Sympathetic and circumstantial—a readable literary biography that is likely to be the last word on the subject.
A lucid, thoughtfully told look at the life of the American journalist and novelist John Hersey (1914-1993), famed for the long New Yorker story that would become the 1946 book Hiroshima.
Former Times Literary Supplement editor Treglown (Franco's Crypt: Spanish Culture and Memory Since 1936, 2013, etc.), based in London, has written biographies of V.S. Pritchett, Henry Green, and Roald Dahl. In his latest, he focuses on the novelist and journalist of considerable skill and wide interests who would never attract the readership of his reputation-defining book Hiroshima, of which Treglown writes, “no other book by Hersey is as famous or as difficult to write about.” It is difficult to write about not only because it seemed natural and sometimes self-referential, but also because it had an odd context, officially approved by the American occupation government of Japan but written by “a war poet as much as a journalist.” Hersey’s literate and often lyrical approach to reporting had been tested at places like Guadalcanal; his reporting influenced Norman Mailer’s later novel The Naked and the Dead. After the war, he cast about widely for subjects, writing of Harry Truman, the internment of Japanese-American citizens, and other matters, all the while remaining committed to what one eulogist, poet James Merrill, called “the older, Platonic virtues—Prudence, Temperance, Justice.” Treglown’s title is fitting; there was no dissembling in this son of missionaries. He was brilliant yet outwardly modest—and, as Treglown writes of the much-liked Yale student, “walking humbly can’t have been the easiest response for so gifted and popular a young man.” By writing of the course of Hersey’s long career, Treglown helps broaden his reputation beyond Hiroshima while recognizing that that classic work is the one for which the writer will remain known.
Sympathetic and circumstantial—a readable literary biography that is likely to be the last word on the subject.Pub Date: April 23, 2019
ISBN: 978-0-374-28026-0
Page Count: 384
Publisher: Farrar, Straus and Giroux
Review Posted Online: Jan. 20, 2019
Kirkus Reviews Issue: Feb. 1, 2019
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
PERSPECTIVES
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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