A pleasure—and an education—for every fan of popular music and its most important Gotham venues.
A lively history of New York City’s many musical scenes and their settings.
Some observers say that New York is dead, merely the playground of the idle rich and tourists. Nonsense, replies cultural tour guide Rifkin. It’s just that “many people feel strongly that New York’s final golden era occurred when they personally just so happened to be in their twenties, and that the city’s decline roughly coincided with them entering their mid or late thirties,” when they stopped club hopping and following bands. Rifkin covers several golden eras from the 1950s to the present. Many people and places are gone: Tom Verlaine and Joey Ramone are dead; ditto the legendary club CBGB and almost all the old Village folk clubs and No Wave hangouts. Only Yoko Ono could afford to buy one of the places where she used to do her version of jazz before she met John Lennon. The Mercer Arts Center, the former home of the New York Dolls, is now an NYU dorm, and Max’s Kansas City has housed “a succession of unspectacular delis.” But for every anti-folk, hip-hop, or hardcore locus that’s fallen to the wrecking ball, there are both remaining old places and, more important, new places with scenes that, Rifkin challenges, should not be discounted without going out every night “most nights of the week, every week, for at least a couple years”—at which point you’re qualified to complain. Drawing on oral histories by those who were around at places like the Mudd Club and Studio 54, who frequented gay discos in the 1970s and break dancing parks in the ’80s, and who made their own fun and noise, Rifkin turns in an essential chronicle of the city’s cultural history.
A pleasure—and an education—for every fan of popular music and its most important Gotham venues.Pub Date: July 11, 2023
ISBN: 9781335449320
Page Count: 320
Publisher: Hanover Square Press
Review Posted Online: April 24, 2023
Kirkus Reviews Issue: May 15, 2023
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.
Greed, depravity, and serial murder in 1920s Oklahoma.
During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorkerstaff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.Pub Date: April 18, 2017
ISBN: 978-0-385-53424-6
Page Count: 352
Publisher: Doubleday
Review Posted Online: Feb. 1, 2017
Kirkus Reviews Issue: Feb. 15, 2017
BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
Essential reading for any Twain buff and student of American literature.
A decidedly warts-and-all portrait of the man many consider to be America’s greatest writer.
It makes sense that distinguished biographer Chernow (Washington: A Life and Alexander Hamilton) has followed up his life of Ulysses S. Grant with one of Mark Twain: Twain, after all, pulled Grant out of near bankruptcy by publishing the ex-president’s Civil War memoir under extremely favorable royalty terms. The act reflected Twain’s inborn generosity and his near pathological fear of poverty, the prime mover for the constant activity that characterized the author’s life. As Chernow writes, Twain was “a protean figure who played the role of printer, pilot, miner, journalist, novelist, platform artist, toastmaster, publisher, art patron, pundit, polemicist, inventor, crusader, investor, and maverick.” He was also slippery: Twain left his beloved Mississippi River for the Nevada gold fields as a deserter from the Confederate militia, moved farther west to California to avoid being jailed for feuding, took up his pseudonym to stay a step ahead of anyone looking for Samuel Clemens, especially creditors. Twain’s flaws were many in his own day. Problematic in our own time is a casual racism that faded as he grew older (charting that “evolution in matters of racial tolerance” is one of the great strengths of Chernow’s book). Harder to explain away is Twain’s well-known but discomfiting attraction to adolescent and even preadolescent girls, recruiting “angel-fish” to keep him company and angrily declaring when asked, “It isn’t the public’s affair.” While Twain emerges from Chernow’s pages as the masterful—if sometimes wrathful and vengeful—writer that he is now widely recognized to be, he had other complexities, among them a certain gullibility as a businessman that kept that much-feared poverty often close to his door, as well as an overarchingly gloomy view of the human condition that seemed incongruous with his reputation, then and now, as a humanist.
Essential reading for any Twain buff and student of American literature.Pub Date: May 13, 2025
ISBN: 9780525561729
Page Count: 1200
Publisher: Penguin Press
Review Posted Online: Feb. 1, 2025
Kirkus Reviews Issue: March 1, 2025
SEEN & HEARD
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