Thoughtful, deftly crafted reflections on race and identity.
Autobiographical essays reveal the challenges of a first-generation American.
New York Times contributing opinion writer Crucet (English and Ethnic Studies/Univ. of Nebraska; Make Your Home Among Strangers, 2015, etc.), winner of the Iowa Short Fiction Prize, among other awards, makes an affecting nonfiction debut with a collection of essays that explore family, culture, and her identity as a Cuban American. Her parents, Cuban refugees, named her after a beauty queen in the Miss USA pageant. They believed that “you give your kids white American names so that their teachers can’t tell what they are before meeting them,” and so they have a better chance at avoiding prejudice. For Crucet’s mother, “her ideal daughter was a white girl because she had long internalized the idea that as Latinas, we’d be treated as lesser, that we were somehow lesser. And she just wanted better for me, which meant: whiter.” Because she grew up seeing Cubans who worked as doctors, police officers, and teachers, she did not realize, until she went to college in upstate New York, that mainstream American culture looked predominantly white. As a light-skinned Latina, Crucet often made a deliberate choice not to reveal her racial identity. In college, when she read Nella Larsen’s novel Passing, she “first recognized this trespassing as an act in which I had sometimes found myself but didn’t yet know how to define” and first noticed that whites “who misread me as also white” sometimes showed “the kind of pervasive racism usually reserved for white-only spaces.” Among the “white-only spaces” she sensitively examines are Disney World, “grounded in whiteness and heteronormative gender roles”; college classes, where white professors and white students singled her out “as the official Latinx ambassador”; the process of planning a wedding to a man who came from “a white monolingual American family”; and a cattle ranch in Nebraska, where she signed up to work with the hope of learning something about the culture of her prospective students at the university.
Thoughtful, deftly crafted reflections on race and identity.Pub Date: Sept. 3, 2019
ISBN: 978-1-250-29943-7
Page Count: 208
Publisher: Picador
Review Posted Online: July 13, 2019
Kirkus Reviews Issue: Aug. 1, 2019
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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