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BLOODLINE

Based on a true story, this is a sinister, suspenseful thriller full of creeping horror.

Lourey returns to the Minnesota town of Lilydale, whose perfect exterior hides a seething mass of horror.

After she’s mugged, pregnant reporter Joan Harken agrees to move from Minneapolis to her fiance Deck Schmidt’s hometown both for her own safety and to save Deck from the military draft that’s claimed so many other men in 1968. Deck’s parents and their friends on Mill Street welcome the couple with joy, installing them in Deck’s childhood home. Accustomed to big-city living, Joan immediately feels smothered and uneasy with the attention she gets from the townspeople, who seem unusually delighted with a pregnancy she hadn’t wanted to reveal yet. Desperate for a job, she gets one on the small local paper, which sends her out to do the usual puff pieces, and finds herself intrigued by a story about a little boy who vanished from school in 1944 and was never found—and the man who's just shown up in town claiming to be that boy. As she investigates, she feels constantly watched and reported on by the Mill Street gang and quickly learns she can trust no one. Her paranoia about the way she’s treated and the things she’s learning makes even Ursula, her college roommate and best friend, think she needs help. Realizing that the only way she may ever learn the truth about the town’s strange past and disturbing present is by pretending to be docile, she’s still outsmarted by the cultish group, which forces her to give birth at home. She awakens bloody and in pain and without her baby. In a desperate attempt to rescue her child, she uses every bit of remaining strength and wit to escape Lilydale.

Based on a true story, this is a sinister, suspenseful thriller full of creeping horror.

Pub Date: Jan. 1, 2021

ISBN: 978-1-5420-1631-5

Page Count: 348

Publisher: Thomas & Mercer

Review Posted Online: Sept. 29, 2020

Kirkus Reviews Issue: Oct. 15, 2020

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YOU'D LOOK BETTER AS A GHOST

Squeamish readers will find this isn’t their cup of tea.

Dexter meets Killing Eve in Wallace’s dark comic thriller debut.

While accepting condolences following her father’s funeral, 30-something narrator Claire receives an email saying that one of her paintings is a finalist for a prize. But her joy is short-circuited the next morning when she learns in a second apologetic note that the initial email had been sent to the wrong Claire. The sender, Lucas Kane, is “terribly, terribly sorry” for his mistake. Claire, torn between her anger and suicidal thoughts, has doubts about his sincerity and stalks him to a London pub, where his fate is sealed: “I stare at Lucas Kane in real life, and within moments I know. He doesn’t look sorry.” She dispatches and buries Lucas in her back garden, but this crime does not go unnoticed. Proud of her meticulous standards as a serial killer, Claire wonders if her grief for her father is making her reckless as she seeks to identify the blackmailer among the members of her weekly bereavement support group. The female serial killer as antihero is a growing subgenre (see Oyinkan Braithwaite’s My Sister, the Serial Killer, 2018), and Wallace’s sociopathic protagonist is a mordantly amusing addition; the tool she uses to interact with ordinary people while hiding her homicidal nature is especially sardonic: “Whenever I’m unsure of how I’m expected to respond, I use a cliché. Even if I’m not sure what it means, even if I use it incorrectly, no one ever seems to mind.” The well-written storyline tackles some tough subjects—dementia, elder abuse, and parental cruelty—but the convoluted plot starts to drag at the halfway point. Given the lack of empathy in Claire’s narration, most of the characters come across as not very likable, and the reader tires of her sneering contempt.

Squeamish readers will find this isn’t their cup of tea.

Pub Date: April 16, 2024

ISBN: 9780143136170

Page Count: 336

Publisher: Penguin

Review Posted Online: Feb. 3, 2024

Kirkus Reviews Issue: March 1, 2024

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DAUGHTER OF MINE

Small-town claustrophobia and intimacies alike propel this twist-filled psychological thriller.

The loss of her police officer father and the discovery of an abandoned car in a local lake raise chilling questions regarding a young woman’s family history.

When Hazel Sharp returns to her hometown of Mirror Lake, North Carolina, for her father’s memorial, she and the other townspeople are confronted by a challenging double whammy: As they’re grieving the loss of beloved longtime police officer Detective Perry Holt, a disturbing sight appears in the lake, whose waterline is receding because of an ongoing drought—an old, unidentifiable car, which has likely been lurking there for years. Hazel temporarily leaves her Charlotte-based building-renovation business in the capable hands of her partners and reconnects with her brothers, Caden and Gage; her Uncle Roy; her old fling and neighbor, Nico; and her schoolfriend, Jamie, now a mother and married to Caden. Tiny, relentless suspicions rise to the metaphorical surface along with that waterlogged vehicle: There have been a slew of minor break-ins; two people go missing; and then, a second abandoned car is discovered. The novel digs deeper into Hazel’s family history—her father was a widow when he married Hazel’s mother, who later left the family, absconding with money and jewels—and Miranda, a consummate professional when it comes to exposing the small community tensions that naturally arise when people live in close proximity for generations, exposes revelation after twisty revelation: “Everything mattered disproportionately in a small town. Your success, but also your failure. Everyone knows might as well have been our town motto.”

Small-town claustrophobia and intimacies alike propel this twist-filled psychological thriller.

Pub Date: April 9, 2024

ISBN: 9781668010440

Page Count: 368

Publisher: Marysue Rucci Books

Review Posted Online: Feb. 3, 2024

Kirkus Reviews Issue: March 1, 2024

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