A darkly entertaining, eye-opening novel.
In Nazi Germany, an orphan boy of lowly origins grows up to become an enforcer for German military intelligence and the helpless pawn of a vixen-ish mystery woman.
Half-Jewish orphan Erik Holdermann was raised by prostitutes from the age of 9 before being sent to an orphanage. When it is discovered there that he has a living uncle—albeit a cruel and distant one who disowned Erik's late mother for marrying a postman—he is sent to the uncle's farm, where he is regularly beaten up by boys wearing Nazi pins and nearly dies after becoming trapped in a barn during a frigid winter storm. Erik's life takes a momentous turn during cadet school when, with a show of brute force, he saves a man being beaten by a gang of street toughs; that man turns out to be Adm. Wilhelm Canaris, head of the military intelligence service. Canaris takes Erik under his wing, dubs him Cesare (a reference to the "magician" in the silent film classic The Cabinet of Dr. Caligari), and counts on him to threaten or disappear anyone who gets in his way. That can mean someone from the Gestapo or SS—even as he serves the Nazi regime, Canaris is dedicated to saving or safely exporting Jews. Erik's half-Jewish mystery woman, Lisa Valentiner, with whom he has been obsessed since he was a boy, is both a member of the Jewish underground and the wife of a Nazi officer. It's a nebulous world in which the Gestapo, which recognizes the need for Jews in any spy network, employs half-Jews to lure other half-Jews out of hiding. The 82-year-old Charyn's latest work in a distinguished career is subtitled "a novel of war-torn Berlin," but that doesn't begin to prepare readers for this edgy, hallucinatory, full-throttle fable. Cabaret, Moby-Dick, Shakespeare, Rosa Luxembourg, "Jewish jazz," traveling executioners dubbed Hansel and Gretel, a hump-backed baron—they're all in the mix.
A darkly entertaining, eye-opening novel.Pub Date: Jan. 7, 2020
ISBN: 978-1-942658-50-4
Page Count: 368
Publisher: Bellevue Literary Press
Review Posted Online: Sept. 29, 2019
Kirkus Reviews Issue: Oct. 15, 2019
These letters from some important executive Down Below, to one of the junior devils here on earth, whose job is to corrupt mortals, are witty and written in a breezy style seldom found in religious literature. The author quotes Luther, who said: "The best way to drive out the devil, if he will not yield to texts of Scripture, is to jeer and flout him, for he cannot bear scorn." This the author does most successfully, for by presenting some of our modern and not-so-modern beliefs as emanating from the devil's headquarters, he succeeds in making his reader feel like an ass for ever having believed in such ideas. This kind of presentation gives the author a tremendous advantage over the reader, however, for the more timid reader may feel a sense of guilt after putting down this book. It is a clever book, and for the clever reader, rather than the too-earnest soul.
Pub Date: Jan. 1, 1942
ISBN: 0060652934
Page Count: 53
Publisher: Macmillan
Review Posted Online: Oct. 17, 2011
Kirkus Reviews Issue: June 15, 1943
Tinny perhaps, but still a minutely rendered and impressively steady feminist vision of apocalypse.
The time is the not-so-distant future, when the US's spiraling social freedoms have finally called down a reaction, an Iranian-style repressive "monotheocracy" calling itself the Republic of Gilead—a Bible-thumping, racist, capital-punishing, and misogynistic rule that would do away with pleasure altogether were it not for one thing: that the Gileadan women, pure and true (as opposed to all the nonbelieving women, those who've ever been adulterous or married more than once), are found rarely fertile.
Thus are drafted a whole class of "handmaids," whose function is to bear the children of the elite, to be fecund or else (else being certain death, sent out to be toxic-waste removers on outlying islands). The narrative frame for Atwood's dystopian vision is the hopeless private testimony of one of these surrogate mothers, Offred ("of" plus the name of her male protector). Lying cradled by the body of the barren wife, being meanwhile serviced by the husband, Offred's "ceremony" must be successful—if she does not want to join the ranks of the other disappeared (which include her mother, her husband—dead—and small daughter, all taken away during the years of revolt). One Of her only human conduits is a gradually developing affair with her master's chauffeur—something that's balanced more than offset, though, by the master's hypocritically un-Puritan use of her as a kind of B-girl at private parties held by the ruling men in a spirit of nostalgia and lust. This latter relationship, edging into real need (the master's), is very effectively done; it highlights the handmaid's (read Everywoman's) eternal exploitation, profane or sacred ("We are two-legged wombs, that's all: sacred vessels, ambulatory chalices"). Atwood, to her credit, creates a chillingly specific, imaginable night-mare. The book is short on characterization—this is Atwood, never a warm writer, at her steeliest—and long on cynicism—it's got none of the human credibility of a work such as Walker Percy's Love In The Ruins. But the scariness is visceral, a world that's like a dangerous and even fatal grid, an electrified fence.
Tinny perhaps, but still a minutely rendered and impressively steady feminist vision of apocalypse.Pub Date: Feb. 17, 1985
ISBN: 038549081X
Page Count: -
Publisher: Houghton Mifflin
Review Posted Online: Sept. 16, 2011
Kirkus Reviews Issue: Jan. 15, 1985
SEEN & HEARD
BOOK TO SCREEN
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