A fun, practical book that will make kids laugh and learn.
In their debut, co-authors Altman and Jacobson explain to young readers the appropriate uses for the nose, ears and mouth—and what should go in them and what should not.
Breakfast foods, like bacon and fried eggs, do not go in the ears or nose. Neither do toy cars, bumblebees, chopsticks, stones, small animals, or art supplies—no matter how tempting it is to poke them up the nostril or through the ear canal. And why not? For one thing, “Ears have really small holes that lead into your head // Sounds should enter in them and never stuff like bread!” Plus, it scares doctors and parents and causes pain. Instead, the authors explain that the nose is just for smelling and the ears just for hearing. The short book turns to many examples to drive home its message, in both text and illustrations. Young children will find these examples familiar and comical—the perfect combination to emphasize a point to the age group most likely to squeeze a straw or crayon where they shouldn’t. A couple of the rhymes sound a bit forced—“Playing with your racecars? / Have fun…but this, I shout: / Toy cars up your nostrils / May never race right out.” But the kids won’t notice the slight stiltedness. They’ll be too distracted by the amusing illustrations on every page: bright colors, animals, and a diverse cast of goofy kids playing outside, painting, and exploring the world around them. Altman, an ear, nose, and throat specialist, and Jacobson do a great job speaking to their audience. They acknowledge that it may be enticing to put stuff where it shouldn’t go, but they don’t do it sternly. Instead they bring up the repercussions with simple language and pictures, always keeping the tone light and positive.
A fun, practical book that will make kids laugh and learn.Pub Date: May 15, 2013
ISBN: 978-0988886100
Page Count: 22
Publisher: ZonaBooks, LLC.
Review Posted Online: Feb. 10, 2015
Kirkus Reviews Issue: March 15, 2015
Review Program: Kirkus Indie
Broccoli: No way is James going to eat broccoli. “It’s disgusting,” says James. Well then, James, says his father, let’s consider the alternatives: some wormy dirt, perhaps, some stinky socks, some pre-chewed gum? James reconsiders the broccoli, but—milk? “Blech,” says James. Right, says his father, who needs strong bones? You’ll be great at hide-and-seek, though not so great at baseball and kickball and even tickling the dog’s belly. James takes a mouthful. So it goes through lumpy oatmeal, mushroom lasagna and slimy eggs, with James’ father parrying his son’s every picky thrust. And it is fun, because the father’s retorts are so outlandish: the lasagna-making troll in the basement who will be sent back to the rat circus, there to endure the rodent’s vicious bites; the uneaten oatmeal that will grow and grow and probably devour the dog that the boy won’t be able to tickle any longer since his bones are so rubbery. Schneider’s watercolors catch the mood of gentle ribbing, the looks of bewilderment and surrender and the deadpanned malarkey. It all makes James’ father’s last urging—“I was just going to say that you might like them if you tried them”—wholly fresh and unexpected advice. (Early reader. 5-9)
Pub Date: May 1, 2011
ISBN: 978-0-547-14956-1
Page Count: 48
Publisher: Clarion Books
Review Posted Online: April 4, 2011
Kirkus Reviews Issue: April 1, 2011
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
The seemingly ageless Seeger brings back his renowned giant for another go in a tuneful tale that, like the art, is a bit sketchy, but chockful of worthy messages. Faced with yearly floods and droughts since they’ve cut down all their trees, the townsfolk decide to build a dam—but the project is stymied by a boulder that is too huge to move. Call on Abiyoyo, suggests the granddaughter of the man with the magic wand, then just “Zoop Zoop” him away again. But the rock that Abiyoyo obligingly flings aside smashes the wand. How to avoid Abiyoyo’s destruction now? Sing the monster to sleep, then make it a peaceful, tree-planting member of the community, of course. Seeger sums it up in a postscript: “every community must learn to manage its giants.” Hays, who illustrated the original (1986), creates colorful, if unfinished-looking, scenes featuring a notably multicultural human cast and a towering Cubist fantasy of a giant. The song, based on a Xhosa lullaby, still has that hard-to-resist sing-along potential, and the themes of waging peace, collective action, and the benefits of sound ecological practices are presented in ways that children will both appreciate and enjoy. (Picture book. 5-9)
Pub Date: Oct. 1, 2001
ISBN: 0-689-83271-0
Page Count: 40
Publisher: Simon & Schuster
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 15, 2001
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