Light symbolizes hope, and festivals incorporating light and candles are found in many cultures, especially during winter.
Ashford uses a single candle to weave a story of intergenerational and multicultural friendship. On Thanksgiving, Nana Clover realizes that she doesn’t have a candle for her table and asks the super for one. Later, another family doesn’t have a special braided havdalah candle to mark the Jewish Sabbath’s end and borrows the half-used candle from Nana Clover. A few days later, the Ericksons find that one of the candles on their Saint Lucia crown is broken. They ask the Danzigers, and the same little candle continues its trip. The African-American family in 5A celebrating Kwanzaa needs the candle next, because the baby has eaten one of the seven candles for the kinara. Finally, a winter storm causes a power outage, and Nasreen and Faruq, who have just moved in, are concerned that their father won’t find the building. Their mom suggests borrowing a candle from their neighbors, and the stubby piece of wax lights their father’s way. Soon, all the neighbors join in to welcome the new family. The richly textured paintings highlight the glow of the small candle; the family portraits, too, glow with warmth. An author’s note provides a brief overview of each celebration.
The story’s acknowledged tidiness facilitates its reassuring theme of neighborly sharing and assistance and makes it easily adaptable to a wide variety of settings. (Picture book. 5-8)