Greg, 15, put that hair in the toothbrush of sister Megin, age twelve. "Sibling rivalry," says Dad, a stubborn Pollyanna type. More like "sibling homicide," mutters their weary Mom, who has lately turned to spells of self-hypnosis in order to remove herself from the battlefront. And Spinelli, using Greg and Megin as alternating narrators, offers a breezy yet fierce, often slapsticky evocation of brother/ sister hostilities here—while giving the two kids believable other concerns too. Greg calls Megin "Megamouth"; he's appalled by her filthy room, sure that she'll bring on an infestation of cockroaches. ("They're having the World's Fair for Bacteria in there.") But Greg's primary interest in life is beautiful Jennifer Wade, for whom he's redone his appearance (bodybuilding, "Sassooned" hair, etc.); and he blithely exploits the crush of not-so-pretty Sara to make contact with her elusive friend Jennifer, repenting later. Meanwhile, Megin calls Greg "El Grosso," incorrigibly plants a cockroach in his room, and provokes him into food-fights. Her affections belong instead to kiddie-brother Todd; to ice-hockey idol Wayne Gretzky; to a friendly Dunkin' Donuts waitress (who gives her freebies); to fellow tomboy Emilie, 89, a chance acquaintance whom Megin visits regularly in a nearby nursing home; and to classmates like ordinary Sue Ellen and extraordinary Zoe—a newcomer from California who fills a bra and wears green toenail polish. Will Greg and Megin eventually reach a genuine truce? Of course. But only after the warfare gets out of hand (violence on the ice)—and after Emilie's unexpected death brings Megin to the breaking-point. . . and Greg to the brotherly rescue. (As it happens, the quest for Megin's beloved, sunken hockey-stick winds up with sister saving brother.) As in Space Station Seventh Grade (1982), then, Spinelli keeps things very light most of the way through, shading into more serious feelings—with considerable finesse—only at the end. So the upshot, if never really distinguished, is bright, personable, and reasonably lifelike—with nice average kids, unusually low-key/amusing parents, and a sure balance between farce and sentiment.
Pub Date: May 1, 1984
ISBN: 0316806870
Page Count: -
Publisher: Little, Brown
Review Posted Online: Oct. 27, 2011
Kirkus Reviews Issue: April 15, 1984
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
BOOK REVIEW
BOOK REVIEW
Disappointing.
Unlikely friends fight their growing feelings for each other while placing bets on other people’s love lives.
Bailey met Charlie while flying from Alaska, where she grew up, to Nebraska, where she and her mom would be living after her parents’ divorce. Although they briefly bonded over their parents’ divorces, Charlie’s cynicism grated on the rule-following Bailey, and she was thankful to part ways with him. Three years later, to Bailey’s dismay, she runs into Charlie when they both land jobs at Planet Funnn, a mega-hotel that’s “like a giant landlocked cruise ship.” This time around, Bailey and Charlie begin to get along better. To entertain themselves during their long shifts, they observe and make bets about the hotel guests. But they risk taking it too far when they bet on whether their co-worker Theo will end up with Nekesa, Bailey’s best friend, who’s in “a perfect relationship with the perfect guy.” The book explores Bailey’s conflicted feelings toward her mom’s new relationship with Scott (who doesn’t “do anything wrong” but whose presence changes “the vibe” at home), but it does so in a way that diminishes a primary source of conflict. Bailey's and Charlie’s feelings become even more complicated when Charlie helps Bailey with a fake-dating scheme intended to scare Scott off. Some of the banter between the leads, who are coded white, feels more aggressive than playful, detracting from their intimacy, and the circuitous plot may fail to sustain readers’ interest.
Disappointing. (Romance. 14-18)Pub Date: Nov. 28, 2023
ISBN: 9781665921237
Page Count: 432
Publisher: Simon & Schuster
Review Posted Online: Aug. 31, 2023
Kirkus Reviews Issue: Sept. 15, 2023
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