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God An Autobiography, As Told To A Philosopher

A captivating religious dialogue for the modern age.

Awards & Accolades

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An atheist philosopher finds himself in a surprising series of conversations with God.

One of the two main characters in Martin’s debut is the author himself, whose own Christian faith didn’t survive even a rudimentary college philosophy class, “where arguments for the existence of God were shot down like clay pigeons.” The secular philosopher opens his book with a quick account of falling in love with the woman who would become his wife, but the focus shifts almost immediately to a mysterious voice he begins sensing, identifying itself as “the God of all” and heard only by Martin. After a good deal of initial doubts, he decides to embrace the experience, even though at first it resembles “a training in obedience,” with the voice ordering him around on trivial matters seemingly at random. But gradually, larger issues and disclosures begin to surface. And Martin shares a great many of these revelations in an immensely readable prose that’s reverential but completely accessible to nonbelievers. His portrait of God is a remarkable dramatic construct, a vastly enigmatic being seized with an urge to unveil Himself in detail. This is a God who dwelled for unbounded ages in a formless void before existence began and He started to evolve along with it, shaping space and matter toward His eventual relationship with humankind, a process of creating Himself. Martin’s version of God is often every bit as argumentative and contradictory as the one found in the Bible, but this volume’s narration helps smooth things over: it’s easily literate (quotes from many authors abound) and excellent at clarifying the deep philosophical subjects covered as the dialogue progresses. Martin’s deity talks about being part of non-Christian texts like the Upanishads and the Mahabharata (and even discusses the “rebel” pharaoh Akhenaten), but nevertheless, this book chronicles one man’s encounter with the God of the Judeo-Christian tradition. Yet as such, it’s a revelation.

A captivating religious dialogue for the modern age.

Pub Date: N/A

ISBN: 978-0-9967253-1-6

Page Count: 376

Publisher: Caladium Publishing Company

Review Posted Online: July 14, 2016

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THE ELEMENTS OF STYLE

50TH ANNIVERSARY EDITION

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...

Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").

Pub Date: May 15, 1972

ISBN: 0205632645

Page Count: 105

Publisher: Macmillan

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: May 1, 1972

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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