A frustratingly sentimental depiction of adolescence and American counterculture.
An adolescent girl comes of age in this nostalgic novel of 1970s Baltimore.
In the summer of 1975, nothing has stopped earnest 14-year-old Mary Jane Dillard from loyally accepting her strict Presbyterian mother’s beliefs about what it means to be a well-behaved young woman. Her familiar world turns upside down, however, when she begins nannying for the Cones, an unconventional family made up of Dr. Cone, a psychiatrist, Mrs. Cone, a housewife who—scandalously—doesn’t cook or clean, and Izzy, their winsome daughter. Mary Jane quickly becomes an integral component of the Cone household, not only taking care of Izzy, but also cooking and cleaning for the family. When Dr. Cone welcomes two top-secret guests—a rock star recovering from drug addiction and his movie-star wife—to the household, Mary Jane finds herself getting an unexpected but thrilling crash course in music, fame, sex, and the adult world…one that she’s inevitably forced to hide from her conservative parents. Blau paints an overly rosy picture of Mary Jane’s coming-of-age: Though the book nominally engages with weighty topics including addiction, adultery, and racism, it fails to seriously reckon with them or with the complex and often ugly history of America in the 1970s. The novel’s countercultural setting is, regrettably, mere window dressing. Though Mary Jane’s desire to escape her parents’ oppressive home is understandable, Blau never critically interrogates the Cones’ extreme openness, particularly about sex, which is also inappropriate given the fact that Mary Jane is only 14. With the exception of some clunky dialogue, Blau’s novel is readable and modestly entertaining, and readers nostalgic for the rock-and-roll scene of the '70s will likely enjoy its depiction of a wayward star, but it never dares to ask difficult questions.
A frustratingly sentimental depiction of adolescence and American counterculture.Pub Date: May 11, 2021
ISBN: 978-0-06-305229-1
Page Count: 320
Publisher: Custom House/Morrow
Review Posted Online: Jan. 26, 2021
Kirkus Reviews Issue: Feb. 15, 2021
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
SEEN & HEARD
A pleasant if not entirely convincing tribute to the power of art.
A French art historian’s English-language fiction debut combines the story of a loving relationship between a grandfather and granddaughter with an enlightening discussion of art.
One day, when 10-year-old Mona removes the necklace given to her by her now-dead grandmother, she experiences a frightening, hour-long bout of blindness. Her parents take her to the doctor, who gives her a variety of tests and also advises that she see a psychiatrist. Her grandfather Henry tells her parents that he will take care of that assignment, but instead, he takes Mona on weekly visits to either the Louvre, the Musée d’Orsay, or the Centre Pompidou, where each week they study a single work of art, gazing at it deeply and then discussing its impact and history and the biography of its maker. For the reader’s benefit, Schlesser also describes each of the works in scrupulous detail. As the year goes on, Mona faces the usual challenges of elementary school life and the experiences of being an only child, and slowly begins to understand the causes of her temporary blindness. Primarily an amble through a few dozen of Schlesser’s favorite works of art—some well known and others less so, from Botticelli and da Vinci through Basquiat and Bourgeois—the novel would probably benefit from being read at a leisurely pace. While the dialogue between Henry and the preternaturally patient and precocious Mona sometimes strains credulity, readers who don’t have easy access to the museums of Paris may enjoy this vicarious trip in the company of a guide who focuses equally on that which can be seen and the context that can’t be. Come for the novel, stay for the introductory art history course.
A pleasant if not entirely convincing tribute to the power of art.Pub Date: Aug. 26, 2025
ISBN: 9798889661115
Page Count: 432
Publisher: Europa Editions
Review Posted Online: June 7, 2025
Kirkus Reviews Issue: July 15, 2025
SEEN & HEARD
SEEN & HEARD
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