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ESCAPING ELEVEN

From the Eleven Trilogy series , Vol. 1

A compulsively readable tale, despite its use of well-worn genre tropes.

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In this post-apocalyptic YA series opener, a teen is determined to leave her restrictive underground community for the perilous world above.

The sun has rendered life on Earth’s surface unsuitable for humanity. Sixteen-year-old Eve Hamilton lives in Compound Eleven, a self-sustaining underground city with five levels. Now that she’s finished with school, she must choose a profession. However, as a Lower Mean (someone from the second level), her job options are menial and unfulfilling. Fortunately, she’s an excellent competitive fighter for the Blue Circuit in the Bowl, an arena where rules of honor are seldom followed. One day, Eve squares off against a Preeminate (or “Preme”), a young man from the fifth level where the Compound’s wealthy founders live. As he’s two years older and more experienced, he knocks her out handily—but then he sits by her bed in the nurse’s station, concerned. He reveals that his name is Wren, but Eve doesn’t care about his guilt over injuring her. She only wants to access the Oracle, a viewing station that peeks above ground. Once there, she plans to escape for good, as she wants nothing to do with the society that only allows one child per family—and doomed her infant brother, Jack. Debut author Chisholm remixes elements from other post-apocalyptic YA series, such as Suzanne Collins’ Hunger Games books, into a familiar but compelling new premise. The handsome, sympathetic Wren seems too good to be true at times, but he convincingly and pleasantly wins her over. Her narration, meanwhile, is often terse and tough, with lines such as “There is no job I will choose. In six weeks’ time, I will be gone.” The most incredible moments occur with the glassed-in Oracle; Eve’s first sight of a living tree, for example, is as uplifting as it is heartbreaking. Some characters, such as abusive boyfriends and bullies, feel standard for the genre, but effectively show that some aspects of humanity will sadly remain the same in the future. The tight narrative halts just where readers will expect, but the next volume leaves plenty to explore.

A compulsively readable tale, despite its use of well-worn genre tropes.

Pub Date: Dec. 8, 2020

ISBN: 978-1-68281-501-4

Page Count: 384

Publisher: Entangled Teen

Review Posted Online: Nov. 25, 2020

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CAST IN FIRELIGHT

From the Wickery series , Vol. 1

Will appeal to fans of fast-moving fantasy adventures.

Pledged to each other since childhood, Adraa and Jatin navigate the complex politics of their respective kingdoms.

Adraa is the heir to Belwar, and while powerful in most types of magic, she has yet to take the royal ceremony to prove her competency in all nine forms and, with it, her right to someday rule. With half its population Untouched by the Gods—unable to use magic—Belwar struggles with inequities between the Touched and Untouched, reminiscent of societal class divisions. Adraa’s strong sense of duty to her people leads her to fight against the corruption within her kingdom. Jatin, heir to their more magical neighbor Naupure, has spent years polishing his nine colors of magic at the academy, away from the realities of ruling. He and Adraa compare their magical prowess and progress through letters. When Jatin finally leaves the academy, a series of mishaps results in both of them hiding their true identities even as they grow closer in their fight against a ruthless gang. This intricate world with magic-fueled, action-packed fight scenes and snarky, colloquial banter is loosely infused with Asian Indian cultural references. The story also discusses questions of gender inequality, freedom, self-worth, and identity. Adraa and Jatin both have black hair; in contrast to the cover image, the text makes clear that Adraa is very dark-skinned while Jatin has lighter brown skin.

Will appeal to fans of fast-moving fantasy adventures. (deities and their powers, author’s note) (Fantasy. 14-18)

Pub Date: Nov. 17, 2020

ISBN: 978-0-593-12421-5

Page Count: 448

Publisher: Delacorte

Review Posted Online: Aug. 27, 2020

Kirkus Reviews Issue: Sept. 15, 2020

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THE GIRL OF FIRE AND THORNS

From the Girl of Fire and Thorns series , Vol. 1

Despite the stale fat-to-curvy pattern, compelling world building with a Southern European, pseudo-Christian feel,...

Adventure drags our heroine all over the map of fantasyland while giving her the opportunity to use her smarts.

Elisa—Princess Lucero-Elisa de Riqueza of Orovalle—has been chosen for Service since the day she was born, when a beam of holy light put a Godstone in her navel. She's a devout reader of holy books and is well-versed in the military strategy text Belleza Guerra, but she has been kept in ignorance of world affairs. With no warning, this fat, self-loathing princess is married off to a distant king and is embroiled in political and spiritual intrigue. War is coming, and perhaps only Elisa's Godstone—and knowledge from the Belleza Guerra—can save them. Elisa uses her untried strategic knowledge to always-good effect. With a character so smart that she doesn't have much to learn, body size is stereotypically substituted for character development. Elisa’s "mountainous" body shrivels away when she spends a month on forced march eating rat, and thus she is a better person. Still, it's wonderfully refreshing to see a heroine using her brain to win a war rather than strapping on a sword and charging into battle.

Despite the stale fat-to-curvy pattern, compelling world building with a Southern European, pseudo-Christian feel, reminiscent of Naomi Kritzer's Fires of the Faithful (2002), keeps this entry fresh. (Fantasy. 12-14)

Pub Date: Sept. 1, 2011

ISBN: 978-0-06-202648-4

Page Count: 432

Publisher: Greenwillow Books

Review Posted Online: July 19, 2011

Kirkus Reviews Issue: Aug. 1, 2011

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