aug. 1, 2010

Next book

DEAD END IN NORVELT

Characteristically provocative gothic comedy, with sublime undertones.

An exhilarating summer marked by death, gore and fire sparks deep thoughts in a small-town lad not uncoincidentally named “Jack Gantos.”

The gore is all Jack’s, which to his continuing embarrassment “would spray out of my nose holes like dragon flames” whenever anything exciting or upsetting happens. And that would be on every other page, seemingly, as even though Jack’s feuding parents unite to ground him for the summer after several mishaps, he does get out. He mixes with the undertaker’s daughter, a band of Hell’s Angels out to exact fiery revenge for a member flattened in town by a truck and, especially, with arthritic neighbor Miss Volker, for whom he furnishes the “hired hands” that transcribe what becomes a series of impassioned obituaries for the local paper as elderly town residents suddenly begin passing on in rapid succession. Eventually the unusual body count draws the—justified, as it turns out—attention of the police. Ultimately, the obits and the many Landmark Books that Jack reads (this is 1962) in his hours of confinement all combine in his head to broaden his perspective about both history in general and the slow decline his own town is experiencing.

Characteristically provocative gothic comedy, with sublime undertones. (Autobiographical fiction. 11-13)

Pub Date: Sept. 13, 2011

ISBN: 978-0-374-37993-3

Page Count: 352

Publisher: Farrar, Straus and Giroux

Review Posted Online: April 5, 2011

Kirkus Reviews Issue: Aug. 15, 2011

Close Quickview