ME AND EARL AND THE DYING GIRL

Though this novel begs inevitable thematic comparisons to John Green's The Fault in Our Stars (2012), it stands on its own...

A frequently hysterical confessional from a teen narrator who won't be able to convince readers he's as unlikable as he wants them to believe.

"I have no idea how to write this stupid book," narrator Greg begins. Without answering the obvious question—just why is he writing "this stupid book"?—Greg lets readers in on plenty else. His filmmaking ambitions. His unlikely friendship with the unfortunately short, chain-smoking, foulmouthed, African-American Earl of the title. And his unlikelier friendship with Rachel, the titular "dying girl." Punctuating his aggressively self-hating account with film scripts and digressions, he chronicles his senior year, in which his mother guilt-trips him into hanging out with Rachel, who has acute myelogenous leukemia. Almost professionally socially awkward, Greg navigates his unwanted relationship with Rachel by showing her the films he's made with Earl, an oeuvre begun in fifth grade with their remake of Aguirre, Wrath of God. Greg's uber-snarky narration is self-conscious in the extreme, resulting in lines like, "This entire paragraph is a moron." Debut novelist Andrews succeeds brilliantly in painting a portrait of a kid whose responses to emotional duress are entirely believable and sympathetic, however fiercely he professes his essential crappiness as a human being.

Though this novel begs inevitable thematic comparisons to John Green's The Fault in Our Stars (2012), it stands on its own in inventiveness, humor and heart. (Fiction. 14 & up)

Pub Date: March 1, 2012

ISBN: 978-1-4197-0176-4

Page Count: 304

Publisher: Amulet/Abrams

Review Posted Online: Feb. 4, 2012

Kirkus Reviews Issue: Feb. 15, 2012

IF HE HAD BEEN WITH ME

There’s not much plot here, but readers will relish the opportunity to climb inside Autumn’s head.

The finely drawn characters capture readers’ attention in this debut.

Autumn and Phineas, nicknamed Finny, were born a week apart; their mothers are still best friends. Growing up, Autumn and Finny were like peas in a pod despite their differences: Autumn is “quirky and odd,” while Finny is “sweet and shy and everyone like[s] him.” But in eighth grade, Autumn and Finny stop being friends due to an unexpected kiss. They drift apart and find new friends, but their friendship keeps asserting itself at parties, shared holiday gatherings and random encounters. In the summer after graduation, Autumn and Finny reconnect and are finally ready to be more than friends. But on August 8, everything changes, and Autumn has to rely on all her strength to move on. Autumn’s coming-of-age is sensitively chronicled, with a wide range of experiences and events shaping her character. Even secondary characters are well-rounded, with their own histories and motivations.

There’s not much plot here, but readers will relish the opportunity to climb inside Autumn’s head.   (Fiction. 14 & up)

Pub Date: April 1, 2013

ISBN: 978-1-4022-7782-5

Page Count: 336

Publisher: Sourcebooks Fire

Review Posted Online: Feb. 12, 2013

Kirkus Reviews Issue: March 1, 2013

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A GOOD GIRL'S GUIDE TO MURDER

From the Good Girl's Guide to Murder series , Vol. 1

A treat for mystery readers who enjoy being kept in suspense.

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Everyone believes that Salil Singh killed his girlfriend, Andrea Bell, five years ago—except Pippa Fitz-Amobi.

Pip has known and liked Sal since childhood; he’d supported her when she was being bullied in middle school. For her senior capstone project, Pip researches the disappearance of former Fairview High student Andie, last seen on April 18, 2014, by her younger sister, Becca. The original investigation concluded with most of the evidence pointing to Sal, who was found dead in the woods, apparently by suicide. Andie’s body was never recovered, and Sal was assumed by most to be guilty of abduction and murder. Unable to ignore the gaps in the case, Pip sets out to prove Sal’s innocence, beginning with interviewing his younger brother, Ravi. With his help, Pip digs deeper, unveiling unsavory facts about Andie and the real reason Sal’s friends couldn’t provide him with an alibi. But someone is watching, and Pip may be in more danger than she realizes. Pip’s sleuthing is both impressive and accessible. Online articles about the case and interview transcripts are provided throughout, and Pip’s capstone logs offer insights into her thought processes as new evidence and suspects arise. Jackson’s debut is well-executed and surprises readers with a connective web of interesting characters and motives. Pip and Andie are white, and Sal is of Indian descent.

A treat for mystery readers who enjoy being kept in suspense. (Mystery. 14-18)

Pub Date: Feb. 4, 2020

ISBN: 978-1-9848-9636-0

Page Count: 400

Publisher: Delacorte

Review Posted Online: Oct. 27, 2019

Kirkus Reviews Issue: Dec. 1, 2019

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