SAD DESK SALAD

Name: SAD DESK SALAD
Author: Jessica Grose
ISBN: 978-0-06-218834-2

by Jessica Grose ‧ RELEASE DATE: Oct. 2, 2012

A quick-witted insider’s view of the blogosphere, media pandering, Internet privacy and the difficulty of being a good girl...

bookshelf

Fat celebrity thighs and coke-sniffing coeds are fair fodder in this rollicking tour into the life of a gossip blogger, from former Slate editor Grose.

When Alex graduated from Wesleyan, she was hoping for a job in serious journalism. Change the world kind of stuff. But alas, she ended up at an NYC online music journal. When an offer to write for Chick Habit came along (a real salary and the chance to write about real issues), she counted herself lucky. That was before the quotas began—she needs a million hits a month, or else. So goodbye sad stories about foreign ladies, hello Real Housewives. This new numbers game is keeping Alex shackled to her laptop, scanning news feeds all day for potentially sexy stories to blog about. Alex knows things are out of hand when her sweet boyfriend, Peter, begs her to shower. Monday begins with a story about a fallen beauty queen, but then Alex gets wind of a hate blog directed at her: Break the Chick Habit, or BTCH. Alex, Tina and Rel, two other writers at Chick Habit, commiserate over scorpion bowls. Hate bloggers are common, but this one seems to have a lot of intimate information. Tuesday brings Alex a shot at blogger fame when an anonymous link is sent to her email. In the video, Becky West, MIT wunderkind, is shown snorting coke. Hardly unconventional college behavior, but it’s newsworthy because Becky’s mother is Darleen West, Tiger mom famous for her patronizing parenting books. Alex isn’t sure she should publish—does Becky deserve the notoriety? Alex’s boss, Moira, herself born of the flames of U.K. tabloids, pushes forward. The next day, the video goes viral, Alex will soon appear on the Today show, and BTCH is threatening to expose some dark secrets. Before she has a nervous breakdown, Alex has to find the missing Becky, track the creator of BTCH, reconcile with a furious Peter and patch up her fading sense of self.

A quick-witted insider’s view of the blogosphere, media pandering, Internet privacy and the difficulty of being a good girl in a bad, bad world.

Pub Date: Oct. 2, 2012

ISBN: 978-0-06-218834-2

Page Count: 304

Publisher: Morrow/HarperCollins

Review Posted Online: Sept. 1, 2012

Kirkus Reviews Issue: Sept. 15, 2012

Categories:

GENERAL FICTION

- BOOK REVIEW
SCREAMING ON THE INSIDE
by Jessica Grose

- BOOK REVIEW
SOULMATES
by Jessica Grose

bookshelf

TELL ME LIES

by Carola Lovering ‧ RELEASE DATE: June 12, 2018

There are unforgettable beauties in this very sexy story.

bookshelf

Passion, friendship, heartbreak, and forgiveness ring true in Lovering's debut, the tale of a young woman's obsession with a man who's "good at being charming."

Long Island native Lucy Albright, starts her freshman year at Baird College in Southern California, intending to study English and journalism and become a travel writer. Stephen DeMarco, an upperclassman, is a political science major who plans to become a lawyer. Soon after they meet, Lucy tells Stephen an intensely personal story about the Unforgivable Thing, a betrayal that turned Lucy against her mother. Stephen pretends to listen to Lucy's painful disclosure, but all his thoughts are about her exposed black bra strap and her nipples pressing against her thin cotton T-shirt. It doesn't take Lucy long to realize Stephen's a "manipulative jerk" and she is "beyond pathetic" in her desire for him, but their lives are now intertwined. Their story takes seven years to unfold, but it's a fast-paced ride through hookups, breakups, and infidelities fueled by alcohol and cocaine and with oodles of sizzling sexual tension. "Lucy was an itch, a song stuck in your head or a movie you need to rewatch or a food you suddenly crave," Stephen says in one of his point-of-view chapters, which alternate with Lucy's. The ending is perfect, as Lucy figures out the dark secret Stephen has kept hidden and learns the difference between lustful addiction and mature love.

There are unforgettable beauties in this very sexy story.

Pub Date: June 12, 2018

ISBN: 978-1-5011-6964-9

Page Count: 352

Publisher: Atria

Review Posted Online: March 19, 2018

Kirkus Reviews Issue: April 1, 2018

Categories:

GENERAL FICTION

- BOOK REVIEW
CAN'T LOOK AWAY
by Carola Lovering

- BOOK REVIEW
TOO GOOD TO BE TRUE
by Carola Lovering

bookshelf

EVA LUNA

by Isabel Allende ‧ RELEASE DATE: Oct. 21, 1988

bookshelf

Here, after last year's Of Love and Shadows, the tale of a quirky young woman's rise to influence in an unnamed South American country—with a delightful cast of exotic characters, but without the sure-handed plotting and leisurely grace of Allende's first—and best—book, The House of the Spirits (1985). When little Eva Luna's mother dies, the imaginative child is hired out to a string of eccentric families. During one of her periodic bouts of rebellion, she runs away and makes friends with Huberto Naranjo, a slick little street-kid. Years later, when she's in another bind, he finds her a place to stay in the red-light district—with a cheerful madame, La Senora, whose best friend is Melesio, a transvestite cabaret star. Everything's cozy until a new police sergeant takes over the district and disrupts the accepted system of corruption. Melesio drafts a protesting petition and is packed off to prison, and Eva's out on the street. She meets Riad Halabi, a kind Arab merchant with a cleft lip, who takes pity on her and whisks her away to the backwater village of Agua Santa. There, Eva keeps her savior's sulky wife Zulema company. Zulema commits suicide after a failed extramarital romance, and the previously loyal visitors begin to whisper about the relationship between Riad Halabi and Eva. So Eva departs for the capital—where she meets up with Melesio (now known as Mimi), begins an affair with Huberto Naranjo (now a famous rebel leader), and becomes casually involved in the revolutionary movement. Brimming with hothouse color, amply displayed in Allende's mellifluous prose, but the riot of character and incident here is surface effect; and the action—the mishaps of Eva—is toothless and vague. Lively entertainment, then, with little resonance.