Kids can make a difference, which Lola proves with gusto.
“¡Si se puede!”
A day in the life of a young Dolores Huerta is imagined in this story of activism. Lola helps Mama run the Hotel Delano. She delivers fresh towels, washes windows, and sets the dinner table—the only thing she can’t seem to do is stop talking! Her grandfather calls her “Lolita Siete Lenguas” (“Little Lola, Seven Tongues, all fighting to be heard”) and tells her, “For now, you must be quiet” but adds, “Sometimes one strong voice is just what we need.” When Lola, looking out her window, spots a woman and a girl getting kicked off the cable car for being unable to pay, she knows she must act. Remembering her mother’s admonition to fix a problem when it arises rather than pretending it isn't there, she races downstairs to welcome them into the hotel. Lola grows up to be a tireless advocate for farmworkers’ rights and uses her “seven tongues” to fight for social justice causes. This uncomplicated story will encourage readers to speak up when they see someone in need. Warm illustrations give characters—depicted in various shades of brown—a friendly tone. In an author’s note, Torres explains that while this incident was imagined, the story is inspired by Huerta’s childhood; Torres also provides details of Huerta’s iconic labor organizing work. (This book was reviewed digitally.)
Kids can make a difference, which Lola proves with gusto. (Picture book. 5-8)Pub Date: Aug. 9, 2022
ISBN: 978-0-316-53012-5
Page Count: 32
Publisher: Little, Brown
Review Posted Online: May 10, 2022
Kirkus Reviews Issue: June 1, 2022
An inspiring introduction to the young Nobel Peace Prize winner and a useful conversation starter.
The latest of many picture books about the young heroine from Pakistan, this one is narrated by Malala herself, with a frame that is accessible to young readers.
Malala introduces her story using a television show she used to watch about a boy with a magic pencil that he used to get himself and his friends out of trouble. Readers can easily follow Malala through her own discovery of troubles in her beloved home village, such as other children not attending school and soldiers taking over the village. Watercolor-and-ink illustrations give a strong sense of setting, while gold ink designs overlay Malala’s hopes onto her often dreary reality. The story makes clear Malala’s motivations for taking up the pen to tell the world about the hardships in her village and only alludes to the attempt on her life, with a black page (“the dangerous men tried to silence me. / But they failed”) and a hospital bracelet on her wrist the only hints of the harm that came to her. Crowds with signs join her call before she is shown giving her famous speech before the United Nations. Toward the end of the book, adult readers may need to help children understand Malala’s “work,” but the message of holding fast to courage and working together is powerful and clear.
An inspiring introduction to the young Nobel Peace Prize winner and a useful conversation starter. (Picture book/memoir. 5-8)Pub Date: Oct. 17, 2017
ISBN: 978-0-316-31957-7
Page Count: 48
Publisher: Little, Brown
Review Posted Online: Aug. 1, 2017
Kirkus Reviews Issue: Aug. 15, 2017
BOOK REVIEW
BOOK REVIEW
Blandly laudatory.
The iconic animator introduces young readers to each “happy place” in his life.
The tally begins with his childhood home in Marceline, Missouri, and climaxes with Disneyland (carefully designed to be “the happiest place on Earth”), but the account really centers on finding his true happy place, not on a map but in drawing. In sketching out his early flubs and later rocket to the top, the fictive narrator gives Ub Iwerks and other Disney studio workers a nod (leaving his labor disputes with them unmentioned) and squeezes in quick references to his animated films, from Steamboat Willie to Winnie the Pooh (sans Fantasia and Song of the South). Eliopoulos incorporates stills from the films into his cartoon illustrations and, characteristically for this series, depicts Disney as a caricature, trademark mustache in place on outsized head even in childhood years and child sized even as an adult. Human figures default to white, with occasional people of color in crowd scenes and (ahistorically) in the animation studio. One unidentified animator builds up the role-modeling with an observation that Walt and Mickey were really the same (“Both fearless; both resourceful”). An assertion toward the end—“So when do you stop being a child? When you stop dreaming”—muddles the overall follow-your-bliss message. A timeline to the EPCOT Center’s 1982 opening offers photos of the man with select associates, rodent and otherwise. An additional series entry, I Am Marie Curie, publishes simultaneously, featuring a gowned, toddler-sized version of the groundbreaking physicist accepting her two Nobel prizes.
Blandly laudatory. (bibliography) (Picture book/biography. 6-8)Pub Date: Sept. 10, 2019
ISBN: 978-0-7352-2875-7
Page Count: 40
Publisher: Dial Books
Review Posted Online: Aug. 17, 2019
Kirkus Reviews Issue: Sept. 1, 2019
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