While Lawson fails to strike the perfect balance between pathos and punch line, she creates a comic character that readers...
A mostly funny, irreverent memoir on the foibles of growing up weird.
In blogger Lawson’s debut book, “The Bloggess” (thebloggess.com) relies entirely on her life stories to drive an unconventional narrative. While marketed as nonfiction, it’s a genre distinction the author employs loosely (a point made clear in the book’s subtitle). On the opening page she defends the subtitle, explaining, “The reason this memoir is only mostly true instead of totally true is that I relish not getting sued.” Yet Lawson also relishes exaggerative storytelling, spinning yarns of her childhood and early adulthood that seem so unbelievable they could hardly be made up. Nearly every line is an opportunity for a punch line—“Call me Ishmael. I won’t answer to it, because it’s not my name, but it’s much more agreeable that most of the things I’ve been called”; “And that’s how I ended up shoulder-deep in a cow’s vagina”; “there’s nothing more romantic than a proposal that ends with you needing a tetanus shot”—and while the jokes eventually wear thin, by that point readers will be invested in Lawson herself, not just her ability to tell a joke. The author’s use of disclaimers, editorial notes and strike-thrus leaves the book feeling oddly unfinished, though it’s a calculated risk that serves well as an inside joke shared between writer and reader at the expense of the literary elite.
While Lawson fails to strike the perfect balance between pathos and punch line, she creates a comic character that readers will engage with in shocked dismay as they gratefully turn the pages.Pub Date: April 17, 2012
ISBN: 978-0-399-15901-5
Page Count: 336
Publisher: Amy Einhorn/Putnam
Review Posted Online: March 18, 2012
Kirkus Reviews Issue: April 1, 2012
BOOK REVIEW
BOOK REVIEW
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
An autobiography as toxic and addictive as any drug its author has ever ingested.
The legendary booze-addled metal rocker turned reality-TV star comes clean in his tell-all autobiography.
Although brought up in the bleak British factory town of Aston, John “Ozzy” Osbourne’s tragicomic rags-to-riches tale is somehow quintessentially American. It’s an epic dream/nightmare that takes him from Winson Green prison in 1966 to a presidential dinner with George W. Bush in 2004. Tracing his adult life from petty thief and slaughterhouse worker to rock star, Osbourne’s first-person slang-and-expletive-driven style comes off like he’s casually relating his story while knocking back pints at the pub. “What you read here,” he writes, “is what dribbled out of the jelly I call my brain when I asked it for my life story.” During the late 1960s his transformation from inept shoplifter to notorious Black Sabbath frontman was unlikely enough. In fact, the band got its first paying gigs by waiting outside concert venues hoping the regularly scheduled act wouldn’t show. After a few years, Osbourne and his bandmates were touring America and becoming millionaires from their riff-heavy doom music. As expected, with success came personal excess and inevitable alienation from the other members of the group. But as a solo performer, Osbourne’s predilection for guns, drink, drugs, near-death experiences, cruelty to animals and relieving himself in public soon became the stuff of legend. His most infamous exploits—biting the head off a bat and accidentally urinating on the Alamo—are addressed, but they seem tame compared to other dark moments of his checkered past: nearly killing his wife Sharon during an alcohol-induced blackout, waking up after a bender in the middle of a busy highway, burning down his backyard, etc. Osbourne is confessional to a fault, jeopardizing his demonic-rocker reputation with glib remarks about his love for Paul McCartney and Robin Williams. The most distinguishing feature of the book is the staggering chapter-by-chapter accumulation of drunken mishaps, bodily dysfunctions and drug-induced mayhem over a 40-plus-year career—a résumé of anti-social atrocities comparable to any of rock ’n’ roll’s most reckless outlaws.
An autobiography as toxic and addictive as any drug its author has ever ingested.Pub Date: Jan. 25, 2010
ISBN: 978-0-446-56989-7
Page Count: 320
Publisher: Grand Central Publishing
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 1, 2009
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