A darkly entertaining, eye-opening novel.
In Nazi Germany, an orphan boy of lowly origins grows up to become an enforcer for German military intelligence and the helpless pawn of a vixen-ish mystery woman.
Half-Jewish orphan Erik Holdermann was raised by prostitutes from the age of 9 before being sent to an orphanage. When it is discovered there that he has a living uncle—albeit a cruel and distant one who disowned Erik's late mother for marrying a postman—he is sent to the uncle's farm, where he is regularly beaten up by boys wearing Nazi pins and nearly dies after becoming trapped in a barn during a frigid winter storm. Erik's life takes a momentous turn during cadet school when, with a show of brute force, he saves a man being beaten by a gang of street toughs; that man turns out to be Adm. Wilhelm Canaris, head of the military intelligence service. Canaris takes Erik under his wing, dubs him Cesare (a reference to the "magician" in the silent film classic The Cabinet of Dr. Caligari), and counts on him to threaten or disappear anyone who gets in his way. That can mean someone from the Gestapo or SS—even as he serves the Nazi regime, Canaris is dedicated to saving or safely exporting Jews. Erik's half-Jewish mystery woman, Lisa Valentiner, with whom he has been obsessed since he was a boy, is both a member of the Jewish underground and the wife of a Nazi officer. It's a nebulous world in which the Gestapo, which recognizes the need for Jews in any spy network, employs half-Jews to lure other half-Jews out of hiding. The 82-year-old Charyn's latest work in a distinguished career is subtitled "a novel of war-torn Berlin," but that doesn't begin to prepare readers for this edgy, hallucinatory, full-throttle fable. Cabaret, Moby-Dick, Shakespeare, Rosa Luxembourg, "Jewish jazz," traveling executioners dubbed Hansel and Gretel, a hump-backed baron—they're all in the mix.
A darkly entertaining, eye-opening novel.Pub Date: Jan. 7, 2020
ISBN: 978-1-942658-50-4
Page Count: 368
Publisher: Bellevue Literary Press
Review Posted Online: Sept. 29, 2019
Kirkus Reviews Issue: Oct. 15, 2019
Tinny perhaps, but still a minutely rendered and impressively steady feminist vision of apocalypse.
The time is the not-so-distant future, when the US's spiraling social freedoms have finally called down a reaction, an Iranian-style repressive "monotheocracy" calling itself the Republic of Gilead—a Bible-thumping, racist, capital-punishing, and misogynistic rule that would do away with pleasure altogether were it not for one thing: that the Gileadan women, pure and true (as opposed to all the nonbelieving women, those who've ever been adulterous or married more than once), are found rarely fertile.
Thus are drafted a whole class of "handmaids," whose function is to bear the children of the elite, to be fecund or else (else being certain death, sent out to be toxic-waste removers on outlying islands). The narrative frame for Atwood's dystopian vision is the hopeless private testimony of one of these surrogate mothers, Offred ("of" plus the name of her male protector). Lying cradled by the body of the barren wife, being meanwhile serviced by the husband, Offred's "ceremony" must be successful—if she does not want to join the ranks of the other disappeared (which include her mother, her husband—dead—and small daughter, all taken away during the years of revolt). One Of her only human conduits is a gradually developing affair with her master's chauffeur—something that's balanced more than offset, though, by the master's hypocritically un-Puritan use of her as a kind of B-girl at private parties held by the ruling men in a spirit of nostalgia and lust. This latter relationship, edging into real need (the master's), is very effectively done; it highlights the handmaid's (read Everywoman's) eternal exploitation, profane or sacred ("We are two-legged wombs, that's all: sacred vessels, ambulatory chalices"). Atwood, to her credit, creates a chillingly specific, imaginable night-mare. The book is short on characterization—this is Atwood, never a warm writer, at her steeliest—and long on cynicism—it's got none of the human credibility of a work such as Walker Percy's Love In The Ruins. But the scariness is visceral, a world that's like a dangerous and even fatal grid, an electrified fence.
Tinny perhaps, but still a minutely rendered and impressively steady feminist vision of apocalypse.Pub Date: Feb. 17, 1985
ISBN: 038549081X
Page Count: -
Publisher: Houghton Mifflin
Review Posted Online: Sept. 16, 2011
Kirkus Reviews Issue: Jan. 15, 1985
SEEN & HEARD
BOOK TO SCREEN
This book sings with the terrible silence of dead civilizations in which once there was valor.
Written with quiet dignity that builds to a climax of tragic force, this book about the dissolution of an African tribe, its traditions, and values, represents a welcome departure from the familiar "Me, white brother" genre.
Written by a Nigerian African trained in missionary schools, this novel tells quietly the story of a brave man, Okonkwo, whose life has absolute validity in terms of his culture, and who exercises his prerogative as a warrior, father, and husband with unflinching single mindedness. But into the complex Nigerian village filters the teachings of strangers, teachings so alien to the tribe, that resistance is impossible. One must distinguish a force to be able to oppose it, and to most, the talk of Christian salvation is no more than the babbling of incoherent children. Still, with his guns and persistence, the white man, amoeba-like, gradually absorbs the native culture and in despair, Okonkwo, unable to withstand the corrosion of what he, alone, understands to be the life force of his people, hangs himself. In the formlessness of the dying culture, it is the missionary who takes note of the event, reminding himself to give Okonkwo's gesture a line or two in his work, The Pacification of the Primitive Tribes of the Lower Niger.
This book sings with the terrible silence of dead civilizations in which once there was valor.Pub Date: Jan. 23, 1958
ISBN: 0385474547
Page Count: 207
Publisher: McDowell, Obolensky
Review Posted Online: April 23, 2013
Kirkus Reviews Issue: Jan. 1, 1958
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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