An ethereal meditation on love, the duty of a caretaker, and mortality.
A terminally ill widower and his son set off on a final journey to see the country.
After a jarring but welcome stylistic break in his last novel (How to Set a Fire and Why, 2016), Ball returns to his spare philosophical style, employed here to portray a man with Down syndrome in tribute to the author’s late brother. The narrator is this man’s father, a widowed doctor who has recently learned that he has a heart condition that will be fatal. In lieu of simply succumbing to his illness, the doctor accepts a job as a census taker for a mysterious government entity that has him interviewing and subsequently tattooing its country’s citizens, spread across regions designated from A to Z. It’s a peculiar mission with equally outlandish instructions like “A census taker must above all attempt, even long for, blankness,” and “Never expect help from anyone. There is no help for you.” Along the way, the two men encounter strangers of all sorts, some fearful, some odd, and some with deep compassion for the census taker and his charge. About halfway to Z, the census taker abdicates his responsibility and creates his own mission: “I, who have in some ways always misbehaved, even as a surgeon, would misbehave going forward, I decided. I would go into each house and home, each town and village, and try to discover what was worthy of note.” Written in stark, unembellished prose, the story is permeated by an undeniable sense of loss. We learn about the doctor’s late wife, an avant-garde performing artist, and we learn about the man himself, even as he prepares to leave this life. But the boy is largely absent. As Ball notes in an opening statement, it’s a “hollow” story with a lost boy at the center of it, the tale wrapped around him like a protective cloak.
An ethereal meditation on love, the duty of a caretaker, and mortality.Pub Date: March 6, 2018
ISBN: 978-0-06-267613-9
Page Count: 272
Publisher: Ecco/HarperCollins
Review Posted Online: Dec. 23, 2017
Kirkus Reviews Issue: Jan. 15, 2018
Tinny perhaps, but still a minutely rendered and impressively steady feminist vision of apocalypse.
The time is the not-so-distant future, when the US's spiraling social freedoms have finally called down a reaction, an Iranian-style repressive "monotheocracy" calling itself the Republic of Gilead—a Bible-thumping, racist, capital-punishing, and misogynistic rule that would do away with pleasure altogether were it not for one thing: that the Gileadan women, pure and true (as opposed to all the nonbelieving women, those who've ever been adulterous or married more than once), are found rarely fertile.
Thus are drafted a whole class of "handmaids," whose function is to bear the children of the elite, to be fecund or else (else being certain death, sent out to be toxic-waste removers on outlying islands). The narrative frame for Atwood's dystopian vision is the hopeless private testimony of one of these surrogate mothers, Offred ("of" plus the name of her male protector). Lying cradled by the body of the barren wife, being meanwhile serviced by the husband, Offred's "ceremony" must be successful—if she does not want to join the ranks of the other disappeared (which include her mother, her husband—dead—and small daughter, all taken away during the years of revolt). One Of her only human conduits is a gradually developing affair with her master's chauffeur—something that's balanced more than offset, though, by the master's hypocritically un-Puritan use of her as a kind of B-girl at private parties held by the ruling men in a spirit of nostalgia and lust. This latter relationship, edging into real need (the master's), is very effectively done; it highlights the handmaid's (read Everywoman's) eternal exploitation, profane or sacred ("We are two-legged wombs, that's all: sacred vessels, ambulatory chalices"). Atwood, to her credit, creates a chillingly specific, imaginable night-mare. The book is short on characterization—this is Atwood, never a warm writer, at her steeliest—and long on cynicism—it's got none of the human credibility of a work such as Walker Percy's Love In The Ruins. But the scariness is visceral, a world that's like a dangerous and even fatal grid, an electrified fence.
Tinny perhaps, but still a minutely rendered and impressively steady feminist vision of apocalypse.Pub Date: Feb. 17, 1985
ISBN: 038549081X
Page Count: -
Publisher: Houghton Mifflin
Review Posted Online: Sept. 16, 2011
Kirkus Reviews Issue: Jan. 15, 1985
SEEN & HEARD
BOOK TO SCREEN
This book sings with the terrible silence of dead civilizations in which once there was valor.
Written with quiet dignity that builds to a climax of tragic force, this book about the dissolution of an African tribe, its traditions, and values, represents a welcome departure from the familiar "Me, white brother" genre.
Written by a Nigerian African trained in missionary schools, this novel tells quietly the story of a brave man, Okonkwo, whose life has absolute validity in terms of his culture, and who exercises his prerogative as a warrior, father, and husband with unflinching single mindedness. But into the complex Nigerian village filters the teachings of strangers, teachings so alien to the tribe, that resistance is impossible. One must distinguish a force to be able to oppose it, and to most, the talk of Christian salvation is no more than the babbling of incoherent children. Still, with his guns and persistence, the white man, amoeba-like, gradually absorbs the native culture and in despair, Okonkwo, unable to withstand the corrosion of what he, alone, understands to be the life force of his people, hangs himself. In the formlessness of the dying culture, it is the missionary who takes note of the event, reminding himself to give Okonkwo's gesture a line or two in his work, The Pacification of the Primitive Tribes of the Lower Niger.
This book sings with the terrible silence of dead civilizations in which once there was valor.Pub Date: Jan. 23, 1958
ISBN: 0385474547
Page Count: 207
Publisher: McDowell, Obolensky
Review Posted Online: April 23, 2013
Kirkus Reviews Issue: Jan. 1, 1958
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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