The story’s acknowledged tidiness facilitates its reassuring theme of neighborly sharing and assistance and makes it easily...
Light symbolizes hope, and festivals incorporating light and candles are found in many cultures, especially during winter.
Ashford uses a single candle to weave a story of intergenerational and multicultural friendship. On Thanksgiving, Nana Clover realizes that she doesn’t have a candle for her table and asks the super for one. Later, another family doesn’t have a special braided havdalah candle to mark the Jewish Sabbath’s end and borrows the half-used candle from Nana Clover. A few days later, the Ericksons find that one of the candles on their Saint Lucia crown is broken. They ask the Danzigers, and the same little candle continues its trip. The African-American family in 5A celebrating Kwanzaa needs the candle next, because the baby has eaten one of the seven candles for the kinara. Finally, a winter storm causes a power outage, and Nasreen and Faruq, who have just moved in, are concerned that their father won’t find the building. Their mom suggests borrowing a candle from their neighbors, and the stubby piece of wax lights their father’s way. Soon, all the neighbors join in to welcome the new family. The richly textured paintings highlight the glow of the small candle; the family portraits, too, glow with warmth. An author’s note provides a brief overview of each celebration.
The story’s acknowledged tidiness facilitates its reassuring theme of neighborly sharing and assistance and makes it easily adaptable to a wide variety of settings. (Picture book. 5-8)Pub Date: Nov. 11, 2014
ISBN: 978-1-939547-10-1
Page Count: 32
Publisher: Creston
Review Posted Online: July 21, 2014
Kirkus Reviews Issue: Sept. 1, 2014
Only for dedicated fans of the series.
When a kid gets the part of the ninja master in the school play, it finally seems to be the right time to tackle the closet monster.
“I spot my monster right away. / He’s practicing his ROAR. / He almost scares me half to death, / but I won’t be scared anymore!” The monster is a large, fluffy poison-green beast with blue hands and feet and face and a fluffy blue-and-green–striped tail. The kid employs a “bag of tricks” to try to catch the monster: in it are a giant wind-up shark, two cans of silly string, and an elaborate cage-and-robot trap. This last works, but with an unexpected result: the monster looks sad. Turns out he was only scaring the boy to wake him up so they could be friends. The monster greets the boy in the usual monster way: he “rips a massive FART!!” that smells like strawberries and lime, and then they go to the monster’s house to meet his parents and play. The final two spreads show the duo getting ready for bed, which is a rather anticlimactic end to what has otherwise been a rambunctious tale. Elkerton’s bright illustrations have a TV-cartoon aesthetic, and his playful beast is never scary. The narrator is depicted with black eyes and hair and pale skin. Wallace’s limping verses are uninspired at best, and the scansion and meter are frequently off.
Only for dedicated fans of the series. (Picture book. 5-8)Pub Date: Sept. 1, 2017
ISBN: 978-1-4926-4894-9
Page Count: 40
Publisher: Sourcebooks Jabberwocky
Review Posted Online: July 14, 2017
Kirkus Reviews Issue: Aug. 1, 2017
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Thoughtful and joyful.
A child of Vietnamese descent fantasizes about the perfect outfit for Tết.
One night, Mai dreams about being a big “STAAAAAAR” and fielding questions on the red carpet. Mai’s literal dream dress is a sparkly silver ballroom gown with a sweetheart cut. After waking up, the child is eager to tell Ba all about it, but first it’s time to get ready. It’s the first day of Tết, or Lunar New Year, and the family plans to celebrate at Mai’s grandmother’s house. Though Mai loves visiting Bà Nội, the child balks at donning the áo dài, a Vietnamese outfit consisting of a tunic worn over trousers. “Stars wear dresses and gowns,” Mai tells Ba. But Ba shows Mai the family photo album, explaining that Bà Nội had her own sewing school in Vietnam and that her students lovingly dubbed her the “Queen of Áo Dài.” To keep their traditions alive when the family emigrated, Bà Nội continued to make áo dài for her loved ones, and the children learned to sew them as an expression of love. Finally, with a newfound appreciation for the garment, Mai greets Bà Nội with a hug, clad in a customized áo dài made by Ba. Told entirely through naturally expressed and well-paced dialogue and accompanied by vividly textured illustrations, this is a loving tale of a family finding a creative way to reshape a beloved tradition.
Thoughtful and joyful. (glossary, “let’s design our own áo dài” activity) (Picture book. 5-8)Pub Date: Jan. 7, 2025
ISBN: 9781665917346
Page Count: 40
Publisher: Caitlyn Dlouhy/Atheneum
Review Posted Online: Jan. 18, 2025
Kirkus Reviews Issue: Feb. 15, 2025
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