A courageously heartfelt journey from profound self-destruction to redemption.
A Métis-Cree writer and professor examines how poverty, addiction, and poor choices led to a life of homelessness and crime.
The son of a Métis woman and an Algonquin-Scot man, Thistle spent much of his childhood in Saskatchewan dealing with his drunk, abusive father, who taught his children how to beg and steal. Eventually, the police put the children into foster care until Thistle's paternal grandparents became their guardians. Under their stern but loving care, the author's life normalized somewhat. Meanwhile, however, schoolmates taunted Thistle and his siblings for being “ugly Indians” abandoned by their parents. Self-identifying as Italian, the author began drinking and taking drugs during high school. Though his burgeoning habit temporarily abated when he fell in love with a young woman named Karen, an argument with his grandfather angered him enough to spend all of his hard-earned college money on drugs and alcohol. When his grandfather finally told him to leave, Thistle's life spiraled out of control. He became homeless and relied on "food banks, churches and shelter beds,” drifted from city to city, and got addicted to crack. One night, while high, he fell 35 feet from an open window and shattered his leg, which eventually developed gangrene. He was in and out of jail and rehab, and his health continued to deteriorate drastically. Estranged from family and gravely ill, he returned again to rehab, "shaking and vomiting and praying for mercy.” Then he started the long road back to not only personal recovery, but also reconciliation with friends, family, and his Native past. As Thistle narrates his personally harrowing, ultimately uplifting story of survival, he also addresses the life-altering damage that colonialism has wrought on Indigenous people everywhere—especially “how, when one’s Indigeneity is stripped away, people can make poor choices informed by pain, loneliness, and heartbreak, choices that see them eventually cast upon the streets, in jail, or wandering with no place to be.”
A courageously heartfelt journey from profound self-destruction to redemption.Pub Date: June 8, 2021
ISBN: 978-1-982182-94-6
Page Count: 368
Publisher: Atria
Review Posted Online: March 19, 2021
Kirkus Reviews Issue: April 15, 2021
A virtuoso performance and an ode to an undervalued medium created by two talented artists.
The veteran actor, comedian, and banjo player teams up with the acclaimed illustrator to create a unique book of cartoons that communicates their personalities.
Martin, also a prolific author, has always been intrigued by the cartoons strewn throughout the pages of the New Yorker. So when he was presented with the opportunity to work with Bliss, who has been a staff cartoonist at the magazine since 1997, he seized the moment. “The idea of a one-panel image with or without a caption mystified me,” he writes. “I felt like, yeah, sometimes I’m funny, but there are these other weird freaks who are actually funny.” Once the duo agreed to work together, they established their creative process, which consisted of working forward and backward: “Forwards was me conceiving of several cartoon images and captions, and Harry would select his favorites; backwards was Harry sending me sketched or fully drawn cartoons for dialogue or banners.” Sometimes, he writes, “the perfect joke occurs two seconds before deadline.” There are several cartoons depicting this method, including a humorous multipanel piece highlighting their first meeting called “They Meet,” in which Martin thinks to himself, “He’ll never be able to translate my delicate and finely honed droll notions.” In the next panel, Bliss thinks, “I’m sure he won’t understand that the comic art form is way more subtle than his blunt-force humor.” The team collaborated for a year and created 150 cartoons featuring an array of topics, “from dogs and cats to outer space and art museums.” A witty creation of a bovine family sitting down to a gourmet meal and one of Dumbo getting his comeuppance highlight the duo’s comedic talent. What also makes this project successful is the team’s keen understanding of human behavior as viewed through their unconventional comedic minds.
A virtuoso performance and an ode to an undervalued medium created by two talented artists.Pub Date: Nov. 17, 2020
ISBN: 978-1-250-26289-9
Page Count: 272
Publisher: Celadon Books
Review Posted Online: Aug. 30, 2020
Kirkus Reviews Issue: Sept. 15, 2020
PERSPECTIVES
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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