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ESTRANGED

LEAVING FAMILY AND FINDING HOME

An unsentimentally courageous memoir.

Essayist Gross (editor: About What Was Lost: 20 Writers on Miscarriage, Healing, and Hope, 2006) tells the story of growing up with and then permanently leaving behind the parents who abused her.

The author’s earliest memory was of violence: “My parents believed in corporal punishment.” Discipline from her father involved brutal tongue-lashings and beatings. Both parents told her that she deserved this treatment because she was “fresh, a back-talker…too loud, too opinionated, and too smart for my own good.” Yet on the surface, the family seemed to lead a happy middle-class life in a Long Island house that looked “like something out of a storybook.” As Gross grew into adolescence, she nursed an intense hatred for her family as well as a nascent self-hatred that manifested in thoughts of suicide. Her one release was a diary where she confided “the truth of her home life” she could not reveal to anyone. By high school, Gross was a self-proclaimed “mess” who found temporary escape in alcohol and drugs and still managed to maintain good academic standing. It was only during her college years at Vassar that she began telling close friends about her history of abuse. She confronted her father about his behavior, but even her brothers could not support her, telling her instead to “forget about it.” After moving in and out of jobs and relationships and dealing with recurring episodes of depression, Gross left for graduate school. But it would not be until a job search trip home to Long Island that she would confront her mother and father together and demand that her father admit his guilt. The emotional explosion that ensued caused Gross to end the relationship she had with her parents and begin her own difficult journey to joy. The author chronicles the dark side of family life with honesty while revealing that love can still be a possibility for those willing to break self-defeating patterns of behavior.

An unsentimentally courageous memoir.

Pub Date: July 11, 2017

ISBN: 978-1-5011-0160-1

Page Count: 288

Publisher: Scribner

Review Posted Online: April 29, 2017

Kirkus Reviews Issue: May 15, 2017

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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I AM OZZY

An autobiography as toxic and addictive as any drug its author has ever ingested.

The legendary booze-addled metal rocker turned reality-TV star comes clean in his tell-all autobiography.

Although brought up in the bleak British factory town of Aston, John “Ozzy” Osbourne’s tragicomic rags-to-riches tale is somehow quintessentially American. It’s an epic dream/nightmare that takes him from Winson Green prison in 1966 to a presidential dinner with George W. Bush in 2004. Tracing his adult life from petty thief and slaughterhouse worker to rock star, Osbourne’s first-person slang-and-expletive-driven style comes off like he’s casually relating his story while knocking back pints at the pub. “What you read here,” he writes, “is what dribbled out of the jelly I call my brain when I asked it for my life story.” During the late 1960s his transformation from inept shoplifter to notorious Black Sabbath frontman was unlikely enough. In fact, the band got its first paying gigs by waiting outside concert venues hoping the regularly scheduled act wouldn’t show. After a few years, Osbourne and his bandmates were touring America and becoming millionaires from their riff-heavy doom music. As expected, with success came personal excess and inevitable alienation from the other members of the group. But as a solo performer, Osbourne’s predilection for guns, drink, drugs, near-death experiences, cruelty to animals and relieving himself in public soon became the stuff of legend. His most infamous exploits—biting the head off a bat and accidentally urinating on the Alamo—are addressed, but they seem tame compared to other dark moments of his checkered past: nearly killing his wife Sharon during an alcohol-induced blackout, waking up after a bender in the middle of a busy highway, burning down his backyard, etc. Osbourne is confessional to a fault, jeopardizing his demonic-rocker reputation with glib remarks about his love for Paul McCartney and Robin Williams. The most distinguishing feature of the book is the staggering chapter-by-chapter accumulation of drunken mishaps, bodily dysfunctions and drug-induced mayhem over a 40-plus-year career—a résumé of anti-social atrocities comparable to any of rock ’n’ roll’s most reckless outlaws.

An autobiography as toxic and addictive as any drug its author has ever ingested.

Pub Date: Jan. 25, 2010

ISBN: 978-0-446-56989-7

Page Count: 320

Publisher: Grand Central Publishing

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 1, 2009

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