A compelling, earnest, and visually impressive animal allegory.
A midwife toad, orphaned before hatching, embarks on an epic journey.
Alyte learns about the world through a series of encounters with other creatures, all of them trying to comprehend their place in a great chain of being. It’s a fairly terrifying adventure: He continually learns that eating or being eaten is part of everyday life, and that dying is “the natural order of things.” In the opening pages, his father has a bloody, fatal encounter while crossing a road but is able to drag himself into the water before he dies. His first friend, an exuberant salmon on her way upstream to lay eggs, expires after accomplishing her mission. Plonk, a friendly baby ibex, is carried off by an eagle and fed to its eaglets in front of Alyte. “Life doesn’t want me,” he laments at one point. But after a peaceful night cuddling with another toad, Alyte becomes father to a cluster of eggs that he must carry to the safety of a pond. Moreau explores the boundaries between water and air, life and death, nature and “lethalyte,” or “death incarnate,” represented by the road where Alyte’s father was crushed. The clean, dramatic illustrations range from full-page depictions of water, land, and forest to an appealing, though not quite peaceable, kingdom of fish, birds, mammals, insects, reptiles, and trees, all engaged in the business of living and opposing the enemy lethalyte.
A compelling, earnest, and visually impressive animal allegory. (note on language) (Graphic fiction. 9-13)Pub Date: Nov. 18, 2025
ISBN: 9781990252471
Page Count: 304
Publisher: Milky Way Picture Books
Review Posted Online: Sept. 27, 2025
Kirkus Reviews Issue: Nov. 1, 2025
This really special triumph is bound to be widely discussed by teachers and writers, and widely esteemed by Creech’s devoted...
Versatile Newbery Medalist Creech (A Fine, Fine School, p. 862, etc.) continues to explore new writing paths with her latest, written as free verse from the viewpoint of a middle-school boy named Jack.
Creech knows all about reluctant writers from her own years of teaching, and she skillfully reveals Jack’s animosity toward books and poetry, and especially about writing his own poems. He questions the very nature of poetry, forcing the reader to think about this question, too. Jack’s class assignments incorporate responses to eight well-known poems (included in an appendix) and gradually reveal the circumstances, and Jack’s hidden feelings, about the loss of his beloved dog. Jack’s poetry grows in length, complexity, and quality from September to May, until he proudly sends his best poem about his dog and a heartfelt thank-you poem to Walter Dean Myers after the author’s school visit. The inclusion of the eight poems is an advantage, because comments on the poems are often part of Jack’s poetry. Others not already familiar with these famous poems, though, might miss the allusions in Jack’s work. (There is no note at the beginning of the book to point the reader to the appendix.) But it’s a quick read, offering a chance to go back and look again. Teachers will take this story to heart, recognizing Miss Stretchberry’s skilled and graceful teaching and Jack’s subtle emotional growth both as a person and a writer.
This really special triumph is bound to be widely discussed by teachers and writers, and widely esteemed by Creech’s devoted readers. (Fiction/poetry. 9-13)Pub Date: Aug. 1, 2001
ISBN: 0-06-029287-3
Page Count: 112
Publisher: HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 2001
An emotional, much-needed historical graphic novel.
Sandy and his family, Japanese Canadians, experience hatred and incarceration during World War II.
Sandy Saito loves baseball, and the Vancouver Asahi ballplayers are his heroes. But when they lose in the 1941 semifinals, Sandy’s dad calls it a bad omen. Sure enough, in December 1941, Japan bombs Pearl Harbor in the U.S. The Canadian government begins to ban Japanese people from certain areas, moving them to “dormitories” and setting a curfew. Sandy wants to spend time with his father, but as a doctor, his dad is busy, often sneaking out past curfew to work. One night Papa is taken to “where he [is] needed most,” and the family is forced into an internment camp. Life at the camp isn’t easy, and even with some of the Asahi players playing ball there, it just isn’t the same. Trying to understand and find joy again, Sandy struggles with his new reality and relationship with his father. Based on the true experiences of Japanese Canadians and the Vancouver Asahi team, this graphic novel is a glimpse of how their lives were affected by WWII. The end is a bit abrupt, but it’s still an inspiring and sweet look at how baseball helped them through hardship. The illustrations are all in a sepia tone, giving it an antique look and conveying the emotions and struggles. None of the illustrations of their experiences are overly graphic, making it a good introduction to this upsetting topic for middle-grade readers.
An emotional, much-needed historical graphic novel. (afterword, further resources) (Graphic historical fiction. 9-12)Pub Date: Oct. 5, 2021
ISBN: 978-1-5253-0334-0
Page Count: 112
Publisher: Kids Can
Review Posted Online: June 28, 2021
Kirkus Reviews Issue: July 15, 2021
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