A formally diverse collection with exquisitely crafted stories about longing, striving, and learning what we can control.
A slim debut full of nuanced, cleareyed tales of unvarnished humanity.
In these 15 stories, Bhatt's characters struggle against the barriers imposed on them by gender, race, class, caste, location, and familial expectations. Creating a rich array of Indian immigrants, students abroad, repatriates, and people who have never left their villages, Bhatt skillfully probes the fault lines where desire shears against limitation, revealing the complex mix of luck, history, circumstance, and grit that determines which side will dominate. In "Pros and Cons," Urmi, a 45-year-old yoga instructor who has drifted through a series of semifulfilling careers, is considering moving on from yoga, never having led a class of her own. When she makes a bid at feeling in control by having an end-of-retreat affair with a fellow teacher, she begins to trust again "in the one precious sanctuary that is ours alone, ours forever." In "Life Spring," a woman who returned to Mumbai after divorcing her husband is rehydrated by a passionate encounter, which feeds her inspiration as a baker and catalyzes her determination to create her own recipe for a successful life. In "Journey to a Stepwell," newly engaged Vidya and her mother travel to her mother's ancestral home to fulfill a prenuptial tradition. Throughout the long, crowded bus ride, Vidya badgers her mother to tell her once again the story of four beautiful, unmarried sisters; as she listens to the elegantly told legend, to which her mother appends a new ending, Vidya tries to envision the shape her future will take. And in the title story, a group of Dalit men in the tiny village of Saakarpada discuss a series of local tragedies with a journalist from Mumbai. Though he's one of their low-caste brothers, they believe the writer from the city can't comprehend the indignities, rigidity, injustices, and dangers they regularly face, and they reveal only certain details, determined to manage their affairs in the same way they always have. Though, as in most collections, not every story stands at the same level, there are more than enough gems of polish and depth to satisfy.
A formally diverse collection with exquisitely crafted stories about longing, striving, and learning what we can control.Pub Date: Sept. 8, 2020
ISBN: 978-1-73336-726-4
Page Count: 180
Publisher: 7.13 Books
Review Posted Online: July 13, 2020
Kirkus Reviews Issue: Aug. 1, 2020
BOOK REVIEW
PERSPECTIVES
Though not perfect, a clear leap forward for Rooney; her grandmaster status remains intact.
Two brothers—one a lawyer, one a chess prodigy—work through the death of their father, their complicated romantic lives, and their even more tangled relationship with each other.
Ten years separate the Koubek brothers. In his early 30s, Peter has turned his past as a university debating champ into a career as a progressive lawyer in Dublin. Ivan is just out of college, struggling to make ends meet through freelance data analysis and reckoning with his recent free fall in the world chess rankings. When their father dies of cancer, the cracks in the brothers’ relationship widen. “Complete oddball” Ivan falls in love with an older woman, an arts center employee, which freaks Peter out. Peter juggles two women at once: free-spirited college student Naomi and his ex-girlfriend Sylvia, whose life has changed drastically since a car accident left her in chronic pain. Emotional chaos abounds. Rooney has struck a satisfying blend of the things she’s best at—sensitively rendered characters, intimacies, consideration of social and philosophical issues—with newer moves. Having the book’s protagonists navigating a familial rather than romantic relationship seems a natural next step for Rooney, with her astutely empathic perception, and the sections from Peter’s point of view show Rooney pushing her style into new territory with clipped, fragmented, almost impressionistic sentences. (Peter on Sylvia: “Must wonder what he’s really here for: repentance, maybe. Bless me for I have. Not like that, he wants to tell her. Why then. Terror of solitude.”) The risk: Peter comes across as a slightly blurry character, even to himself—he’s no match for the indelible Ivan—so readers may find these sections less propulsive at best or over-stylized at worst. Overall, though, the pages still fly; the characters remain reach-out-and-touch-them real.
Though not perfect, a clear leap forward for Rooney; her grandmaster status remains intact.Pub Date: Sept. 24, 2024
ISBN: 9780374602635
Page Count: 464
Publisher: Farrar, Straus and Giroux
Review Posted Online: July 4, 2024
Kirkus Reviews Issue: Aug. 1, 2024
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
PERSPECTIVES
PERSPECTIVES
"Don't go into the woods" takes on unsettling new meaning in Moore's blend of domestic drama and crime novel.
Many years after her older brother, Bear, went missing, Barbara Van Laar vanishes from the same sleepaway camp he did, leading to dark, bitter truths about her wealthy family.
One morning in 1975 at Camp Emerson—an Adirondacks summer camp owned by her family—it's discovered that 13-year-old Barbara isn't in her bed. A problem case whose unhappily married parents disdain her goth appearance and "stormy" temperament, Barbara is secretly known by one bunkmate to have slipped out every night after bedtime. But no one has a clue where's she permanently disappeared to, firing speculation that she was taken by a local serial killer known as Slitter. As Jacob Sluiter, he was convicted of 11 murders in the 1960s and recently broke out of prison. He's the one, people say, who should have been prosecuted for Bear's abduction, not a gardener who was framed. Leave it to the young and unproven assistant investigator, Judy Luptack, to press forward in uncovering the truth, unswayed by her bullying father and male colleagues who question whether women are "cut out for this work." An unsavory group portrait of the Van Laars emerges in which the children's father cruelly abuses their submissive mother, who is so traumatized by the loss of Bear—and the possible role she played in it—that she has no love left for her daughter. Picking up on the themes of families in search of themselves she explored in Long Bright River (2020), Moore draws sympathy to characters who have been subjected to spousal, parental, psychological, and physical abuse. As rich in background detail and secondary mysteries as it is, this ever-expansive, intricate, emotionally engaging novel never seems overplotted. Every piece falls skillfully into place and every character, major and minor, leaves an imprint.
"Don't go into the woods" takes on unsettling new meaning in Moore's blend of domestic drama and crime novel.Pub Date: July 2, 2024
ISBN: 9780593418918
Page Count: 496
Publisher: Riverhead
Review Posted Online: April 13, 2024
Kirkus Reviews Issue: May 15, 2024
PERSPECTIVES
SEEN & HEARD
SEEN & HEARD
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