Regal, raunchy, revealing—the stories in this collection leave a lasting impression.

READ REVIEW

THE VANISHING PRINCESS

This short story collection from a beloved British author, published in the U.K. in 1995 but only now receiving a U.S. release, glimmers like found treasure—or a mirage.

The princess in this insightful, imaginative, and wryly clever collection’s title story, “The Vanishing Princess or The Origin of Cubism,” may or may not be imprisoned in the circular tower room in which she lives in solitude, spending her time (of which she has no sense) placidly reading books on her bed, generally unaware of and remarkably incurious about the world outside, which she can glimpse from her small window. It is only after one soldier and then another turn up to pierce and fragment the innocent solitude of her existence—bringing food, a mirror, and a calendar, to satisfy their own pleasure—that she comes to perceive time and disappointment, to see herself as they do and consequently to disappear. Among the ideas percolating in this quirky, disquieting fairy tale is the way a sense of loss can attend the moment of being found. Readers just discovering Diski (In Gratitude, 2016, etc.), who died from cancer in 2016, through the dozen stories in this collection may perceive this acutely—the searing sense of finding her funny, flinty voice just as it has disappeared. Yet for Diski devotees existing and new, the far-ranging work the author has left behind here is something to savor. In “Shit and Gold,” she offers a bold and naughty reimagining of “Rumpelstiltskin” in which the upwardly mobile miller’s daughter takes action to create a far more fulfilling fate for herself and the strangely named fellow with the helpful ability to spin straw into precious metal. (The miller’s daughter, it so happens, has her talents, too.) In “Housewife,” she steams things up with the story of two people swept up in, but not away by, a ravenous extramarital affair. In “Bath Time,” she brings us a woman in determined pursuit of the perfect bath. Yes, only that. But in Diski’s able hands the modest plot yields riches, shedding glinty light on dreams deferred, pleasures denied, the way we can, if we are single-minded enough, take the straw of everyday life and turn it into gold.

Regal, raunchy, revealing—the stories in this collection leave a lasting impression.

Pub Date: Dec. 5, 2017

ISBN: 978-0-06-268571-1

Page Count: 208

Publisher: Ecco/HarperCollins

Review Posted Online: Sept. 19, 2017

Kirkus Reviews Issue: Oct. 1, 2017

Did you like this book?

No Comments Yet

With humor and insight, Straub creates a family worth rooting for.

ALL ADULTS HERE

When Astrid Strick witnesses a school bus run over a longtime acquaintance of hers—Barbara Baker, a woman she doesn't like very much—it's only the beginning of the shake-ups to come in her life and the lives of those she loves.

Astrid has been tootling along contentedly in the Hudson Valley town of Clapham, New York, a 68-year-old widow with three grown children. After many years of singlehood since her husband died, she's been quietly seeing Birdie Gonzalez, her hairdresser, for the past two years, and after Barbara's death she determines to tell her children about the relationship: "There was no time to waste, not in this life. There were always more school buses." Elliot, her oldest, who's in real estate, lives in Clapham with his wife, Wendy, who's Chinese American, and their twins toddlers, Aidan and Zachary, who are "such hellions that only a fool would willingly ask for more." Astrid's daughter, Porter, owns a nearby farm producing artisanal goat cheese and has just gotten pregnant through a sperm bank while having an affair with her married high school boyfriend. Nicky, the youngest Strick, is disconcertingly famous for having appeared in an era-defining movie when he was younger and now lives in Brooklyn with his French wife, Juliette, and their daughter, Cecelia, who's being shipped up to live with Astrid for a while after her friend got mixed up with a pedophile she met online. As always, Straub (Modern Lovers, 2016, etc.) draws her characters warmly, making them appealing in their self-centeredness and generosity, their insecurity and hope. The cast is realistically diverse, though in most ways it's fairly superficial; the fact that Birdie is Latina or Porter's obstetrician is African American doesn't have much impact on the story or their characters. Cecelia's new friend, August, wants to make the transition to Robin; that storyline gets more attention, with the two middle schoolers supporting each other through challenging times. The Stricks worry about work, money, sex, and gossip; Straub has a sharp eye for her characters' foibles and the details of their liberal, upper-middle-class milieu.

With humor and insight, Straub creates a family worth rooting for.

Pub Date: May 5, 2020

ISBN: 978-1-59463-469-7

Page Count: 368

Publisher: Riverhead

Review Posted Online: Feb. 10, 2020

Kirkus Reviews Issue: March 1, 2020

Did you like this book?

No Comments Yet

A daring concept not so daringly developed.

THE BOOK OF LONGINGS

In Kidd’s (The Invention of Wings, 2014, etc.) feminist take on the New Testament, Jesus has a wife whose fondest longing is to write.

Ana is the daughter of Matthias, head scribe to Herod Antipas, tetrarch of Galilee. She demonstrates an exceptional aptitude for writing, and Matthias, for a time, indulges her with reed pens, papyri, and other 16 C.E. office supplies. Her mother disapproves, but her aunt, Yaltha, mentors Ana in the ways of the enlightened women of Alexandria, from whence Yaltha, suspected of murdering her brutal husband, was exiled years before. Yaltha was also forced to give up her daughter, Chaya, for adoption. As Ana reaches puberty, parental tolerance of her nonconformity wanes, outweighed by the imperative to marry her off. Her adopted brother, Judas—yes, that Judas—is soon disowned for his nonconformity—plotting against Antipas. On the very day Ana, age 14, meets her prospective betrothed, the repellent Nathanial, in the town market, she also encounters Jesus, a young tradesman, to whom she’s instantly drawn. Their connection deepens after she encounters Jesus in the cave where she is concealing her writings about oppressed women. When Nathanial dies after his betrothal to Ana but before their marriage, Ana is shunned for insufficiently mourning him—and after refusing to become Antipas’ concubine, she is about to be stoned until Jesus defuses the situation with that famous admonition. She marries Jesus and moves into his widowed mother’s humble compound in Nazareth, accompanied by Yaltha. There, poverty, not sexism, prohibits her from continuing her writing—office supplies are expensive. Kidd skirts the issue of miracles, portraying Jesus as a fully human and, for the period, accepting husband—after a stillbirth, he condones Ana’s practice of herbal birth control. A structural problem is posed when Jesus’ active ministry begins—what will Ana’s role be? Problem avoided when, notified by Judas that Antipas is seeking her arrest, she and Yaltha journey to Alexandria in search of Chaya. In addition to depriving her of the opportunity to write the first and only contemporaneous gospel, removing Ana from the main action destroys the novel’s momentum.

A daring concept not so daringly developed.

Pub Date: April 21, 2020

ISBN: 978-0-525-42976-0

Page Count: 432

Publisher: Viking

Review Posted Online: Jan. 27, 2020

Kirkus Reviews Issue: Feb. 15, 2020

Did you like this book?

more