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THE KITCHEN FRONT

Certain to delight lovers of historical fiction and TV cooking competitions.

Stir together estranged sisters, prisoners of war, dastardly men, and whale-meat pie recipes; leave to simmer.

It's 1942, and England’s women have been given a directive straight from Winston Churchill himself: Keep a stiff upper lip and do your part in your kitchen for the war effort. At the forefront of this messaging is a BBC radio show—hosted by a man, Ambrose Hart—that teaches Britain’s housewives how to make a lot out of very little. The BBC decides the show would better reach its intended audience if it were co-hosted by a woman; to find this feminine voice it holds a three-part cooking competition whose prize is the coveted radio spot. Enter Audrey, a war-widowed mother of three with a scrappy bakery business; Gwendoline, Audrey’s haughty sister, who's married to a bigwig factory owner; Nell, a meek but talented kitchen maid; and Zelda, an elite London chef with a secret. The book is divided into the three-part structure of the cooking competition, and while the novel is somewhat slow to start, Ryan hits her stride during “Main Course.” As a bonus for history buffs, many chapters end with ration-conscious recipes ranging from the eccentric (sheep’s head wrapped in its own tongue) to the more mundane (apple cake sweetened with honey instead of the hard-to-come-by sugar). Replete with a hearty amount of melodrama —“My own butler saw you with that fancy chef....Do you want to make a fool of me? Do you?”—and more than a dash of that wartime staple, saccharine—“You’ll be surprised what the power of friendship can do”—this is nonetheless a creative and satiating novel.

Certain to delight lovers of historical fiction and TV cooking competitions.

Pub Date: Feb. 23, 2021

ISBN: 978-0-593-15880-7

Page Count: 416

Publisher: Ballantine

Review Posted Online: Nov. 26, 2020

Kirkus Reviews Issue: Dec. 15, 2020

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THE CORRESPONDENT

An affecting portrait of a prickly woman.

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  • New York Times Bestseller

A lifetime’s worth of letters combine to portray a singular character.

Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.

An affecting portrait of a prickly woman.

Pub Date: May 6, 2025

ISBN: 9780593798430

Page Count: 304

Publisher: Crown

Review Posted Online: Feb. 15, 2025

Kirkus Reviews Issue: March 15, 2025

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THE CALAMITY CLUB

Fans of Stockett’s bestselling debut will love this engaging follow-up.

Stockett heads to Mississippi for another historical novel about feisty women.

This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.

Fans of Stockett’s bestselling debut will love this engaging follow-up.

Pub Date: May 5, 2026

ISBN: 9781954118812

Page Count: 656

Publisher: Spiegel & Grau

Review Posted Online: Feb. 2, 2026

Kirkus Reviews Issue: March 1, 2026

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