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SEE WHAT YOU MADE ME DO

THE DANGERS OF DOMESTIC ABUSE THAT WE IGNORE, EXPLAIN AWAY, OR REFUSE TO SEE

An exposé of domestic abuse that portrays other countries more convincingly than it does the U.S.

An Australian journalist finds countless faults with how society treats those who endure domestic violence.

Hill is all over the map, literally and figuratively, in this exploration of how “victims of domestic abuse have been blamed by the public, maligned by the justice system, and pathologized by psychiatrists.” After winning the Stella Prize for the Australian edition, the author has revised the book heavily for the North American market, and she finds antecedents for homegrown domestic abuse in the “deeply patriarchal and deeply sexist” views of the Puritans. Hill has a wealth of insight into why women stay with abusive partners; how the police and courts fail those who have suffered; the unique vulnerabilities of Aboriginal people; and the varied types of “coercive controllers,” who need more than one-size-fits-all “anger management” programs. The author also finds innovative solutions in countries including Argentina, which has special police stations for women, resembling living rooms with play spaces for children, where female victims find under one roof all the services they need—“lawyers, social workers, psychologists.” Hill stumbles, however, in analyzing the U.S., most notably when she suggests that in America, as elsewhere, “2014 will likely stand as the year when the Western world finally started taking men’s violence against women seriously,” in part because that was the year that NFL star Ray Rice assaulted his fiancee, Janay Palmer. In fact, as Rachel Louise Snyder writes in the excellent No Visible Bruises, the U.S. watershed came two decades earlier, when “Nicole Brown Simpson became the face of a new kind of victim” and Congress passed the Violence Against Women Act. Hill’s global perspective is valuable—as is a chapter on women who abuse men—but Snyder’s book has a firmer grasp of the American issues.

An exposé of domestic abuse that portrays other countries more convincingly than it does the U.S.

Pub Date: Sept. 1, 2020

ISBN: 978-1-72822-226-4

Page Count: 448

Publisher: Sourcebooks

Review Posted Online: May 28, 2020

Kirkus Reviews Issue: June 15, 2020

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I'M GLAD MY MOM DIED

The heartbreaking story of an emotionally battered child delivered with captivating candor and grace.

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The former iCarly star reflects on her difficult childhood.

In her debut memoir, titled after her 2020 one-woman show, singer and actor McCurdy (b. 1992) reveals the raw details of what she describes as years of emotional abuse at the hands of her demanding, emotionally unstable stage mom, Debra. Born in Los Angeles, the author, along with three older brothers, grew up in a home controlled by her mother. When McCurdy was 3, her mother was diagnosed with breast cancer. Though she initially survived, the disease’s recurrence would ultimately take her life when the author was 21. McCurdy candidly reconstructs those in-between years, showing how “my mom emotionally, mentally, and physically abused me in ways that will forever impact me.” Insistent on molding her only daughter into “Mommy’s little actress,” Debra shuffled her to auditions beginning at age 6. As she matured and starting booking acting gigs, McCurdy remained “desperate to impress Mom,” while Debra became increasingly obsessive about her daughter’s physical appearance. She tinted her daughter’s eyelashes, whitened her teeth, enforced a tightly monitored regimen of “calorie restriction,” and performed regular genital exams on her as a teenager. Eventually, the author grew understandably resentful and tried to distance herself from her mother. As a young celebrity, however, McCurdy became vulnerable to eating disorders, alcohol addiction, self-loathing, and unstable relationships. Throughout the book, she honestly portrays Debra’s cruel perfectionist personality and abusive behavior patterns, showing a woman who could get enraged by everything from crooked eyeliner to spilled milk. At the same time, McCurdy exhibits compassion for her deeply flawed mother. Late in the book, she shares a crushing secret her father revealed to her as an adult. While McCurdy didn’t emerge from her childhood unscathed, she’s managed to spin her harrowing experience into a sold-out stage act and achieve a form of catharsis that puts her mind, body, and acting career at peace.

The heartbreaking story of an emotionally battered child delivered with captivating candor and grace.

Pub Date: Aug. 9, 2022

ISBN: 978-1-982185-82-4

Page Count: 320

Publisher: Simon & Schuster

Review Posted Online: May 30, 2022

Kirkus Reviews Issue: July 1, 2022

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THE GREATEST SENTENCE EVER WRITTEN

A short, smart analysis of perhaps the most famous passage in American history reveals its potency and unfulfilled promise.

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Words that made a nation.

Isaacson is known for expansive biographies of great thinkers (and Elon Musk), but here he pens a succinct, stimulating commentary on the Founding Fathers’ ode to “life, liberty, and the pursuit of happiness.” His close reading of the Declaration of Independence’s second sentence, published to mark the 250th anniversary of the document’s adoption, doesn’t downplay its “moral contradiction.” Thomas Jefferson enslaved hundreds of people yet called slavery “a cruel war against human nature” in his first draft of the Declaration. All but 15 of the document’s 56 signers owned enslaved people. While the sentence in question asserted “all men are created equal” and possess “unalienable rights,” the Founders “consciously and intentionally” excluded women, Native Americans, and enslaved people. And yet the sentence is powerful, Isaacson writes, because it names a young nation’s “aspirations.” He mounts a solid defense of what ought to be shared goals, among them economic fairness, “moral compassion,” and a willingness to compromise. “Democracy depends on this,” he writes. Isaacson is excellent when explaining how Enlightenment intellectuals abroad influenced the founders. Benjamin Franklin, one of the Declaration’s “five-person drafting committee,” stayed in David Hume’s home for a month in the early 1770s, “discussing ideas of natural rights” with the Scottish philosopher. Also strong is Isaacson’s discussion of the “edits and tweaks” made to Jefferson’s draft. As recommended by Franklin and others, the changes were substantial, leaving Jefferson “distraught.” Franklin, who emerges as the book’s hero, helped establish municipal services, founded a library, and encouraged religious diversity—the kind of civic-mindedness that we could use more of today, Isaacson reminds us.

A short, smart analysis of perhaps the most famous passage in American history reveals its potency and unfulfilled promise.

Pub Date: Nov. 18, 2025

ISBN: 9781982181314

Page Count: 80

Publisher: Simon & Schuster

Review Posted Online: Aug. 29, 2025

Kirkus Reviews Issue: Oct. 1, 2025

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