Owing as much to Sula as to Susan Isaacs, Weiner’s follow-up lacks some of the bite of her first novel, but still tells a...
Weiner follows her sharp, funny debut (Good in Bed, 2001) with a look at the sometimes-chafing bonds of sisterhood.
Ella Hirsch volunteers. Meals-on-Wheels, the local thrift store, books for the blind, even a weekly column for the Golden Acres Gazette, a weekly published by and for residents of her “retirement community for active seniors.” But all the pet shelters in the world can’t distract her from the pain of losing her daughter Caroline 20 years ago. Still worse, Caroline’s husband, Michael Feller, refuses Ella all contact with her granddaughters, telling the girls that grandma’s been “in a home” they can’t visit. Instead, Rose and Maggie are raised by Michael’s second wife, Sydelle the Stepmonster, who feeds pudgy Rose sugar-free Jello for dessert while the rest of the family has ice cream (reminding her that “when My Marcia got married, she bought a size six Vera Wang—and had it taken in”) and who tells dyslexic Maggie, “We’ll get you a tutor,” but instead lets her get shunted into special ed, where incompetent teachers hand out endless worksheets while Maggie does her nails. No wonder that Rose goes to Princeton and eventually lands a job with Philadelphia law firm Lewis, Dommel, and Fenick but remains “a grown-up bookworm with a decent wardrobe,” while glamorous Maggie works a series of dead-end jobs, always dreaming she’s about to break into show business. What she breaks instead is Rose’s heart—camping out in her living room when she’s evicted from her apartment, running up Rose’s credit cards, wearing her shoes, and stealing everything she needs most—all the while relying on Rose’s sturdy sense of responsibility to shield her from the consequences.
Owing as much to Sula as to Susan Isaacs, Weiner’s follow-up lacks some of the bite of her first novel, but still tells a poignant tale of two damaged girls who need to find themselves so that they can find each other.Pub Date: Oct. 1, 2002
ISBN: 0-7434-1819-0
Page Count: 432
Publisher: Atria
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 2002
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
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