Moral questions take on human form in Ferrari’s stunning narrative.
What if God was one of us?
When restless Corsican teenager Antonia receives a 14th birthday present of a camera from her doting uncle, a priest, the direction of her life changes. Antonia’s unnamed uncle is also her godfather—although “god” father is probably more accurate—and Ferrari’s affecting account follows the sequence of the requiem Mass the uncle celebrates for her years after her death in a car accident. Much of Antonia’s adolescence is immersed in the turmoil of Corsican partisan activity thanks to a youthful romantic attachment, and she supports herself with a stultifying job as a photographer for a provincial paper. Eventually, she is drawn to photograph the horrors and grotesqueries of the destruction of Yugoslavia. Her life ends shortly after she has an impromptu reunion with a combatant she knew during that scarifying time. Ferrari, a Prix Goncourt winner, revisits the history of war photography, which, along with Antonia’s growing fascination with the allure of violence, creates space for discussions of evil, love, complicity, and the responsibility of the artist. Joycean sentences, some of epic length, propel readers through the consciences and consciousnesses of agonized characters dealing with grief, regret, and love—or, in short: through life. At the beginning and after the end of Antonia’s meaningful existence, she is cared for and guided by her enigmatic uncle—who experiences internal anguish of his own about the petty and human realities of parish life—and she shares with him her observations about the depravities witnessed in her quest to create images. Whether or not Antonia’s uncle serves in some divine capacity, the story his gift sets in motion provides Ferrari with an opportunity to explore the limits of human love and suffering.
Moral questions take on human form in Ferrari’s stunning narrative.Pub Date: Jan. 18, 2022
ISBN: 978-1-60945-674-0
Page Count: 192
Publisher: Europa Editions
Review Posted Online: Oct. 26, 2021
Kirkus Reviews Issue: Nov. 15, 2021
BOOK REVIEW
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
Fans of Stockett’s bestselling debut will love this engaging follow-up.
Stockett heads to Mississippi for another historical novel about feisty women.
This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.
Fans of Stockett’s bestselling debut will love this engaging follow-up.Pub Date: May 5, 2026
ISBN: 9781954118812
Page Count: 656
Publisher: Spiegel & Grau
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
BOOK REVIEW
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