Injustice and redemption are overused words, but this heartfelt joint memoir justifies its subtitle.
A rape victim and the man she falsely accused—in good faith—collaborate to share an important, affecting story of fatally mistaken identity.
Thompson-Cannino was a college student at Elon College in1984, when a knife-wielding man broke into her Burlington, N.C., apartment and raped her. She saw him clearly and escaped the apartment before he could harm her further. After working with a police sketch artist and examining mug shots gathered by police, she identified 22-year-old Cotton, who was convicted by a jury and sentenced to life in prison. He maintained his innocence from the time police approached him, but nobody except his family believed him. Sophisticated DNA testing did not exist in the mid-’80s, and few people inside or outside the criminal-justice system understood the unreliability of eyewitness identification, especially across racial lines. (Thompson-Cannino is Caucasian, Cotton African-American.) Convicted prisoners rarely receive attention when claiming innocence from their cells, and they usually lack the money, the legal assistance and the support network to make their assertions heard. Thompson didn’t have much money, but he drew strength from his family and found unusually receptive lawyers willing to represent him pro bono in time-consuming, seemingly hopeless post-conviction proceedings. Journalist Torneo alternates between the first-person narratives of Thompson-Cannino and Cotton. When she heard that a DNA test had set him free after 11 years in prison, she was stunned and guilt-ridden. After seeing a TV documentary about how eyewitnesses make mistakes, in which Cotton said he wondered why he’d never heard from the woman responsible for his wrongful incarceration, she arranged to meet him. Despite the nervousness of her relatives and the anger of his wife, they built up mutual trust, became friends and eventually began traveling together to educate audiences about flaws in the criminal-justice system.
Injustice and redemption are overused words, but this heartfelt joint memoir justifies its subtitle.Pub Date: March 1, 2009
ISBN: 978-0-312-37653-6
Page Count: 304
Publisher: St. Martin's
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 1, 2008
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
An autobiography as toxic and addictive as any drug its author has ever ingested.
The legendary booze-addled metal rocker turned reality-TV star comes clean in his tell-all autobiography.
Although brought up in the bleak British factory town of Aston, John “Ozzy” Osbourne’s tragicomic rags-to-riches tale is somehow quintessentially American. It’s an epic dream/nightmare that takes him from Winson Green prison in 1966 to a presidential dinner with George W. Bush in 2004. Tracing his adult life from petty thief and slaughterhouse worker to rock star, Osbourne’s first-person slang-and-expletive-driven style comes off like he’s casually relating his story while knocking back pints at the pub. “What you read here,” he writes, “is what dribbled out of the jelly I call my brain when I asked it for my life story.” During the late 1960s his transformation from inept shoplifter to notorious Black Sabbath frontman was unlikely enough. In fact, the band got its first paying gigs by waiting outside concert venues hoping the regularly scheduled act wouldn’t show. After a few years, Osbourne and his bandmates were touring America and becoming millionaires from their riff-heavy doom music. As expected, with success came personal excess and inevitable alienation from the other members of the group. But as a solo performer, Osbourne’s predilection for guns, drink, drugs, near-death experiences, cruelty to animals and relieving himself in public soon became the stuff of legend. His most infamous exploits—biting the head off a bat and accidentally urinating on the Alamo—are addressed, but they seem tame compared to other dark moments of his checkered past: nearly killing his wife Sharon during an alcohol-induced blackout, waking up after a bender in the middle of a busy highway, burning down his backyard, etc. Osbourne is confessional to a fault, jeopardizing his demonic-rocker reputation with glib remarks about his love for Paul McCartney and Robin Williams. The most distinguishing feature of the book is the staggering chapter-by-chapter accumulation of drunken mishaps, bodily dysfunctions and drug-induced mayhem over a 40-plus-year career—a résumé of anti-social atrocities comparable to any of rock ’n’ roll’s most reckless outlaws.
An autobiography as toxic and addictive as any drug its author has ever ingested.Pub Date: Jan. 25, 2010
ISBN: 978-0-446-56989-7
Page Count: 320
Publisher: Grand Central Publishing
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 1, 2009
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