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UNDER THE EYE OF GOD

The result is a political cocktail almost as fizzy and inventive as The Onion or The Wall Street Journal in which every...

Isaac Sidel, commissioner of police turned New York City mayor, adds a new title to his résumé: vice president-elect of the United States.

Added to the Democratic ticket in 1988 to juice the appeal of J. Michael Storm, a baseball czar with feet of clay (Citizen Sidel, 1999), Isaac swiftly becomes the main story. Crowds and Republicans adore him, ignoring the presidential candidate who took 47 states. Even J. Michael’s 12-year-old daughter, Marianna, takes up a staunch position at “Uncle Isaac’s” side, prompting fearful echoes of Lolita. Amid all the hoopla, however, deeper currents swirl. A Korean War vet aiming at Isaac during a trip to San Antonio shoots his Secret Service bodyguard instead. Isaac finds David Pearl, the banker who was the longtime silent partner to Isaac’s glover father, holed up in Manhattan’s Ansonia Hotel brewing heaven knows what dastardly schemes. Isaac falls hard for David’s inamorata, Inez, nee Trudy Winckleman, but knows their relationship can’t possibly end well. Instead of readying himself for the vice presidency, the Big Man prefers to play out his last days as the mayoral savior of the five boroughs. All around him, meanwhile, career politicians, campaign consultants, political strategists, psychiatrists and astrologers do what they do best: discern conspiracies, take fright and counter them with their own megalomaniac fantasies. All of this uproar in the national hall of mirrors, in which friends are really enemies and enemies are really nuts, perfectly suits Charyn’s tropism for antic mythologizing. The new threats arriving on every page are often extended, inflated and dispatched in time for the next paragraph break.

The result is a political cocktail almost as fizzy and inventive as The Onion or The Wall Street Journal in which every development is dark, urgent and apocalyptic, and none of it matters a bit.

Pub Date: Oct. 30, 2012

ISBN: 978-1-4532-7099-8

Page Count: 222

Publisher: MysteriousPress.com

Review Posted Online: Sept. 11, 2012

Kirkus Reviews Issue: Oct. 1, 2012

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THE SILENT PATIENT

Amateurish, with a twist savvy readers will see coming from a mile away.

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A woman accused of shooting her husband six times in the face refuses to speak.

"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.

Amateurish, with a twist savvy readers will see coming from a mile away.

Pub Date: Feb. 5, 2019

ISBN: 978-1-250-30169-7

Page Count: 304

Publisher: Celadon Books

Review Posted Online: Nov. 3, 2018

Kirkus Reviews Issue: Nov. 15, 2018

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An addictive psychological thriller.

When a mysterious novel appears on her bedside table, a successful documentary filmmaker finds herself face to face with a secret that threatens to unravel life as she knows it.

Catherine Ravenscroft has built a dream life, or close to it: the devoted husband, the house in London, the award-winning career as a documentary filmmaker. And though she’s never quite bonded with her 25-year-old son the way she’d hoped, he’s doing fine—there are worse things than being an electronics salesman. But when she stumbles across a sinister novel called The Perfect Stranger—no one’s quite sure how it came into the house—Catherine sees herself in its pages, living out scenes from her past she’d hoped to forget. It’s a threat—but from whom? And why now, 20 years after the fact? Meanwhile, Stephen Brigstocke, a retired teacher, widowed and in pain, is desperate to exact revenge on Catherine and make her pay for what happened all those years ago. The story is told in alternating chapters, Catherine's in the third-person and Stephen's in the first, as the two orbit each other, predator and prey, and the novel moves between the past and the present to paint a portrait of two troubled families with trauma bubbling under the surface. As their lives become increasingly entangled, Stephen’s obsession grows, Catherine’s world crumbles, and it becomes clear that—in true thriller form—everything may not be as it seems. But how much destruction must be wrought before the truth comes out? And when it does, will there be anything left to salvage? While the long buildup to the big reveal begins to drag, Knight’s elegant plot and compelling (if not unexpected) characters keep the heart of the novel beating even when the pacing falters. Atmospheric and twisting and ripe for TV adaptation, this debut novel never strays far from convention, but that doesn’t make it any less of a page-turner.

An addictive psychological thriller.

Pub Date: May 19, 2015

ISBN: 978-0-06-236225-4

Page Count: 352

Publisher: Harper/HarperCollins

Review Posted Online: March 1, 2015

Kirkus Reviews Issue: March 15, 2015

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