The personal and the political echo artfully in the last years of the German Democratic Republic.
A thorny love affair and a momentous historical moment combine in this novel by prizewinning German playwright and author Erpenbeck, author of Go, Went, Gone (2017), etc.
Structured as a series of flashbacks, the novel begins with news of a funeral. Cut to East Berlin in the 1980s and a chance encounter on a public bus. Katharina, 19, meets Hans, a married writer 10 years older than her father. Erpenbeck evokes their early all-consuming passion, fueled by sex and a shared love of music and art, and deftly overlaps their points of view. “Why a love that has to be kept secret can make a person so much happier than one that can be talked about is something she wishes she could understand....Perhaps because a secret is not spent on the present, but keeps its full force for the future? Or is it something to do with the potential for destruction that one suddenly has?” As time passes, rifts and menaces appear. The lovers, from different generations, have experienced different Germanies. “Only a very thin layer of soil is spread over the bones, the ashes of the incinerated victims,” Katharina thinks. “There is no other walking, ever, for a German than over the skulls.” From her apartment in Berlin, she can see the Berlin Wall. Erpenbeck’s handling of characters caught within the mesh (and mess) of history is superb. Threats loom over their love and over their country. Hans is jealous, weak-willed, vindictive, Katharina self-abasing. At heart the book is about cruelty more than passion, about secrets, betrayal, and loss; it’s at its best as the Wall comes down. “Everything is collapsing,” Erpenbeck writes. “The landscape between the old that is being abolished and the new that is yet to be installed is a landscape of ruins.”
The personal and the political echo artfully in the last years of the German Democratic Republic.Pub Date: June 6, 2023
ISBN: 9780811229340
Page Count: 336
Publisher: New Directions
Review Posted Online: March 13, 2023
Kirkus Reviews Issue: April 1, 2023
BOOK REVIEW
BOOK REVIEW
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.
A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.
When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.Pub Date: Feb. 6, 2024
ISBN: 9781250178633
Page Count: 480
Publisher: St. Martin's
Review Posted Online: Nov. 4, 2023
Kirkus Reviews Issue: Dec. 1, 2023
PERSPECTIVES
BOOK TO SCREEN
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
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