Predictable execution hampers what could have been an intriguing exploration of the mechanics of corruption
A baffling illness threatens a fantasy land.
Ani’s up in a tree picking a vinefruit when wardens capture her. She’s done nothing wrong, but the wardens say that the red stain on her arm from the vinefruit juice is a symptom of the Scourge, a deadly, contagious, always-fatal disease. It’s clearly a pretext: before they found her, Ani heard them mention their assignment to “come get” several people of Ani’s ethnic group. The River People—forbidden from voting or owning property, not bathing “often enough”—are a stereotypical blend of Romany and indigenous peoples. The ruling townsfolk, on the other hand, have no specified ethnicity and seem white. The governor diagnoses Ani and her best friend, Weevil, with the Scourge and sends them to the Colony, a quarantined island from which nobody returns. (Colony wardens, oddly, seem immune to the Scourge.) Ani and Weevil play Colony rabble-rousers, resisting unfair treatment and working to untangle the governor’s statement that “River People are the Scourge.” Nielsen provides two major plot twists, and both are robust and horrifying in content; however, the method and pace of divulging them are meandering and vague, lacking punch. Characters are stock, and the prose sometimes overexplains, even stretching beyond Ani’s first-person voice to reveal other characters’ emotions.
Predictable execution hampers what could have been an intriguing exploration of the mechanics of corruption . (Fantasy. 10-13)Pub Date: Aug. 30, 2016
ISBN: 978-0-545-68245-9
Page Count: 368
Publisher: Scholastic
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: May 15, 2016
A bit of envelope-pushing freshens up the formula.
In honor of its 25th anniversary, a Disney Halloween horror/comedy film gets a sequel to go with its original novelization.
Three Salem witches hanged in 1693 for stealing a child’s life force are revived in 1993 when 16-year-old new kid Max completes a spell by lighting a magical candle (which has to be kindled by a virgin to work). Max and dazzling, popular classmate Allison have to keep said witches at bay until dawn to save all of the local children from a similar fate. Fast-forward to 2018: Poppy, daughter of Max and Allison, inadvertently works a spell that sends her parents and an aunt to hell in exchange for the gleeful witches. With help from her best friend, Travis, and classmate Isabella, on whom she has a major crush, Poppy has only hours to keep the weird sisters from working more evil. The witches, each daffier than the last, supply most of the comedy as well as plenty of menace but end up back in the infernal regions. There’s also a talking cat, a talking dog, a gaggle of costumed heroines, and an oblique reference to a certain beloved Halloween movie. Traditional Disney wholesomeness is spiced, not soured, by occasional innuendo and a big twist in the sequel. Poppy and her family are white, while Travis and Isabella are both African-American.
A bit of envelope-pushing freshens up the formula. (Fantasy. 10-15)Pub Date: July 10, 2018
ISBN: 978-1-368-02003-9
Page Count: 528
Publisher: Freeform/Disney
Review Posted Online: June 16, 2018
Kirkus Reviews Issue: July 1, 2018
Much rousing sturm und drang, though what’s left after the dust settles is a heap of glittering but disparate good parts...
Scott tops off his deservedly popular series with a heaping shovelful of monster attacks, heroic last stands, earthquakes and other geological events, magic-working, millennia-long schemes coming to fruition, hearts laid bare, family revelations, transformations, redemptions and happy endings (for those deserving them).
Multiple plotlines—some of which, thanks to time travel, feature the same characters and even figures killed off in previous episodes—come to simultaneous heads in a whirl of short chapters. Flamel and allies (including Prometheus and Billy the Kid) defend modern San Francisco from a motley host of mythological baddies. Meanwhile, in ancient Danu Talis (aka Atlantis), Josh and Sophie are being swept into a play to bring certain Elders to power as the city’s downtrodden “humani” population rises up behind Virginia Dare, the repentant John Dee and other Immortals and Elders. The cast never seems unwieldy despite its size, the pacing never lets up, and the individual set pieces are fine mixtures of sudden action, heroic badinage and cliffhanger cutoffs. As a whole, though, the tale collapses under its own weight as the San Francisco subplots turn out to be no more than an irrelevant sideshow, and climactic conflicts take place on an island that is somehow both a historical, physical place and a higher reality from which Earth and other “shadowrealms” are spun off.
Much rousing sturm und drang, though what’s left after the dust settles is a heap of glittering but disparate good parts rather than a cohesive whole. (Fantasy. 11-13)Pub Date: May 22, 2012
ISBN: 978-0-385-73535-3
Page Count: 528
Publisher: Delacorte
Review Posted Online: May 29, 2012
Kirkus Reviews Issue: June 15, 2012
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