Ball may or may not explain himself in the end, but there’s no denying the fascination his aberrant storytelling inspires.
“Jesse Ball” investigates a series of disappearances, a wrongful conviction and a love story in modern-day Osaka, Japan.
“I am trying to relate to you a tragedy.” So begins the fourth novel from Ball (The Curfew, 2011, etc.), who makes readers’ heads spin yet again with a darker but more tempered version of his strange, almost whimsical multimedia creations. It’s worth remembering that the author started as a poet, and he is as interested in visual mediums as he is in narrative ones. It’s also worth remembering, even as the author says this work of fiction is partially based on fact, that Ball has been known to teach classes on the art of lying. This somewhat noirish thriller has more in common with Ball’s uncommon thriller Samedi the Deafness (2007) than his more recent experimentations. It starts with a lost bet over a card game. A young man named Oda Sotatsu makes his living buying and selling thread in the village near Sakai. But young Sotatsu fell in with a bad character, Sato Kakuzo, and a girl named Jito Joo. In premise, it sounds simple. “He and Kakuzo made a wager,” Ball writes. “The wager was that the loser, whoever he was, would sign a confession. Kakuzo had brought the confession. He set it out on the table. The loser would sign it, and Joo would bring it to the police station.” For this mistake, Sotatsu is convicted of the “Narito Disappearances,” the alleged murders of eight elderly people. Ball projects himself into the story as a journalist, which allows him to build his novel from a whirling collage of court transcripts, family interviews, photographs, and confessions both false and true. Through it all, Sotatsu keeps his silence, while Ball delves into the mystery of Jita Joo’s role in this tragedy.
Ball may or may not explain himself in the end, but there’s no denying the fascination his aberrant storytelling inspires.Pub Date: Jan. 28, 2014
ISBN: 978-0-307-90848-3
Page Count: 256
Publisher: Pantheon
Review Posted Online: Oct. 20, 2013
Kirkus Reviews Issue: Nov. 1, 2013
PROFILES
Ernest Hemingway, who met Markham on safari two years before her Atlantic crossing, tagged her as “a high-grade bitch” but...
A full-throttle dive into the psyche and romantic attachments of Beryl Markham—whose 1936 solo flight across the Atlantic in a two-seater prop plane (carrying emergency fuel in the extra seat) transfixed the world.
As conceived in this second historical by novelist McLain (The Paris Wife, 2011, etc.), Markham—nee Beryl Clutterbuck—is the neglected daughter of an impecunious racehorse trainer who fails to make a go at farming in British East Africa and a feckless, squeamish mother who bolts back to England with their older son. Set on her own two feet early, she is barely schooled but precociously brave and wired for physical challenges—a trait honed by her childhood companion Kibii (a lifelong friend and son of a local chief). In the Mau forest—“before Kenya was Kenya”—she finds a “heaven fitted exactly to me.” Keeping poised around large mammals (a leopard and a lion also figure significantly) is in her blood and later gains her credibility at the racecourse in Nairobi, where she becomes the youngest trainer ever licensed. Statuesque, blonde, and carrying an air of self-sufficiency—she marries, disastrously, at 16 but is granted a separation to train Lord Delamere’s bloodstock—Beryl turns heads among the cheerfully doped and dissolute Muthaiga Club set (“I don’t know what it is about Africa, but champagne is absolutely compulsory here”), charms not one but two heirs to the British crown at Baroness Karen Blixen’s soiree, and sets her cap on Blixen’s lover, Denys Fitch Hatton. She’ll have him, too, and much enjoyment derives from guessing how that script, and other intrigues, will play out in McLain’s retelling. Fittingly, McLain has Markham tell her story from an altitude of 1,800 feet: “I’m meant to do this,” she begins, “stitch my name on the sky.” Popularly regarded as “a kind of Circe” (to quote Isak Dinesen biographer Judith Thurman), the young woman McLain explores owns her mistakes (at least privately) and is more boxed in by class, gender assumptions, and self-doubt than her reputation as aviatrix, big game hunter, and femme fatale suggests.
Ernest Hemingway, who met Markham on safari two years before her Atlantic crossing, tagged her as “a high-grade bitch” but proclaimed her 1942 memoir West with the Night “bloody wonderful.” Readers might even say the same of McLain’s sparkling prose and sympathetic reimagining.Pub Date: July 28, 2015
ISBN: 978-0-345-53418-7
Page Count: 384
Publisher: Ballantine
Review Posted Online: May 6, 2015
Kirkus Reviews Issue: June 1, 2015
PROFILES
An undisciplined but powerfully lacerating story, by an author who knows every block of the neighborhood and every hair on...
After five adventures for Boston shamus Patrick Kenzie and his off-again lover Angela Gennaro (Prayers for Rain, 1999, etc.), Lehane tries his hand at a crossover novel that’s as dark as any of Patrick’s cases.
Even the 1975 prologue is bleak. Sean Devine and Jimmy Marcus are playing, or fighting, outside Sean’s parents’ house in the Point neighborhood of East Buckingham when a car pulls up, one of the two men inside flashes a badge, and Sean and Jimmy’s friend Dave Boyle gets bundled inside, allegedly to be driven home to his mother for a scolding but actually to get kidnapped. Though Dave escapes after a few days, he never really outlives his ordeal, and 25 years later it’s Jimmy’s turn to join him in hell when his daughter Katie is shot and beaten to death in the wilds of Pen Park, and State Trooper Sean, just returned from suspension, gets assigned to the case. Sean knows that both Dave and Jimmy have been in more than their share of trouble in the past. And he’s got an especially close eye on Jimmy, whose marriage brought him close to the aptly named Savage family and who’s done hard time for robbery. It would be just like Jimmy, Sean knows, to ignore his friend’s official efforts and go after the killer himself. But Sean would be a lot more worried if he knew what Dave’s wife Celeste knows: that hours after catching sight of Katie in the last bar she visited on the night of her death, Dave staggered home covered with somebody else’s blood. Burrowing deep into his three sorry heroes and the hundred ties that bind them unbearably close, Lehane weaves such a spellbinding tale that it’s easy to overlook the ramshackle mystery behind it all.
An undisciplined but powerfully lacerating story, by an author who knows every block of the neighborhood and every hair on his characters’ heads.Pub Date: Jan. 30, 2001
ISBN: 0-688-16316-5
Page Count: 416
Publisher: Morrow/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 15, 2000
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