Eleven very Southern short stories in a first collection from a veteran of the small-press scene. Many of Hoar's tales are set in the same region of Mississippi that Faulkner wrote about—but his closest literary ancestor is really Erskine Caldwell. That's especially true in ``The Snopes Who Saved Huckaby,'' featuring a plot that bears some resemblance to Sanctuary and even a character supposedly related to Faulkner. The language, humor, and characterizations, however, are more reminiscent of Caldwell's Journeyman. As in that novel, an itinerant preacher is irresistible to women, and his conquests get him into trouble. He takes refuge in a girls' finishing school, resolving to leave women alone, but he can't, and the Lord strikes him with lightning, beginning a great storm that saves the town of Huckaby from drought. It's a delightful story, funny as Caldwell, but gentler, with a hilarious sequel, ``How Wevel Went.'' By contrast, ``Tell Me It Hasn't Come to This'' is mindful more of Flannery O'Connor: A lonely widow waves to passersby until, finally, one knocks at her door. He's a newly released prisoner who has come to God, though menace seems to lurk beneath his friendliness. The widow nervously spurns him, only to realize when he's gone that the man was sincerely offering just what she needed- -friendship—and that she's more alone now than ever. ``The Incredible Little Louisiana Chicken Killer'' concerns a sort of dybbuk that attacks a farm couple's chickenhouse; they make the mistake of taking it into their house, with unpleasant results. Finally, Hoar offers several growing-up stories set in the time of WW II. The title piece and ``A Brave Damn-Near Perfect Thing,'' for instance, are both meandering reminiscences of puppy love and small town life in the 1940s, and rather wistful. A winner.
Pub Date: Nov. 1, 1997
ISBN: 1-57806-019-2
Page Count: 286
Publisher: Univ. Press of Mississippi
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 1, 1997
BOOK REVIEW
It's being called a novel, but it is more a hybrid: short-stories/essays/confessions about the Vietnam War—the subject that O'Brien reasonably comes back to with every book. Some of these stories/memoirs are very good in their starkness and factualness: the title piece, about what a foot soldier actually has on him (weights included) at any given time, lends a palpability that makes the emotional freight (fear, horror, guilt) correspond superbly. Maybe the most moving piece here is "On The Rainy River," about a draftee's ambivalence about going, and how he decided to go: "I would go to war—I would kill and maybe die—because I was embarrassed not to." But so much else is so structurally coy that real effects are muted and disadvantaged: O'Brien is writing a book more about earnestness than about war, and the peekaboos of this isn't really me but of course it truly is serve no true purpose. They make this an annoyingly arty book, hiding more than not behind Hemingwayesque time-signatures and puerile repetitions about war (and memory and everything else, for that matter) being hell and heaven both. A disappointment.
Pub Date: March 28, 1990
ISBN: 0618706410
Page Count: 256
Publisher: Houghton Mifflin
Review Posted Online: Oct. 2, 2011
Kirkus Reviews Issue: Feb. 15, 1990
SEEN & HEARD
IN THE NEWS
A newcomer to watch: fresh, funny, and tough.
Seven stories, including a couple of prizewinners, from an exuberantly talented young Thai-American writer.
In the poignant title story, a young man accompanies his mother to Kok Lukmak, the last in the chain of Andaman Islands—where the two can behave like “farangs,” or foreigners, for once. It’s his last summer before college, her last before losing her eyesight. As he adjusts to his unsentimental mother’s acceptance of her fate, they make tentative steps toward the future. “Farangs,” included in Best New American Voices 2005 (p. 711), is about a flirtation between a Thai teenager who keeps a pet pig named Clint Eastwood and an American girl who wanders around in a bikini. His mother, who runs a motel after having been deserted by the boy’s American father, warns him about “bonking” one of the guests. “Draft Day” concerns a relieved but guilty young man whose father has bribed him out of the draft, and in “Don’t Let Me Die in This Place,” a bitter grandfather has moved from the States to Bangkok to live with his son, his Thai daughter-in-law, and two grandchildren. The grandfather’s grudging adjustment to the move and to his loss of autonomy (from a stroke) is accelerated by a visit to a carnival, where he urges the whole family into a game of bumper cars. The longest story, “Cockfighter,” is an astonishing coming-of-ager about feisty Ladda, 15, who watches as her father, once the best cockfighter in town, loses his status, money, and dignity to Little Jui, 16, a meth addict whose father is the local crime boss. Even Ladda is in danger, as Little Jui’s bodyguards try to abduct her. Her mother tells Ladda a family secret about her father’s failure of courage in fighting Big Jui to save his own sister’s honor. By the time Little Jui has had her father beaten and his ear cut off, Ladda has begun to realize how she must fend for herself.
A newcomer to watch: fresh, funny, and tough.Pub Date: Jan. 1, 2005
ISBN: 0-8021-1788-0
Page Count: 224
Publisher: Grove
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 15, 2004
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