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JAKE AND LILY

Double the feelings, double the fun.

As if growing up isn’t hard enough, twins also have to face growing apart.

Ever since they can remember, twins Jake and Lily Wambold, born on the California Zephyr train, have sleepwalked on the eve of their birthday and awoken at their local train station, where they distinctly smell pickles. They have never been able to explain this or how they can occasionally read each other’s minds or finish each other’s sentences. The twins name their secret gift “goombla.” It's now the summer before middle school. The brother and sister alternate telling each chapter as spunky, tomboy Lily worries that they’ll lose their goombla and sensible Jake looks forward to living separately for a change. Each sibling’s chatty narration reveals a range of emotions. Lily, feeling lost for the first time in her life, leans on her hippie grandfather, whose wife and soul mate passed away and who knows what it’s like to lose half of oneself. Just when she’s given up on finding herself through ridiculous hobbies, friendship comes to her. Meanwhile, Jake immediately relishes his time with his new Death Rays posse as they scout out social outcast “goobers” to pick on. When he realizes that goobers can be brave and even friends, he reconsiders his allegiance. Perhaps Jake and Lily aren’t so different after all.

Double the feelings, double the fun. (Fiction. 8-12)

Pub Date: May 8, 2011

ISBN: 978-0-06-028135-9

Page Count: 352

Publisher: Balzer + Bray/HarperCollins

Review Posted Online: Feb. 14, 2012

Kirkus Reviews Issue: March 1, 2012

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PENCILVANIA

A vibrant celebration of art’s power to console and heal.

Zora, 12, shares her mother’s artistic gifts, but when grief and guilt lead her to destroy years of drawings, the results are astonishing.

Voom is Zora and her mom’s word for the artistic impulse that bubbles up inside. After disclosing her leukemia diagnosis to Zora and her sister, Frankie, Mom promised the girls she’d beat it. Ten months later, their far sicker mom is hospitalized in Pittsburgh, where the girls share their bus driver grandmother’s basement apartment. Mom continues to be optimistic and avoid acknowledging the possibility of death. Frustrated and needing to hear a realistic prognosis, Zora uses her art to show her mother the truth of how ill she looks. Later that night her mom dies—and Zora’s Voom goes away. When Grandma Wren disappoints Frankie on her seventh birthday, Zora’s guilt-fueled anger erupts. Over Frankie’s protests, Zora scribbles out her drawings until the scribbles fight back, pulling the girls into Pencilvania, a world where each of Zora’s creations lives. Most of her now-animated drawings welcome her—except for one scribbled-out horse who kidnaps Frankie. Guided by a seven-legged horse, the Zoracle (a composite of her early self-portraits), and other charming creations, Zora sets out to rescue Frankie and rediscover the wellspring of creativity that forms her mother’s legacy. Presumed White, the humans are well rounded and believable. Pencilvania’s inhabitants, conceived with humorous, metafictional whimsy, are enlivened with copious, inventive illustrations.

A vibrant celebration of art’s power to console and heal. (Fiction. 8-12)

Pub Date: Oct. 5, 2021

ISBN: 978-1-72821-590-7

Page Count: 352

Publisher: Sourcebooks Young Readers

Review Posted Online: Aug. 15, 2021

Kirkus Reviews Issue: Sept. 1, 2021

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WISHTREE

A deceptively simple, tender tale in which respect, resilience, and hope triumph.

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Generations of human and animal families grow and change, seen from the point of view of the red oak Wishing Tree that shelters them all.

Most trees are introverts at heart. So says Red, who is over 200 years old and should know. Not to mention that they have complicated relationships with humans. But this tree also has perspective on its animal friends and people who live within its purview—not just witnessing, but ultimately telling the tales of young people coming to this country alone or with family. An Irish woman named Maeve is the first, and a young 10-year-old Muslim girl named Samar is the most recent. Red becomes the repository for generations of wishes; this includes both observing Samar’s longing wish and sporting the hurtful word that another young person carves into their bark as a protest to Samar’s family’s presence. (Red is monoecious, they explain, with both male and female flowers.) Newbery medalist Applegate succeeds at interweaving an immigrant story with an animated natural world and having it all make sense. As Red observes, animals compete for resources just as humans do, and nature is not always pretty or fair or kind. This swiftly moving yet contemplative read is great for early middle grade, reluctant or tentative readers, or precocious younger students.

A deceptively simple, tender tale in which respect, resilience, and hope triumph. (Fantasy. 8-12)

Pub Date: Sept. 26, 2017

ISBN: 978-1-250-04322-1

Page Count: 224

Publisher: Feiwel & Friends

Review Posted Online: Aug. 1, 2017

Kirkus Reviews Issue: Aug. 15, 2017

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