Readers who grew up on Lindgren’s stories will find this excellent book irresistible—and often surprising.
Insightful, elegantly written biography of the beloved author of the Pippi Longstocking tales, a complex woman of parts.
“Life is not as rotten as it seems.” It’s not much of an affirmation, but, Danish biographer and literary critic Andersen (Hans Christian Andersen, 2005) suggests, it was about the best that Astrid Lindgren (1907-2002) could do. Born into a family of farmers who instilled in her the virtues of hard work and a certain Nordic stoicism, Lindgren started off as a teenager fresh out of school working as a journalist—and quickly became pregnant by the mercurial editor, who, though “neither a journalist nor an author…could hear the difference between good and bad storytelling.” One wishes for Lindgren’s sake that he had been a better man, but the editor clearly knew that Lindgren had a gift. It was, Andersen writes, a gift laden with psychological insecurities. Without being too obvious about it, many of Lindgren’s stories were about loneliness, isolation, and depression, and while she reckoned, following a researcher’s findings, that Hans Christian Andersen wrote about death in “five-sixths” of his stories, she kept pace: “the same goes for my fairy-tales,” she said, “more or less.” Lindgren wrote in a range of genres, including books for grown-ups that included crime stories, comedies, and fables as well as her famed writings for young readers; many, as Andersen recounts, had a political edge as well as a psychological dimension, some specifically anti-Nazi. A fascinating aspect of the book is Andersen’s theory of the origins of the Pippi Longstocking stories in debates about childhood education, for while Lindgren wrote about the effects of loneliness on children, she also posited a world in which children could play freely, of a kind with and drawing on Alice’s Adventures in Wonderland, Anne of Green Gables, and, unexpectedly, the Superman comic book franchise.
Readers who grew up on Lindgren’s stories will find this excellent book irresistible—and often surprising.Pub Date: Feb. 27, 2018
ISBN: 978-0-300-22610-2
Page Count: 360
Publisher: Yale Univ.
Review Posted Online: Nov. 27, 2017
Kirkus Reviews Issue: Dec. 15, 2017
BOOK REVIEW
BOOK REVIEW
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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