A varied, insightful collection, albeit one steeped in scientific arcana, this will appeal to a select few.
A comprehensible, inviting journey into the inner lives of scientists and the relation of the “merely personal” to outsized realms of thought, from chess computers to cosmology.
Bernstein (Dawning of the Raj, 2000, etc.) pioneered attempts in the 1960s and ’70s to bring cutting-edge scientific thought to the mainstream; he notes that, initially, his articles for the New Yorker (where he was a staff writer from 1961 to 1993) were published anonymously to avoid an intellectual blackballing. This well-executed anthology of unpublished pieces and encores from venues like American Scholar and Commentary concentrates Bernstein’s endeavors to clarify both hard-scientific and philosophical inquiries. He steers somewhat elaborate essays back to the titular concept, derived from Einstein’s notion that the emotional, social lives of great scientists were of little concern relative to their discoveries. Despite his veneration of Einstein, Bernstein takes issue with this, confronting the resonance of scientists’ personal odysseys in a variety of forums. He begins by revisiting the chaotic 1972 Spassky-Fischer chess match (which he’d covered in an aborted Playboy article), comparing it with the existential trauma visited upon human excellence by the 1997 defeat of Gary Kasparov by IBM’s Deep Blue. “Tom Stoppard’s Quantum” provides an original exploration of the incursion of controversial theories into such cultural arenas as the theater, and the inaccurate yet trenchant ways in which they become re-worked. In “Enough Einstein?,” he wryly considers biographical problems regarding this famously private genius, discussing competing positions from the lurid to the insightful, as well as the clash of personalities involved in preserving Einstein’s thought and his estate, which were at odds. “The Merely Very Good” again relates physics and the arts, with touching consideration of the fates of those in both fields who are inevitably eclipsed by genius. Other essays offer moral exploration regarding compromised figures of the nuclear age, including Robert Oppenheimer’s post–Manhattan Project fall from grace, and those who contributed to or abstained from the Nazi atomic effort.
A varied, insightful collection, albeit one steeped in scientific arcana, this will appeal to a select few.Pub Date: April 6, 2001
ISBN: 1-56663-344-3
Page Count: 256
Publisher: Ivan Dee/Rowman & Littlefield
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 1, 2001
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Yes: it's high time for a de-romanticized, de-mythified, close-up retelling of the U.S. Space Program's launching—the inside story of those first seven astronauts.
But no: jazzy, jivey, exclamation-pointed, italicized Tom Wolfe "Mr. Overkill" hasn't really got the fight stuff for the job. Admittedly, he covers all the ground. He begins with the competitive, macho world of test pilots from which the astronauts came (thus being grossly overqualified to just sit in a controlled capsule); he follows the choosing of the Seven, the preparations for space flight, the flights themselves, the feelings of the wives; and he presents the breathless press coverage, the sudden celebrity, the glorification. He even throws in some of the technology. But instead of replacing the heroic standard version with the ring of truth, Wolfe merely offers an alternative myth: a surreal, satiric, often cartoony Wolfe-arama that, especially since there isn't a bit of documentation along the way, has one constantly wondering if anything really happened the way Wolfe tells it. His astronauts (referred to as "the brethren" or "The True Brothers") are obsessed with having the "right stuff" that certain blend of guts and smarts that spells pilot success. The Press is a ravenous fool, always referred to as "the eternal Victorian Gent": when Walter Cronkite's voice breaks while reporting a possible astronaut death, "There was the Press the Genteel Gent, coming up with the appropriate emotion. . . live. . . with no prompting whatsoever!" And, most off-puttingly, Wolfe presumes to enter the minds of one and all: he's with near-drowing Gus Grissom ("Cox. . . That face up there!—it's Cox. . . Cox knew how to get people out of here! . . . Cox! . . ."); he's with Betty Grissom angry about not staying at Holiday Inn ("Now. . . they truly owed her"); and, in a crude hatchet-job, he's with John Glenn furious at Al Shepard's being chosen for the first flight, pontificating to the others about their licentious behavior, or holding onto his self-image during his flight ("Oh, yes! I've been here before! And I am immune! I don't get into corners I can't get out of! . . . The Presbyterian Pilot was not about to foul up. His pipeline to dear Lord could not be clearer"). Certainly there's much here that Wolfe is quite right about, much that people will be interested in hearing: the P-R whitewash of Grissom's foul-up, the Life magazine excesses, the inter-astronaut tensions. And, for those who want to give Wolfe the benefit of the doubt throughout, there are emotional reconstructions that are juicily shrill.
But most readers outside the slick urban Wolfe orbit will find credibility fatally undermined by the self-indulgent digressions, the stylistic excesses, and the broadly satiric, anti-All-American stance; and, though The Right Stuff has enough energy, sass, and dirt to attract an audience, it mostly suggests that until Wolfe can put his subject first and his preening writing-persona second, he probably won't be a convincing chronicler of anything much weightier than radical chic.
Pub Date: Sept. 24, 1979
ISBN: 0312427565
Page Count: 370
Publisher: Farrar, Straus and Giroux
Review Posted Online: Oct. 13, 2011
Kirkus Reviews Issue: Sept. 1, 1979
BOOK TO SCREEN
A quirky wonder of a book.
A Peabody Award–winning NPR science reporter chronicles the life of a turn-of-the-century scientist and how her quest led to significant revelations about the meaning of order, chaos, and her own existence.
Miller began doing research on David Starr Jordan (1851-1931) to understand how he had managed to carry on after the 1906 San Francisco earthquake destroyed his work. A taxonomist who is credited with discovering “a full fifth of fish known to man in his day,” Jordan had amassed an unparalleled collection of ichthyological specimens. Gathering up all the fish he could save, Jordan sewed the nameplates that had been on the destroyed jars directly onto the fish. His perseverance intrigued the author, who also discusses the struggles she underwent after her affair with a woman ended a heterosexual relationship. Born into an upstate New York farm family, Jordan attended Cornell and then became an itinerant scholar and field researcher until he landed at Indiana University, where his first ichthyological collection was destroyed by lightning. In between this catastrophe and others involving family members’ deaths, he reconstructed his collection. Later, he was appointed as the founding president of Stanford, where he evolved into a Machiavellian figure who trampled on colleagues and sang the praises of eugenics. Miller concludes that Jordan displayed the characteristics of someone who relied on “positive illusions” to rebound from disaster and that his stand on eugenics came from a belief in “a divine hierarchy from bacteria to humans that point[ed]…toward better.” Considering recent research that negates biological hierarchies, the author then suggests that Jordan’s beloved taxonomic category—fish—does not exist. Part biography, part science report, and part meditation on how the chaos that caused Miller’s existential misery could also bring self-acceptance and a loving wife, this unique book is an ingenious celebration of diversity and the mysterious order that underlies all existence.
A quirky wonder of a book.Pub Date: April 14, 2020
ISBN: 978-1-5011-6027-1
Page Count: 224
Publisher: Simon & Schuster
Review Posted Online: Jan. 1, 2020
Kirkus Reviews Issue: Feb. 1, 2020
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