An unsentimentally courageous memoir.

Essayist Gross (editor: About What Was Lost: 20 Writers on Miscarriage, Healing, and Hope, 2006) tells the story of growing up with and then permanently leaving behind the parents who abused her.

The author’s earliest memory was of violence: “My parents believed in corporal punishment.” Discipline from her father involved brutal tongue-lashings and beatings. Both parents told her that she deserved this treatment because she was “fresh, a back-talker…too loud, too opinionated, and too smart for my own good.” Yet on the surface, the family seemed to lead a happy middle-class life in a Long Island house that looked “like something out of a storybook.” As Gross grew into adolescence, she nursed an intense hatred for her family as well as a nascent self-hatred that manifested in thoughts of suicide. Her one release was a diary where she confided “the truth of her home life” she could not reveal to anyone. By high school, Gross was a self-proclaimed “mess” who found temporary escape in alcohol and drugs and still managed to maintain good academic standing. It was only during her college years at Vassar that she began telling close friends about her history of abuse. She confronted her father about his behavior, but even her brothers could not support her, telling her instead to “forget about it.” After moving in and out of jobs and relationships and dealing with recurring episodes of depression, Gross left for graduate school. But it would not be until a job search trip home to Long Island that she would confront her mother and father together and demand that her father admit his guilt. The emotional explosion that ensued caused Gross to end the relationship she had with her parents and begin her own difficult journey to joy. The author chronicles the dark side of family life with honesty while revealing that love can still be a possibility for those willing to break self-defeating patterns of behavior.

An unsentimentally courageous memoir.

Pub Date: July 11, 2017

ISBN: 978-1-5011-0160-1

Page Count: 288

Publisher: Scribner

Review Posted Online: April 29, 2017

Kirkus Reviews Issue: May 15, 2017


If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

The authors have created a sort of anti-Book of Virtues in this encyclopedic compendium of the ways and means of power.

Everyone wants power and everyone is in a constant duplicitous game to gain more power at the expense of others, according to Greene, a screenwriter and former editor at Esquire (Elffers, a book packager, designed the volume, with its attractive marginalia). We live today as courtiers once did in royal courts: we must appear civil while attempting to crush all those around us. This power game can be played well or poorly, and in these 48 laws culled from the history and wisdom of the world’s greatest power players are the rules that must be followed to win. These laws boil down to being as ruthless, selfish, manipulative, and deceitful as possible. Each law, however, gets its own chapter: “Conceal Your Intentions,” “Always Say Less Than Necessary,” “Pose as a Friend, Work as a Spy,” and so on. Each chapter is conveniently broken down into sections on what happened to those who transgressed or observed the particular law, the key elements in this law, and ways to defensively reverse this law when it’s used against you. Quotations in the margins amplify the lesson being taught. While compelling in the way an auto accident might be, the book is simply nonsense. Rules often contradict each other. We are told, for instance, to “be conspicuous at all cost,” then told to “behave like others.” More seriously, Greene never really defines “power,” and he merely asserts, rather than offers evidence for, the Hobbesian world of all against all in which he insists we live. The world may be like this at times, but often it isn’t. To ask why this is so would be a far more useful project.

If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

Pub Date: Sept. 1, 1998

ISBN: 0-670-88146-5

Page Count: 430

Publisher: Viking

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 15, 1998


The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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