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I'LL SHOW MYSELF OUT

ESSAYS ON MIDLIFE AND MOTHERHOOD

Frank, free-spirited sass for the modern mother's soul.

What's so funny about parenting a small boy through the vicissitudes of aging, social media, the pandemic, and toddler risotto?

In 22 clever, readable, and whimsically footnoted essays, Klein, an actor and executive producer for Inside Amy Schumer, continues the trajectory of her successful debut, You'll Grow Out of It. In the opening essay, after admitting to being possibly the last person in the civilized world to get wind of Joseph Campbell's mythic "hero's journey," she was possessed by the notion that her trip to the store to pick up teething biscuits was part of a meaningful narrative—complete with a "call to adventure," "unimaginable torment," "superhuman deeds," and a "strangely fluid and polymorphous being” (“my baby”). It takes a certain kind of mind to get this much out of a box of Nom-Noms, and Klein's comedic talent often involves an element of quasi-philosophical unspooling of mundane challenges and passages, often with a certain amount of profanity and all-caps exclamations. In the essay titled "On the Starbucks Bathroom Floor," she describes her struggles with her child’s potty training; in "Listening to Beyoncé in the Parking Lot of Party City," it’s balloons and birthdays; in “Your Husband Will Remarry Five Minutes After You Die," it’s brutal marital realism. "In Defense of Drinking" takes a tough stand on the mommy juice controversy: “I am a better mother because I drink." In "Demon Halloween," Klein confesses failure in the homemade costume department. Sometimes she puts joking aside and gets to the heart of things. "Somewhere between the optimism of pure faith and the letting go of pure Zen lies, I suppose, good parenting….Our children need us, at bare minimum, to not be nihilists, right? We have to believe in something,” she writes. The author clearly believes in family, love, laughter, and a well-placed Xanax—and she's pretty convincing.

Frank, free-spirited sass for the modern mother's soul.

Pub Date: April 26, 2022

ISBN: 978-0-06-298159-2

Page Count: 288

Publisher: Harper/HarperCollins

Review Posted Online: May 7, 2022

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LIVES OTHER THAN MY OWN

The book begins in Sri Lanka with the tsunami of 2004—a horror the author saw firsthand, and the aftermath of which he...

The latest from French writer/filmmaker Carrère (My Life as a Russian Novel, 2010, etc.) is an awkward but intermittently touching hybrid of novel and autobiography.

The book begins in Sri Lanka with the tsunami of 2004—a horror the author saw firsthand, and the aftermath of which he describes powerfully. Carrère and his partner, Hélène, then return to Paris—and do so with a mutual devotion that's been renewed and deepened by all they've witnessed. Back in France, Hélène's sister Juliette, a magistrate and mother of three small daughters, has suffered a recurrence of the cancer that crippled her in adolescence. After her death, Carrère decides to write an oblique tribute and an investigation into the ravages of grief. He focuses first on Juliette's colleague and intimate friend Étienne, himself an amputee and survivor of childhood cancer, and a man in whose talkativeness and strength Carrère sees parallels to himself ("He liked to talk about himself. It's my way, he said, of talking to and about others, and he remarked astutely that it was my way, too”). Étienne is a perceptive, dignified person and a loyal, loving friend, and Carrère's portrait of him—including an unexpectedly fascinating foray into Étienne and Juliette's chief professional accomplishment, which was to tap the new European courts for help in overturning longtime French precedents that advantaged credit-card companies over small borrowers—is impressive. Less successful is Carrère's account of Juliette's widower, Patrice, an unworldly cartoonist whom he admires for his fortitude but seems to consider something of a simpleton. Now and again, especially in the Étienne sections, Carrère's meditations pay off in fresh, pungent insights, and his account of Juliette's last days and of the aftermath (especially for her daughters) is quietly harrowing.

Pub Date: Sept. 13, 2011

ISBN: 978-0-8050-9261-5

Page Count: 256

Publisher: Metropolitan/Henry Holt

Review Posted Online: Aug. 10, 2011

Kirkus Reviews Issue: Sept. 1, 2011

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CARSON THE MAGNIFICENT

A fun if overly flamboyant appreciation of a TV giant.

A biography of American late-night television’s biggest star.

Zehme, author of biographies of Frank Sinatra and Hugh Hefner, had a lifelong love of Tonight Show host Johnny Carson. In 1973, at age 15, Zehme was “already a full-blown Carson fanboy.” As a reporter for Rolling Stone, he tried unsuccessfully to secure an interview to coincide with Carson’s 1992 retirement after a 30-year run. In 2002, Zehme, now with Esquire, “gets extended face time” with the star for a piece to mark 10 years since Carson’s departure. Shortly after Carson’s death in 2005, Zehme began work on a biography. The task was overwhelming—“there was always more to be gleaned”—even before Zehme’s 2013 diagnosis of stage 4 colorectal cancer. He died in 2023, having finished only the first three-quarters of this biography. Thomas, a longtime Chicago arts reporter, has completed the book in time for Carson’s 2025 centenary. The result is an admiring work that nonetheless acknowledges the lows as well as the highs of Carson’s life—he had three divorces—and career, from his ill-fated 1955 variety program The Johnny Carson Show, to his 1957-62 stint as host of the ABC game show Who Do You Trust?, to his taking over The Tonight Show from Jack Paar in 1962. It’s easy to tell where Zehme left off and Thomas took over. The tone changes dramatically, from Zehme’s florid style to Thomas’s drier approach. Those florid passages, which make up most of the book, are baroque in the extreme, with lines like, “And so, like sun and moon and oxygen and ionosphere, Johnny Carson was always there, reliable and steadfast.” Despite the purple prose, the result is an entertaining look at not only a unique figure in 20th-century popular culture but also a bygone era in American television.

A fun if overly flamboyant appreciation of a TV giant.

Pub Date: Nov. 5, 2024

ISBN: 9781451645279

Page Count: 336

Publisher: Simon & Schuster

Review Posted Online: Sept. 14, 2024

Kirkus Reviews Issue: Oct. 15, 2024

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