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A WOUNDED THING MUST HIDE

IN SEARCH OF LIBBIE CUSTER

It may puzzle readers of Son of the Morning Star and fans of They Died with Their Boots On, but this is an intriguing...

An eccentric though highly readable blend of history, travelogue, and memoir that follows a wobbly trail behind George Armstrong Custer’s globetrotting widow.

Enigmatic and a little shy, Libbie Custer was thrust into the spotlight following her husband’s conversion from war hero to greasy spot on the grass of the Little Big Horn, and for the next 60 years, she labored endlessly to rehabilitate Custer’s reputation while mixing uneasily with the crowned heads of Europe and the New York plutocracy. It was an uphill battle at the start, since, writes English novelist Poolman, even “President Grant, within a week of the disaster, was telling all who would listen that it was Custer who was responsible—and Custer alone—for the deaths of so many.” She did a reasonably good job of it, though Custer still has the checkered reputation in death that he did in life. Gracefully written, this is less a straightforward biography of Libbie Custer (who deserves one—after all, even Custer’s horse has been the subject of a booklength treatment) than an elliptical meditation on all sorts of matters of life and death, the moral lesson of which comes early on in Poolman’s pages: “Perhaps . . . the only thing to be learned from the memory in our lives of the dead is that they are there and we are here. Maybe life—death—really is as simple and as final as that.” Poolman follows a zigzag path across continents, seeking Libbie Custer, but, more, seeking himself through all kinds of lenses, including the blurry vision of his often drunk, Custer-obsessed father; in the end, while meditative, this is not without its humorous moments, and reminiscent of Ross McElwee’s curious documentary film Sherman’s March (1986)—and just as brilliant.

It may puzzle readers of Son of the Morning Star and fans of They Died with Their Boots On, but this is an intriguing addition to the Custer literature all the same.

Pub Date: Aug. 5, 2002

ISBN: 1-58234-121-4

Page Count: 320

Publisher: Bloomsbury

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: June 15, 2002

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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