A sparkling and perceptive critique of ancient ideas that still hold women back.
A witty and erudite exploration of the enduring influence of the female monsters in Greek myths.
Electric Literature editor-in-chief Zimmerman blends memoir and cultural criticism in a wide-ranging feminist analysis rooted in her youthful love of D’Aulaires’ Book of Greek Myths. Drawing on accounts by Homer and others, she argues that female monsters like Medusa and the Harpies have inspired more than a Versace logo and a metaphor popular among right-wing critics of Hillary Clinton and Elizabeth Warren. The fearsome creatures have fostered “a suspicion of women in general” and sounded a warning: “Beware their ambition, their ugliness, their insatiable hunger, their ferocious rage.” A graceful stylist who casts a wide literary and geographical net, Zimmerman can make nearly anything interesting. She begins a chapter on the Sirens by reappraising Aerosmith’s “Crazy” video and one on Scylla by describing the Josephinum medical museum in Vienna, which displays oddities such as wax bones. The author avoids academic cant and shows a disarming willingness to acknowledge her own vulnerability to damaging messages. Her musings on the Sphinx recall a college affair with a professor whose rundowns of her flaws became “a daily referendum on my specific insufficiencies” that at times caused her to retreat into a Sphinx-like self-imposed silence. Not everyone will accept her argument that the traits that made monsters dangerous “are actually their greatest strength[s]” and can be turned on their heads: “When you embrace your imperfection, your imperfection stops consuming you.” Nearly every page, however, brings fresh insights into age-old myths or tragicomic observations on 21st-century womanhood: “How do you cope with a day that might include a guy catcalling you on your commute and a murderous cop going free and a nationwide attack on reproductive rights—and an army of Twitter trolls telling you that all of this is good, actually, and anti-fascism is the real fascism?” This book is excellent armor for the battle.
A sparkling and perceptive critique of ancient ideas that still hold women back.Pub Date: March 9, 2021
ISBN: 978-0-8070-5493-2
Page Count: 240
Publisher: Beacon Press
Review Posted Online: Dec. 14, 2020
Kirkus Reviews Issue: Jan. 1, 2021
A short, smart analysis of perhaps the most famous passage in American history reveals its potency and unfulfilled promise.
Words that made a nation.
Isaacson is known for expansive biographies of great thinkers (and Elon Musk), but here he pens a succinct, stimulating commentary on the Founding Fathers’ ode to “life, liberty, and the pursuit of happiness.” His close reading of the Declaration of Independence’s second sentence, published to mark the 250th anniversary of the document’s adoption, doesn’t downplay its “moral contradiction.” Thomas Jefferson enslaved hundreds of people yet called slavery “a cruel war against human nature” in his first draft of the Declaration. All but 15 of the document’s 56 signers owned enslaved people. While the sentence in question asserted “all men are created equal” and possess “unalienable rights,” the Founders “consciously and intentionally” excluded women, Native Americans, and enslaved people. And yet the sentence is powerful, Isaacson writes, because it names a young nation’s “aspirations.” He mounts a solid defense of what ought to be shared goals, among them economic fairness, “moral compassion,” and a willingness to compromise. “Democracy depends on this,” he writes. Isaacson is excellent when explaining how Enlightenment intellectuals abroad influenced the founders. Benjamin Franklin, one of the Declaration’s “five-person drafting committee,” stayed in David Hume’s home for a month in the early 1770s, “discussing ideas of natural rights” with the Scottish philosopher. Also strong is Isaacson’s discussion of the “edits and tweaks” made to Jefferson’s draft. As recommended by Franklin and others, the changes were substantial, leaving Jefferson “distraught.” Franklin, who emerges as the book’s hero, helped establish municipal services, founded a library, and encouraged religious diversity—the kind of civic-mindedness that we could use more of today, Isaacson reminds us.
A short, smart analysis of perhaps the most famous passage in American history reveals its potency and unfulfilled promise.Pub Date: Nov. 18, 2025
ISBN: 9781982181314
Page Count: 80
Publisher: Simon & Schuster
Review Posted Online: Aug. 29, 2025
Kirkus Reviews Issue: Oct. 1, 2025
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
PERSPECTIVES
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