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THREE DAYS GRACE

A dark, dramatic, and thoughtful reflection on the traumatic aspects of love and family.

Family secrets, forbidden love, and past hurts collide spectacularly in the rainy streets of Paris in Bradley-Silverio Donato’s novel.

Inside a faux-chic Paris hotel room, Lynne and her wife, Susan, prepare to board a plane to South Africa the next day. First, though, they tersely await the arrival of Lynne’s son, Nick; Lynne’s old colleague, Marc; and Susan’s eccentric artistic friend, Laslo, for a send-off. A heavy and haunting specter hangs over the seemingly sweet and innocuous get-together: Lynne’s ex-husband—Nick’s father—died earlier that day, leaving his forgotten family reeling, torn between grief and relief. What was meant to be a reunion “of people, of ideas, of things left unspoken” becomes a confrontation with the quiet weight of childhood abuse, sexual confusion, and incomprehensible truths long buried. Lynne, who struggled with her sexuality for so long, and Nick, who never came to terms with what happened to him when he was a child, speak in “layers of filtered truth, each story wrapped in someone else’s until reality blurred like coffee grounds in water.” Over the course of one transformative night, the gathered five reckon with love: depraved, lost, unshakeable, fierce love. Bradley-Silverio Donato weaves this heartbreaking yarn with prose that is as complex as it is poetic. The setting is evocatively dreary, with just a glimmer of hope, in the rainy Parisian streets at dusk and the rising sun in the dawn. The novel is satisfyingly concise; the author says exactly what needs to be said, and leaves alone what does not need to be articulated (just glimpsed in the dark secrecy of night) in a lyrical narrative that will keep readers engaged no matter what they may find on the next page. Like their own painful histories, Lynne and Nick’s story will stay with readers long after the final pages.

A dark, dramatic, and thoughtful reflection on the traumatic aspects of love and family.

Pub Date: May 12, 2026

ISBN: 9781969935206

Page Count: 210

Publisher: Indigo River Publishing

Review Posted Online: May 28, 2026

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THE CALAMITY CLUB

Fans of Stockett’s bestselling debut will love this engaging follow-up.

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Stockett heads to Mississippi for another historical novel about feisty women.

This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.

Fans of Stockett’s bestselling debut will love this engaging follow-up.

Pub Date: May 5, 2026

ISBN: 9781954118812

Page Count: 656

Publisher: Spiegel & Grau

Review Posted Online: Feb. 2, 2026

Kirkus Reviews Issue: March 1, 2026

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PECK & PECK

Mostly charming, sometimes twee, with some really lovely things to say about poetry.

And now for some lessons in poetry and typesetting.

After Lessons in Chemistry (2022), a debut that became one of the most popular books of recent years, Garmus applies her unique comic sensibility to the story of Batter Gray, a man named after a family dog of mythic talents. A poetry maven who was reading Auden as a fourth grader, he was raised by a type-designer mother and historian father who dearly hoped he would choose some more viable profession than poetry. But via an amazing stroke of luck, he lands a job after college at Peck & Peck, an illustrious literary journal located in a beautiful building in New York City. He’s at the very bottom of the complex and dysfunctional totem pole, making copies in the basement, struggling not to run afoul of the cantankerous editor-in-chief, Salton Peck, or his smarmy assistant, Dexter York, both of whom have taken an instant dislike to our hero (and can never get his name right. Few people can). And to be honest, Batter is not without his flaws. The novel bogs down a bit in the middle, with Salton constantly excoriating his staff in ALL CAPS and much ado over the possibility that submissions have been taken outside the building, which is forbidden. Along the way, many, many famous poets are name-checked, as are many typefaces, since Batter has been raised to instantly identify a font in the wild. The best example of this occurs during his brief sojourn in jail: “The thing I kind of admired about Motherfucker II, besides his manners, was this huge tattoo he had on his neck that read I will fuck you up in ITC Bolt. Call me my mother’s son, but whoever inked it nailed the kerning.” The narrative picks up steam toward the end, as bad guys become good guys, mysteries are solved, and Batter throws one hell of a party.

Mostly charming, sometimes twee, with some really lovely things to say about poetry.

Pub Date: Oct. 13, 2026

ISBN: 9781668251065

Page Count: 432

Publisher: Scribner

Review Posted Online: July 6, 2026

Kirkus Reviews Issue: Aug. 1, 2026

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