A twisty thriller that proves to be a wily, if textually dense, adventure.
From debut author Falcon comes a novel about an ancient musical manuscript and those who seek to decipher it.
When readers first meet Douglass Crenshaw, the middle-aged academic is down on his luck. Informed that he will shortly be terminated from his teaching position in the music history department at Northwestern University, he finds himself admitting, “At fifty-three my career is crawling to a pathetic end and no one cares.” All is not lost, though, as an old colleague, Fatima al-Salam of Trinity College, informs him of an intriguing manuscript that’s surfaced in Ireland. The Ballad of Light, as it’s known in its English translation, is a mixture of Spanish and Arabic text thought to be from 15th-century Islamic Spain. After word leaks of its existence, Fatima feels that she’s being watched closely; later, someone trashes her office, but why and who? Back in the year 66, the Judean Jacob ben Honi has deserted his high position with a Roman legion. Highly educated and agile in combat, he ventures to Jerusalem, where trouble is afoot. The destruction of that city is only a handful of years away, and the feared Sicarii, a new faction, causes a fair share of distress and bloodshed. How and when, engaged readers will wonder, will these two narratives collide, and what does it mean to the world at large? Mixing historical fiction with modern-day sleuthing, the book offers a great deal of information via its many characters. The supporting players are many and varied, including Crenshaw’s “confident but not arrogant” graduate assistant Lucy and the desert-hating Roman Marcus Trajan. Although the author’s overarching quest is very Indiana Jones–esque, the cantankerous, cellphone-disavowing professor is the anti–Harrison Ford. Dotted with scenes of library investigations (“Once in the Archives reading room, Lucy explains her needs to a skeptical librarian who reluctantly decides that she is not there to pillage the place”), the book seems intended for readers who can relate to a deep-seated excitement over archived materials.
A twisty thriller that proves to be a wily, if textually dense, adventure.Pub Date: June 15, 2015
ISBN: 978-0-9962263-0-1
Page Count: 594
Publisher: Contemporary Music Project
Review Posted Online: Aug. 7, 2015
Kirkus Reviews Issue: Oct. 1, 2015
Review Program: Kirkus Indie
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Genetically engineered dinosaurs run amok in Crichton's new, vastly entertaining science thriller. From the introduction alone—a classically Crichton-clear discussion of the implications of biotechnological research—it's evident that the Harvard M.D. has bounced back from the science-fantasy silliness of Sphere (1987) for another taut reworking of the Frankenstein theme, as in The Andromeda Strain and The Terminal Man. Here, Dr. Frankenstein is aging billionaire John Hammond, whose monster is a manmade ecosystem based on a Costa Rican island. Designed as the world's ultimate theme park, the ecosystem boasts climate and flora of the Jurassic Age and—most spectacularly—15 varieties of dinosaurs, created by elaborate genetic engineering that Crichton explains in fascinating detail, rich with dino-lore and complete with graphics. Into the park, for a safety check before its opening, comes the novel's band of characters—who, though well drawn, double as symbolic types in this unsubtle morality play. Among them are hero Alan Grant, noble paleontologist; Hammond, venal and obsessed; amoral dino-designer Henry Wu; Hammond's two innocent grandchildren; and mathematician Ian Malcolm, who in long diatribes serves as Crichton's mouthpiece to lament the folly of science. Upon arrival, the visitors tour the park; meanwhile, an industrial spy steals some dino embryos by shutting down the island's power—and its security grid, allowing the beasts to run loose. The bulk of the remaining narrative consists of dinos—ferocious T. Rex's, voracious velociraptors, venom-spitting dilophosaurs—stalking, ripping, and eating the cast in fast, furious, and suspenseful set-pieces as the ecosystem spins apart. And can Grant prevent the dinos from escaping to the mainland to create unchecked havoc? Though intrusive, the moralizing rarely slows this tornado-paced tale, a slick package of info-thrills that's Crichton's most clever since Congo (1980)—and easily the most exciting dinosaur novel ever written. A sure-fire best-seller.
Pub Date: Nov. 7, 1990
ISBN: 0394588169
Page Count: 424
Publisher: Knopf
Review Posted Online: Sept. 21, 2011
Kirkus Reviews Issue: Oct. 15, 1990
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
