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POUNDING THE PAVEMENT

Well-intentioned though lackluster first novel.

Job trouble, love trouble and a 20-something heroine—sounds like another stroll down chick-lit lane.

As a Brown graduate and a former assistant at an online film studio, Sarah Pelletier should have had little trouble finding a job when 451Films.com went belly-up. But she’s been unemployed for six months now and her bank account is sinking to the single digits. Sarah knows she’s in trouble when gym shorts seem like formal attire and the day’s climax is happy hour with her unbearable roommate. She signs on with an employment agency, but her interviews deteriorate from secretary at an ad agency to a position in property management—all a million miles from her dream of working in film. Worse, Mom sends law-school applications while Dad rattles on about her COBRA plan. Then there’s her friend Laurie’s bright idea that speed-dating will help improve her abysmal interviewing skills. The one bright spot in Sarah’s life comes in the form of Jake, a dishy film-buff with possibly one fatal flaw: he may be on the rebound. Where does all this take the reader? Down an amusing yet all-too-familiar path of girl making good. Given all the well-worn conventions, the success of van der Kwast’s debut depends on Sarah: Is she funny enough, genuine enough, different enough to make it work? Well, not quite. Though the author offers a fresh (and perhaps all too relevant) portrait of a recent college grad struggling to mesh her best dreams with her worst realities, too much relies on Sarah’s plucky narrative, which falls short of holding everything together. By the end, the job Sarah does get as an assistant to New York’s top talent agent (possibly the stepping-stone she needs) is lost when a little white lie gets her fired, leaving Sarah with her biggest decision: Should she go back home to Colorado, or risk all in New York with Jake?

Well-intentioned though lackluster first novel.

Pub Date: July 5, 2005

ISBN: 0-7679-1953-X

Page Count: 288

Publisher: Broadway

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: June 1, 2005

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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BETWEEN SISTERS

Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles...

Sisters in and out of love.

Meghann Dontess is a high-powered matrimonial lawyer in Seattle who prefers sex with strangers to emotional intimacy: a strategy bound to backfire sooner or later, warns her tough-talking shrink. It’s advice Meghann decides to ignore, along with the memories of her difficult childhood, neglectful mother, and younger sister. Though she managed to reunite Claire with Sam Cavenaugh (her father but not Meghann’s) when her mother abandoned both girls long ago, Meghann still feels guilty that her sister’s life doesn’t measure up, at least on her terms. Never married, Claire ekes out a living running a country campground with her dad and is raising her six-year-old daughter on her own. When she falls in love for the first time with an up-and-coming country musician, Meghann is appalled: Bobby Austin is a three-time loser at marriage—how on earth can Claire be so blind? Bobby’s blunt explanation doesn’t exactly satisfy the concerned big sister, who busies herself planning Claire’s dream wedding anyway. And, to relieve the stress, she beds various guys she picks up in bars, including Dr. Joe Wyatt, a neurosurgeon turned homeless drifter after the demise of his beloved wife Diane (whom he euthanized). When Claire’s awful headache turns out to be a kind of brain tumor known among neurologists as a “terminator,” Joe rallies. Turns out that Claire had befriended his wife on her deathbed, and now in turn he must try to save her. Is it too late? Will Meghann find true love at last?

Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles (Distant Shores, 2002, etc.). Kudos for skipping the snifflefest this time around.

Pub Date: May 1, 2003

ISBN: 0-345-45073-6

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: April 1, 2003

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