Fun, forsooth.

READ REVIEW

YORICK AND BONES

A skeleton yearns to find a friend.

In this middle-grade graphic novel by a father-daughter duo, an interred skeleton awakens after an unnamed magical item lands near its resting place, leaching power into the ground. Speaking in appropriately Shakespearean language, Yorick proclaims: “Alack, there is but one thing I desire. / A friend.” Shortly thereafter, the skeleton is exhumed by an adorable gray dog who wants to nibble his tibia (to which Yorick protests, “Oh biteth not me so, thou foul beast!”). Yorick attempts to shoo the dog away but reconsiders, hoping its canine cuteness will help win him some friends. After a handful of bumbling, failed attempts send humans running away screaming, Yorick gives up. But Bones the dog wordlessly (though not always silently) shows the loquacious skeleton that a real friend is closer than he may have realized. Told in a three-act structure, the Tankards’ debut collaboration is a delightfully quirky and lively introduction to Shakespearean conventions and iambic pentameter. Pairing the Elizabethan-era vernacular with visuals works well, and once they become accustomed to the syntax, those unfamiliar with the Bard will be able to enjoy this tale of seeking acceptance and friendship. Jeremy Tankard’s full-color panels blaze vibrantly, defined with heavy black outlines that give this an easily recognizable panache. The few humans that Yorick and Bones encounter present with a range of skin tones.

Fun, forsooth. (Graphic fantasy. 8-11)

Pub Date: May 19, 2020

ISBN: 978-0-06-285430-8

Page Count: 144

Publisher: HarperAlley

Review Posted Online: March 15, 2020

Kirkus Reviews Issue: April 1, 2020

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If not as effervescent as Roz’s first outing, it is still a provocatively contemplative one.

THE WILD ROBOT ESCAPES

Roz, a robot who learned to adapt to life among wild creatures in her first outing, seeks to return to the island she calls home.

Brown’s sequel to The Wild Robot (2016) continues an intriguing premise: What would happen to a robot after challenges in an unexpected environment cause it to evolve in unusual ways? As this book opens, Roz is delivered to a farm where she helps a widower with two young children run a dairy operation that has been in his family for generations. Roz reveals her backstory to the cows, who are supportive of the robot’s determination to return to the island and to her adopted son, the goose Brightbill. The cows, the children, and finally Brightbill himself come to Roz’s aid. The focus on Roz’s escape from human control results in a somewhat solemn and episodic narrative, with an extended journey and chase after Roz leaves the farm. Dr. Molovo, a literal deus ex machina, appears near the end of the story to provide a means of rescue. She is Roz’s designer/creator, and, intrigued by the robot’s adaptation and evolution but cognizant of the threat that those achievements might represent to humans, she assists Roz and Brightbill in their quest. The satisfactory (if inevitable-feeling) conclusion may prompt discussion about individual agency and determination, whether for robots or people.

If not as effervescent as Roz’s first outing, it is still a provocatively contemplative one. (Fiction. 8-11)

Pub Date: March 13, 2018

ISBN: 978-0-316-38204-5

Page Count: 288

Publisher: Little, Brown

Review Posted Online: Feb. 3, 2018

Kirkus Reviews Issue: Feb. 15, 2018

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A waggish tale with a serious (and timely) theme.

KATT VS. DOGG

An age-old rivalry is reluctantly put aside when two young vacationers are lost in the wilderness.

Anthropomorphic—in body if definitely not behavior—Dogg Scout Oscar and pampered Molly Hissleton stray from their separate camps, meet by chance in a trackless magic forest, and almost immediately recognize that their only chance of survival, distasteful as the notion may be, lies in calling a truce. Patterson and Grabenstein really work the notion here that cooperation is better than prejudice founded on ignorance and habit, interspersing explicit exchanges on the topic while casting the squabbling pair with complementary abilities that come out as they face challenges ranging from finding food to escaping such predators as a mountain lion and a pack of vicious “weaselboars.” By the time they cross a wide river (on a raft steered by “Old Jim,” an otter whose homespun utterances are generally cribbed from Mark Twain—an uneasy reference) back to civilization, the two are BFFs. But can that friendship survive the return, with all the social and familial pressures to resume the old enmity? A climactic cage-match–style confrontation before a worked-up multispecies audience provides the answer. In the illustrations (not seen in finished form) López plops wide-eyed animal heads atop clothed, more or less human forms and adds dialogue balloons for punchlines.

A waggish tale with a serious (and timely) theme. (Fantasy. 9-11)

Pub Date: April 1, 2019

ISBN: 978-0-316-41156-1

Page Count: 320

Publisher: Jimmy Patterson/Little, Brown

Review Posted Online: Dec. 16, 2018

Kirkus Reviews Issue: Jan. 15, 2019

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