by Jerome Schorr ‧ RELEASE DATE: Nov. 16, 2016
An often engaging collection that readers will savor.
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Debut author Schorr reflects on love, family, and faith in this set of poems written in northern New England.
Maine’s former poet laureate Wesley McNair once said that “the people of Maine seem to really like poems and poetry, especially poems that come out of life experiences.” So perhaps it’s no surprise that after the Indiana-born Schorr moved to the state, he began writing, too. The result is this sprawling volume, bursting with more than 200 works. Schorr’s subject matter is best described as occasional, and he ranges widely in his reflections, writing on topics as varied as forgiveness, marriage, life in a security state, and the change of seasons. The poem on the last of these, “Summer’s Passing,” is one of the strongest in the collection; it opens, “Something in the air / Just didn’t feel right. / The mighty oak / First sensed it / With a chill / That dilly-dallied / Far too long.” The passage is exemplary of Schorr’s style: direct, conversational, unpretentious. The poet prefers short lines, and his brief stanzas are less full meals than they are tasty morsels. For the most part, this preference makes for extremely readable poetry; only occasionally does it lead him astray, as when he lets too many lines shrink to single words, or even monosyllables, as in “Snowflakes”: “When / The storm is over, / There will be no survivals. / Only / A panoramic view / Of what was once / A battlefield / Whose scars / Have temporarily / Been hidden / By / Nature.” There seems little need for “when” “only” and “by” to each have its own line, and Schorr’s decision has the effect of fracturing his verse and disrupting its flow. But for the most part, his poetry is expressive and easy to digest.
An often engaging collection that readers will savor.Pub Date: Nov. 16, 2016
ISBN: 978-1-5127-6269-3
Page Count: 316
Publisher: Westbow Press
Review Posted Online: May 9, 2017
Kirkus Reviews Issue: June 15, 2017
Review Program: Kirkus Indie
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by Katie Keridan ‧ RELEASE DATE: Nov. 2, 2018
Therapeutic, moving verse from a promising new talent.
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Keridan’s poetry testifies to the pain of love and loss—and to the possibility of healing in the aftermath.
The literary critic Geoffrey Hartman once wrote that literature—and poetry, in particular—can help us “read the wound” of trauma. That is, it can allow one to express and explain one’s deepest hurts when everyday language fails. Keridan appears to have a similar understanding of poetry. She writes in “Foreword,” the opening work of her debut collection, that “pain frequently uses words as an escape route / (oh, how I know).” Many words—and a great deal of pain—escape in this volume, but the result is healing: “the ending is happy / the beginning was horrific / so let’s start there.” The book, then, tracks the process of recovery in the wake of suffering, and often, this suffering is brought on by romantic relationships gone wrong. An early untitled poem opens, “I die a little / taking pieces of me to feed the fire / that keeps him warm / you don’t notice that it’s a slow death / when you’re disappearing little by little.” The author’s imagery here—of the self fueling the dying fire of love—is simultaneously subtle and wrenching. But the poem’s message, amplified elsewhere in the book, is clear: We go wrong if we destructively give ourselves over to others, and healing comes only when we turn our energies back to our own good. Later poems, therefore, reveal that self-definition often equals strength. The process is painful but salutary; when “you’re left unprotected / surrounded by chaos with nothing you / can depend on / except yourself / and that’s when you gather the pieces / of the life you lost / and use them to build the life you want.” The “life you want” is an elusive goal, and the author knows that the path to self-definition is fraught with peril—but her collection may give strength to those who walk it.
Therapeutic, moving verse from a promising new talent.Pub Date: Nov. 2, 2018
ISBN: 978-1-72770-538-6
Page Count: 196
Publisher: CreateSpace
Review Posted Online: Jan. 9, 2019
Kirkus Reviews Issue: Feb. 15, 2019
Review Program: Kirkus Indie
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by William Poe ‧ RELEASE DATE: Nov. 16, 2015
Downbeat but often engaging poems and stories.
A slim volume of largely gay-themed writings with pessimistic overtones.
Poe (Simple Simon, 2013, etc.) divides this collection of six short stories and 34 poems into five sections: “Art,” “Death,” “Relationship,” “Being,” and “Reflection.” Significantly, a figurative death at the age of 7 appears in two different poems, in which the author uses the phrase “a pretended life” to refer to the idea of hiding one’s true nature and performing socially enforced gender roles. This is a well-worn trope, but it will be powerful and resonant for many who have struggled with a stigmatized identity. In a similar vein, “Imaginary Tom” presents the remnants of a faded relationship: “Now we are imaginary friends, different in each other’s thoughts, / I the burden you seek to discard, / you the lover I created from the mist of longing.” Once in a while, short story passages practically leap off of the page, such as this evocative description of a seedy establishment in Lincoln, Nebraska: “It was a dimly lit bar that smelled of rodent piss, with barstools that danced on uneven legs and made the patrons wonder if they were drunker than they thought.” In “Valéry’s Ride,” Poe examines the familial duties that often fall to unmarried and childless people, keeping them from forming meaningful bonds with others. In this story, after the double whammy of Hurricanes Katrina and Rita hits Louisiana, Valéry’s extended family needs him more than ever; readers will likely root for the gay protagonist as he makes the difficult decision to strike out on his own. Not all of Poe’s main characters are gay; the heterosexual title character in “Mrs. Calumet’s Workspace,” for instance, pursues employment in order to escape the confines of her home and a passionless marriage. Working as a bookkeeper, she attempts to carve out a space for herself, symbolized by changes in her work area. Still, this story echoes the recurring theme of lives unlived due to forces often beyond one’s control.
Downbeat but often engaging poems and stories.Pub Date: Nov. 16, 2015
ISBN: 978-1-5168-3693-2
Page Count: 120
Publisher: CreateSpace
Review Posted Online: March 5, 2016
Review Program: Kirkus Indie
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