A long but energetic tale that’s rife with drama and mystery, both in and out of the courtroom.
A Florida lawyer has the chance to help a former client on trial for murder in Blair’s (College Football Etiquette, 2015, etc.) legal thriller set in the late 1970s.
Racial tension is a serious problem in Lincoln County, Florida, in 1979. So when cops arrest an African-American man, Lindsey Wilkens, for allegedly murdering a white, affluent car dealer, Arthur Burnside, it seems like a conviction is imminent. Lindsey’s wife, Marie, calls J.T. Lockman, the chief assistant in the Lincoln County public defender’s office. J.T. represented Lindsey years ago when he was accused of selling stolen tools that someone else discarded. The attorney was upset over losing that case and is confident now that Lindsey’s not a killer. Unfortunately, the police have Lindsey’s confession, which they forcibly coerced by using an electric cattle prod. J.T. works to get that confession tossed out and also notices discrepancies in the crime scene photos. There’s a strong Ku Klux Klan presence in the area, and its members are all but certain that Lindsey will receive the death penalty. One of the Klansmen is the cryptically named Nighthawk, whom J.T. and his fellow attorneys come to believe is the actual killer. They just have to match a face and name to the sobriquet—and some evidence, to boot. The author rigorously incorporates issues of race into the plot, which enhance the narrative without overwhelming it. Suspense, too, is in abundance: Nighthawk’s identity, as well as the fiendish Klan Wizard’s, remain unknown until the end. A surprising amount of the story takes place outside the courtroom; J.T. and his team meticulously investigate the case, but Lindsey is disappointingly absent for much of the novel’s latter half. J.T., though, is an engaging protagonist. Although he’s committed to a woman named Deena, the daughter of a wealthy local businessman, his eyes (and hands) perpetually wander to other women; however, his back story provides a convincing reason why he has “some kind of history” with “half the girls from the courthouse.”
A long but energetic tale that’s rife with drama and mystery, both in and out of the courtroom.Pub Date: March 2, 2016
ISBN: 978-1-5238-4795-2
Page Count: 660
Publisher: CreateSpace
Review Posted Online: April 12, 2016
Review Program: Kirkus Indie
BOOK REVIEW
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
Genetically engineered dinosaurs run amok in Crichton's new, vastly entertaining science thriller. From the introduction alone—a classically Crichton-clear discussion of the implications of biotechnological research—it's evident that the Harvard M.D. has bounced back from the science-fantasy silliness of Sphere (1987) for another taut reworking of the Frankenstein theme, as in The Andromeda Strain and The Terminal Man. Here, Dr. Frankenstein is aging billionaire John Hammond, whose monster is a manmade ecosystem based on a Costa Rican island. Designed as the world's ultimate theme park, the ecosystem boasts climate and flora of the Jurassic Age and—most spectacularly—15 varieties of dinosaurs, created by elaborate genetic engineering that Crichton explains in fascinating detail, rich with dino-lore and complete with graphics. Into the park, for a safety check before its opening, comes the novel's band of characters—who, though well drawn, double as symbolic types in this unsubtle morality play. Among them are hero Alan Grant, noble paleontologist; Hammond, venal and obsessed; amoral dino-designer Henry Wu; Hammond's two innocent grandchildren; and mathematician Ian Malcolm, who in long diatribes serves as Crichton's mouthpiece to lament the folly of science. Upon arrival, the visitors tour the park; meanwhile, an industrial spy steals some dino embryos by shutting down the island's power—and its security grid, allowing the beasts to run loose. The bulk of the remaining narrative consists of dinos—ferocious T. Rex's, voracious velociraptors, venom-spitting dilophosaurs—stalking, ripping, and eating the cast in fast, furious, and suspenseful set-pieces as the ecosystem spins apart. And can Grant prevent the dinos from escaping to the mainland to create unchecked havoc? Though intrusive, the moralizing rarely slows this tornado-paced tale, a slick package of info-thrills that's Crichton's most clever since Congo (1980)—and easily the most exciting dinosaur novel ever written. A sure-fire best-seller.
Pub Date: Nov. 7, 1990
ISBN: 0394588169
Page Count: 424
Publisher: Knopf
Review Posted Online: Sept. 21, 2011
Kirkus Reviews Issue: Oct. 15, 1990
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