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THE PINECONE

THE STORY OF SARAH LOSH, FORGOTTEN ROMANTIC HEROINE--ANTIQUARIAN, ARCHITECT, AND VISIONARY

A writer who knows her subject intimately creates a fully fleshed portrait of an England that would soon vanish with the...

This elegant biography of a little-known Cumbrian landowner, builder and local daughter captures the rural and industrial changes in Georgian England.

Accomplished British historian Uglow (A Gambling Man: Charles II and the Restoration, 2010, etc.) ably depicts the picturesque landscape of Carlisle, just south of the Scottish border. As the eldest daughter of deep descendants of the Wreay landed gentry, who pioneered the iron and alkali works feeding the Industrial Revolution, Sarah Losh (1785–1853) and her beloved younger sister, Katharine, did not feel compelled to marry and relinquish their independence. Rich from their father’s and uncles’ early industriousness, well-educated, strong-willed and bookish, the daughters were able to travel to Italy and elsewhere to study art and architecture, and they brought their ideas home to “improve” their estate and local structures such as the Carlisle school and church. After the death of her sister in 1834, Sarah threw herself into the work of building, combining her love of poetry, antiquities and her ancient land into a distinct, original style that was not Gothic, but that melded simple, rustic elements of the old Saxon and Norman, what she considered Lombard Romanesque. Employing in the woodwork designs of available flora and fauna like eagles and pine cones, Sarah embarked on work as a sculptor herself. With a light touch, Uglow integrates greater historical developments—e.g., the Napoleonic wars and the development of Romanticism—within an intimate bucolic story of people whose life was the land.

A writer who knows her subject intimately creates a fully fleshed portrait of an England that would soon vanish with the advent of the railroads.

Pub Date: Jan. 15, 2013

ISBN: 978-0-374-23287-0

Page Count: 352

Publisher: Farrar, Straus and Giroux

Review Posted Online: Oct. 16, 2012

Kirkus Reviews Issue: Nov. 15, 2012

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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