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ESTRANGED

LEAVING FAMILY AND FINDING HOME

An unsentimentally courageous memoir.

Essayist Gross (editor: About What Was Lost: 20 Writers on Miscarriage, Healing, and Hope, 2006) tells the story of growing up with and then permanently leaving behind the parents who abused her.

The author’s earliest memory was of violence: “My parents believed in corporal punishment.” Discipline from her father involved brutal tongue-lashings and beatings. Both parents told her that she deserved this treatment because she was “fresh, a back-talker…too loud, too opinionated, and too smart for my own good.” Yet on the surface, the family seemed to lead a happy middle-class life in a Long Island house that looked “like something out of a storybook.” As Gross grew into adolescence, she nursed an intense hatred for her family as well as a nascent self-hatred that manifested in thoughts of suicide. Her one release was a diary where she confided “the truth of her home life” she could not reveal to anyone. By high school, Gross was a self-proclaimed “mess” who found temporary escape in alcohol and drugs and still managed to maintain good academic standing. It was only during her college years at Vassar that she began telling close friends about her history of abuse. She confronted her father about his behavior, but even her brothers could not support her, telling her instead to “forget about it.” After moving in and out of jobs and relationships and dealing with recurring episodes of depression, Gross left for graduate school. But it would not be until a job search trip home to Long Island that she would confront her mother and father together and demand that her father admit his guilt. The emotional explosion that ensued caused Gross to end the relationship she had with her parents and begin her own difficult journey to joy. The author chronicles the dark side of family life with honesty while revealing that love can still be a possibility for those willing to break self-defeating patterns of behavior.

An unsentimentally courageous memoir.

Pub Date: July 11, 2017

ISBN: 978-1-5011-0160-1

Page Count: 288

Publisher: Scribner

Review Posted Online: April 29, 2017

Kirkus Reviews Issue: May 15, 2017

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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