by Jerry Kirkpatrick ‧ RELEASE DATE: July 1, 2026
An accessible reflection on Rand’s theory of universals and individual freedom that will appeal primarily to Rand...
A retired professor connects Ayn Rand’s theory of universals to laissez-faire capitalism in this philosophical rumination.
“A sound theory of universals is fundamental to the defense of a free society,” Kirkpatrick, a professor emeritus of international business and marketing at California State Polytechnic University, Pomona, asserts in this work’s opening lines. In these pages, he suggests that novelist and philosopher Rand’s theory of concepts, which he rebrands as a “theory of universals,” provides a sound philosophical grounding for a free society. He defines such a society as one of a laissez-faire capitalism that not only addresses economic ownership, but also individual rights associated with private property and freedom of action. Early chapters reflect on the epistemological foundations of science, offering a detailed analysis of Rand’s theory of concepts and her musings on abstractions, which the author contrasts with philosopher Immanuel Kant’s emphasis on a priori knowledge. Subsequent chapters blend Rand’s philosophy with those of Sigmund Freud and economist Ludwig von Mises, both of whom Kirkpatrick contends should be considered scientists in their application of universals to their respective fields. As an advocate of classical liberalism, Freud “insisted on the primacy of the individual in psychology,” Kirkpatrick asserts, further noting that Mises emphasized the primacy of consumers in his economic work. Both men, the author says, complement Rand’s emphasis on individual freedom, equality under the law, and limited government. Kirkpatrick writes that he’s been interested in epistemology since his days as a philosophy major in the 1960s, and his book ably reflects this lifelong interest, showing a solid foundation in the major schools of philosophical thought. For example, according to his reading, several inherently repressive elements of various philosophical schools—including Plato’s philosopher-kings, Thomas Hobbes’ ruthless monarchy, and Karl Marx’s dictatorship of the proletariat—are rooted in subjectivist notions that reject universals. His book’s conclusions, though, including Kirkpatrick’s claim that “Capitalism means total freedom,” and his embrace of Rand’s radically libertarian ideals, are unlikely to convince skeptics.
An accessible reflection on Rand’s theory of universals and individual freedom that will appeal primarily to Rand enthusiasts.Pub Date: July 1, 2026
ISBN: 9781737138761
Page Count: 179
Publisher: Kirkpatrick Books
Review Posted Online: Aug. 12, 2026
Review Program: Kirkus Indie
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by Steve Martin illustrated by Harry Bliss ‧ RELEASE DATE: Nov. 17, 2020
A virtuoso performance and an ode to an undervalued medium created by two talented artists.
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IndieBound Bestseller
The veteran actor, comedian, and banjo player teams up with the acclaimed illustrator to create a unique book of cartoons that communicates their personalities.
Martin, also a prolific author, has always been intrigued by the cartoons strewn throughout the pages of the New Yorker. So when he was presented with the opportunity to work with Bliss, who has been a staff cartoonist at the magazine since 1997, he seized the moment. “The idea of a one-panel image with or without a caption mystified me,” he writes. “I felt like, yeah, sometimes I’m funny, but there are these other weird freaks who are actually funny.” Once the duo agreed to work together, they established their creative process, which consisted of working forward and backward: “Forwards was me conceiving of several cartoon images and captions, and Harry would select his favorites; backwards was Harry sending me sketched or fully drawn cartoons for dialogue or banners.” Sometimes, he writes, “the perfect joke occurs two seconds before deadline.” There are several cartoons depicting this method, including a humorous multipanel piece highlighting their first meeting called “They Meet,” in which Martin thinks to himself, “He’ll never be able to translate my delicate and finely honed droll notions.” In the next panel, Bliss thinks, “I’m sure he won’t understand that the comic art form is way more subtle than his blunt-force humor.” The team collaborated for a year and created 150 cartoons featuring an array of topics, “from dogs and cats to outer space and art museums.” A witty creation of a bovine family sitting down to a gourmet meal and one of Dumbo getting his comeuppance highlight the duo’s comedic talent. What also makes this project successful is the team’s keen understanding of human behavior as viewed through their unconventional comedic minds.
A virtuoso performance and an ode to an undervalued medium created by two talented artists.Pub Date: Nov. 17, 2020
ISBN: 978-1-250-26289-9
Page Count: 272
Publisher: Celadon Books
Review Posted Online: Aug. 30, 2020
Kirkus Reviews Issue: Sept. 15, 2020
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by Albert Camus ‧ RELEASE DATE: Sept. 26, 1955
This a book of earlier, philosophical essays concerned with the essential "absurdity" of life and the concept that- to overcome the strong tendency to suicide in every thoughtful man-one must accept life on its own terms with its values of revolt, liberty and passion. A dreary thesis- derived from and distorting the beliefs of the founders of existentialism, Jaspers, Heldegger and Kierkegaard, etc., the point of view seems peculiarly outmoded. It is based on the experience of war and the resistance, liberally laced with Andre Gide's excessive intellectualism. The younger existentialists such as Sartre and Camus, with their gift for the terse novel or intense drama, seem to have omitted from their philosophy all the deep religiosity which permeates the work of the great existentialist thinkers. This contributes to a basic lack of vitality in themselves, in these essays, and ten years after the war Camus seems unaware that the life force has healed old wounds... Largely for avant garde aesthetes and his special coterie.
Pub Date: Sept. 26, 1955
ISBN: 0679733736
Page Count: 228
Publisher: Knopf
Review Posted Online: Sept. 19, 2011
Kirkus Reviews Issue: Sept. 1, 1955
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by Albert Camus and Maria Casarès ; translated by Sandra Smith and Cory Stockwell
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