The conflicts enmeshing all these characters, as each becomes embroiled in Marcus and India’s “assisted gestation” scheme,...
Four women confront the quandaries surrounding modern motherhood, in Weiner’s fraught latest (In Her Shoes, 2002, etc.).
The four narrators of this cautionary tale of motherhood wouldn’t be where they are without serious parenting issues. Trust-fund baby Bettina’s father, Marcus, a Wall Street kingpin, was so devastated when her mother decamped to Taos to follow a guru, that he fell prey to an airbrushed gold digger, India, who, Bettina believes, not only tricked him into marriage but into reproducing by surrogacy. Jules, a work-study student at Princeton, becomes an egg donor to earn enough to put her father, a formerly respectable high school teacher whose career and marriage exploded after a drunken vehicular felony, through rehab. Annie, happily married, still anguishes over the expense of raising two rambunctious boys and maintaining a ramshackle family farmhouse on her husband Frank’s salary as a TSA officer. To replenish the family coffers, Frank reluctantly agrees to let her become a surrogate mother—very reluctantly, it turns out. India, abandoned by her own mother, fled to Hollywood from Connecticut at 18. Failing to take Hollywood by storm, she reinvented herself as a publicist, shedding years and pounds with the aid of false documents and surgical enhancements. At 37, India, a rising Manhattan PR star, ensnares Marcus by helping him order coffee at Starbucks. Bettina hires a detective, discovering India's real age (43) and other truths so shocking that they cannot be revealed until the end of the novel. Nonetheless, her brothers and her laid-back Buddhist mother refuse to help her dislodge India—there’s plenty of money to go around, after all. Besides, could that unfamiliar discomfiture Bettina is experiencing be sympathy for her stepmother? And could India actually be factoring love into her calculations of Marcus’ net worth?
The conflicts enmeshing all these characters, as each becomes embroiled in Marcus and India’s “assisted gestation” scheme, are gripping, and Weiner’s elucidation of socio-economic determinism is as sharp as ever. However, the ending does not so much jump the shark as de-fang it.Pub Date: July 12, 2011
ISBN: 978-1-4516-1772-6
Page Count: 352
Publisher: Atria
Review Posted Online: May 19, 2011
Kirkus Reviews Issue: June 1, 2011
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
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